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Crimewave (1985)

 -  Comedy | Crime | Horror  -  25 April 1986 (USA)
5.9
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Ratings: 5.9/10 from 3,561 users   Metascore: 34/100
Reviews: 53 user | 32 critic | 4 from Metacritic.com

A pair of whacked-out cartoon-like exterminator/hitmen kill the owner of a burglar-alarm company, and stalk the partner who hired them, his wife, and a nerd framed for the murder, who tells the story in flashback from the electric chair.

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Title: Crimewave (1985)

Crimewave (1985) on IMDb 5.9/10

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Cast

Cast overview, first billed only:
...
Helene Trend
Paul L. Smith ...
Faron Crush
...
Arthur Coddish
...
Nancy
...
Ernest Trend
...
Renaldo 'The Heel'
...
Vic Ajax
Richard Bright ...
Officer Brennan
...
Blind Man
Hamid Dana ...
Donald Odegard
John Hardy ...
Mr. Yarman
Emil Sitka ...
Colonel Rodgers
Hal Youngblood ...
Jack Elroy
Sean Farley ...
Jack Elroy Jr
Richard DeManincor ...
Officer Garvey
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Storyline

A pair of whacked-out cartoon-like exterminator/hitmen kill the owner of a burglar-alarm company, and stalk the partner who hired them, his wife, and a nerd framed for the murder, who tells the story in flashback from the electric chair.

Add Full Plot | Add Synopsis

Taglines:

Extermination is not just a business. It's a way of life.

Genres:

Comedy | Crime | Horror

Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 April 1986 (USA)  »

Also Known As:

The XYZ Murders  »

Filming Locations:

 »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Paul L. Smith's voice was dubbed in by another actor during post-production. See more »

Goofs

When Vic is on the stairs reading his 'how to' book, his ladder is folded up and leaning on the wall behind him; before Renaldo shows up, it is open and standing away from the wall, and then it is gone after Renaldo leaves. See more »

Quotes

Vic Ajax: Hello, Colonel. How are you this evening?
Colonel Rodgers: Adequate. One mother-lovin' hell of a storm comin.' Know how I can tell? Steel plate
[clang]
Colonel Rodgers: in my head. Yes sir, Korea was no picnic.
See more »

Crazy Credits

After the credits, we see the box (with Mrs. Trend inside) in Uruguay. See more »

Connections

References For Pete's Sake! (1934) See more »

Soundtracks

Cherish
Written by Terry Kirkman
See more »

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User Reviews

 
prepare to live 80 marvellous minutes of absolute alienation!
28 September 2006 | by (Belgium) – See all my reviews

It is so strange how some films never seem to catch the attention of either the public or the critics. Most would rightly assume the reason being the lack of quality of the film in question, which is indeed often the case. But not so with 'Crimewave', at least not as far as I am concerned.

This film is so far out that most people never ever venture there and never will. There is scarcely anything normal about this film: even other Coen products pale into normality compared to it. And this is precisely the film's attractiveness. The situations, characters, dialogues and overall cinematographic language is absolutely unique. I cannot compare Crimewave with any other film out there, and I've seen thousands. Cartoonesque, surreal, utterly stupid, screamingly funny because not trying to be, the film boasts attributes I have not really encountered anywhere else, at least not in just the one film. Tex Avery cartoons may at times spring to mind, as may some films by French director George Lautner, or Bogdanovich' screamingly funny 'What's Up, Doc?' ... oh, and of course the equally terrific over the top romp 'Raising Arizona'!

Acting as well is so totally over the top that even just trying to take it serious, merely results in total incomprehension on the part of the utterly bewildered and bemused viewer. This film is totally about style inasmuch as even its substance is style.

The incredibly unreal atmosphere the film exudes is - apart from the aspects already mentioned - also due to the lavish use of alienatingly oversaturated colours: they marvellously complement the overall strangeness of the film.

I have seen this film dozens of times and have never had any cinematic blinkers on me and I still get warped and thrilled out of my human, mainly logical mind by everything this jewel of a film can and does throw at me, time and time again.

Approach it for yourself without prejudice, constraint or any other preconceived notion of what a film can, must, could or should be and simply enjoy 80 minutes of marvel!


13 of 18 people found this review helpful.  Was this review helpful to you?

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