Boldly unconventional and cheerful, that's how one could describe Babou. Never having cared about social conventions, she is suddenly faced with the realization that her own daughter is ... See full summary »
A man and a woman go out on a "big" third date. He's ashamed to admit he just lost his job, and she's afraid he'll run away if he finds out that she has a kid. Small lies lead to bigger ones and the night gets crazy very soon.
Stoney Cooper, a former Los Angeles police officer, is at a low point in his life. Kicked off the force because of his anti-authority attitude, he now ekes out a living as a freelancer in ... See full summary »
A hit song is the inspiration for this movie. In 1948, an aspiring songwriter, Tony, is working as a pianist in a bar; he meets Lola who wants to make it in show business. Tony is immediately smitten with the beautiful woman. At Manhattan's Copacabana lounge, they both start finding fame. However, fate steps in and she is swept to Havana to work in a splashy night club act where she is convinced she will find her stardom. Instead she finds Rico, a suave gangster who manages the club. Written by
John Sacksteder <firstname.lastname@example.org>
During a late 1985 appearance on "The Tonight Show with Johnny Carson", shortly before the movie aired on TV, Manilow actually revealed the ending to the movie, leading much of the audience to groan. However, he mistakenly thought they groaned not because he revealed the ending, but because of what actually happened to his character at the end, leading Manilow to comment, "It's only a movie." See more »
[Improving a musical arrangement for Lola]
We'll change the keys! That always works.
See more »
Underrated tribute to 40s screwball comedies and musicals. First rate score, excellent performances, and beautiful period settings. The feature film lighting is also quite remarkable for this time as most TV movies adopted flat TV lighting. Manilow interprets his own material far better than any of the Tonys in the
various stage musical versions that followed in later years. He's sort of a male Barbara Streisand with an underplayed comic edge, versatile acting skills, and a great voice. Too bad musicals were (and still are) dead by 1985. The
showcase number, "Who Needs to Dream" is both the highlight and the biggest
disappointment because it should have been staged better, even on a low
budget. It's reminiscent of Gene Kelly's famous "Singin' In The Rain" but without the rain and painfully static camera shots--cutting back and forth, back and forth between Tony and Lola. Tony (Barry) moves around a bit more toward the end,
but one is left with the impression this was the last scene they shot when they were out of money or time to do it right. The DVD version offers a beautiful transfer but, sadly offers no commentary or extra features.
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