In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage... See full summary »
In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on Written by
Paco Delgado <firstname.lastname@example.org>
Everyone has their own side of the story. Franco's Entertainment Censorship Commission has a hard bone to chew with EL CASTO JOSE, operetta that, according to them, attacks the family values, church, Franco and even the laws of decency.
The whole ensemble has been taken by the police to be interrogated, and as everyone of them has a different point of view on the same subject, they all say different things and some truths that should have remained secret, come to light.
The young author, inspired by the classic zarzuela LA CORTE DE FARAON, has only expressed his feelings and made another version on the story of José and the Egyptian Pharaoh. Never intending to mock or ridicule the government or the church. But, as each one of them sees only what they want to see, they will stay there until everything gets cleared up. The good this is, they will do it while eating a huge paella, courtesy of Mr. Roque, the author's father.
The comedy is very agile, funny and well written. Banderas, Belén, López Vázquez, Fernán Gómez, and everybody else, are superb. Not to be missed either!
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