| Photos (See all 37 | slideshow) | Videos (see all 3) |
| Arnold Schwarzenegger | ... | John Matrix | |
| Rae Dawn Chong | ... | Cindy | |
| Dan Hedaya | ... | Arius | |
| Vernon Wells | ... | Bennett | |
| James Olson | ... | Major General Franklin Kirby | |
| David Patrick Kelly | ... | Sully | |
| Alyssa Milano | ... | Jenny Matrix | |
| Bill Duke | ... | Cooke | |
| Drew Snyder | ... | Lawson | |
| Sharon Wyatt | ... | Leslie | |
| Michael Delano | ... | Forrestal (as Michael DeLano) | |
| Bob Minor | ... | Jackson | |
| Michael Adams | ... | Harris (as Mike Adams) | |
| Gary Carlos Cervantes | ... | Diaz (as Carlos Cervantes) | |
| Lenny Juliano | ... | Soldier | |
| Charles Meshack | ... | Henriques | |
| Chelsea Field | ... | Western Flight Attendant | |
| Julie Hayek | ... | Western Flight Attendant | |
| Hank Calia | ... | Latin Man | |
| Walter Scott | ... | Cates | |
| Greg Wayne Elam | ... | Biggs (as Gregory W. Elam) | |
| George Fisher | ... | Mall Security Guard | |
| Phil Adams | ... | Officer in Galleria | |
| Ava Cadell | ... | Girl in Bed at Motel | |
| Mikul Robins | ... | Boy in Bed at Motel | |
| Branscombe Richmond | ... | Vega | |
| Matt Landers | ... | Fred | |
| Peter DuPont | ... | Daryl | |
| Tom Simmons | ... | Kirby's Driver | |
| Bill Paxton | ... | Intercept Officer | |
| Richard Royce | ... | Intercept Officer | |
| John Reyes | ... | Val Verde Heavy | |
| Billy Cardenas | ... | Val Verde Heavy | |
| Edward Reyes | ... | Val Verde Heavy | |
| Vivian Daily | ... | Woman Officer | |
| Thomas Rosales Jr. | ... | Young Guerrilla | |
| Ronald C. McCarty | ... | Guerrilla | |
| Jim Painter | ... | Police Officer | |
| rest of cast listed alphabetically: | |||
| Rick Sawaya | ... | Island Guerrilla (uncredited) | |
Directed by | |||
| Mark L. Lester | |||
Writing credits | ||
| Jeph Loeb | (story) (as Joseph Loeb III) & | |
| Matthew Weisman | (story) and | |
| Steven E. de Souza | (story) | |
| Steven E. de Souza | (screenplay) | |
Produced by | |||
| Stephanie Brody | .... | co-associate producer | |
| Robert Kosberg | .... | co-associate producer | |
| Jeph Loeb | .... | associate producer (as Joseph Loeb III) | |
| Joel Silver | .... | producer | |
| Matthew Weisman | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Matthew F. Leonetti | |||
Film Editing by | |||
| Glenn Farr | |||
| Mark Goldblatt | |||
| John F. Link | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| John Vallone | |||
Set Decoration by | |||
| Robert Gould | |||
Makeup Department | |||
| Joe McKinney | .... | makeup artist | |
| William Turner | .... | makeup artist | |
| Joy Zapata | .... | hair stylist | |
Production Management | |||
| Larry Kostroff | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| K.C. Colwell | .... | second assistant director | |
| Bennie E. Dobbins | .... | second unit director | |
| Karen Gaviola | .... | dga trainee | |
| Beau Marks | .... | first assistant director (as Beau E.L. Marks) | |
| Brad Yacobian | .... | additional second assistant director | |
Art Department | |||
| Craig Baron | .... | set dresser | |
| William D. Derham | .... | lead man | |
| Bruce Di Valerio | .... | propmaker foreman (as Bruce DiValerio) | |
| Cal DiValerio | .... | construction coordinator | |
| Ron Esposito | .... | construction painter | |
| Douglas Forsmith | .... | set dresser | |
| Jaymes Hinkle | .... | production painter | |
| Nikita Knatz | .... | production illustrator | |
| Mark Lapotsky | .... | greensman | |
| Douglas E. Madison | .... | property master (as Doug Madison) | |
| Daniel Maltese | .... | set designer (as Dan Maltese) | |
| David Q. Quick | .... | assistant property master (as David Quick) | |
| John M. Schenk | .... | assistant property master (as John Schenk) | |
| Tom Shaw Jr. | .... | assistant property master | |
| William Boyd | .... | construction foreman (uncredited) | |
Sound Department | |||
| Don J. Bassman | .... | sound re-recording mixer (as Don Bassman) | |
| Gary Bolger | .... | foley recordist | |
| Fred J. Brown | .... | special sound effects (as Frederick J. Brown) | |
| Kevin E. Carpenter | .... | adr mixer (as Kevin Carpenter) | |
| Kevin F. Cleary | .... | sound re-recording mixer | |
| Richard Corwin | .... | sound editor | |
| Evelyn Dutton | .... | foley artist | |
| Jim Fitzpatrick | .... | stereo sound consultant: Dolby | |
| William Hartman | .... | sound editor | |
| Craig Heath | .... | sound recordist | |
| Pieter Hubbard | .... | sound editor | |
| David M. Ice | .... | sound editor (as David Ice) | |
| Brent Johnson | .... | cable person | |
| Donald F. Johnson | .... | production sound mixer (as Don Johnson) | |
| Michael O'Corrigan | .... | sound editor (as Michael Corrigan) | |
| Margie O'Malley | .... | foley artist (as Margie Denecke) | |
| Richard Overton | .... | sound re-recording mixer | |
| Glad Pickering | .... | adr editor | |
| Michelle Pleis | .... | assistant sound effects editor | |
| Hank Salerno | .... | supervising adr editor | |
| Ronald Sinclair | .... | adr editor (as Ron Sinclair) | |
| Gail Steele | .... | foley artist (as Gail Ganley Steele) | |
| Jules Strasser | .... | boom operator | |
| Tim Webb | .... | sound re-recordist | |
| Vic Zaslav | .... | adr recordist | |
Special Effects by | |||
| Doug Hubbard | .... | special effects | |
| Gary L. King | .... | special effects (as Gary King) | |
| Jay King | .... | special effects | |
| Roger Lifsey | .... | special effects | |
| Bill Mattox | .... | special effects | |
| Henry Millar | .... | special effects coordinator | |
| Mike Millar | .... | special effects | |
| John Peyser | .... | special effects | |
| Rick Thompson | .... | special effects (as Richard Thompson) | |
Visual Effects by | |||
| Jim Danforth | .... | matte artist (uncredited) | |
| Jim Danforth | .... | matte photographer (uncredited) | |
| Alan G. Markowitz | .... | visual effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Mark Averill | .... | dolly grip | |
| Lloyd Barcroft | .... | best boy | |
| Douglas E. Beal | .... | second assistant camera (as Doug Beal) | |
| Pat Blymyer | .... | best boy (as Patrick Blymyer) | |
| John Donnelly | .... | second company grip | |
| Bob Ellis | .... | best boy electric | |
| Robert Fiore | .... | lamp operator | |
| John R. Leonetti | .... | first assistant camera | |
| John J. Linder | .... | key grip (as John Linder) | |
| Bruce McBroom | .... | still photographer | |
| Tony Rivetti | .... | first assistant camera: "b" camera | |
| Michael St. Hilaire | .... | camera operator | |
| Edward R. Thompson Jr. | .... | best boy electric (as Ed Thompson) | |
| Frank Tobin | .... | lamp operator | |
| Joseph F. Valentine | .... | Steadicam operator (as Joe Valentine) | |
| Joseph F. Valentine | .... | camera operator: "b" camera (as Joe Valentine) | |
| Dave Wachtman | .... | dolly grip (as David Wachtman) | |
Casting Department | |||
| David Gonzales | .... | casting associate | |
| Jim Green | .... | extras casting | |
| Carl Joy | .... | extras casting | |
| Billy DaMota | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Kathie Gale | .... | costumer: women | |
| Enid Harris | .... | costumer | |
| Robert B. Harris | .... | costume supervisor (as Bob Harris) | |
| Louis Infante | .... | costumer: men (as Lou Infante) | |
Editorial Department | |||
| Paul Anderson | .... | assistant film editor | |
| Carrie Ellison | .... | assistant film editor | |
| Joseph Guresky | .... | assistant film editor | |
| Jack Hooper | .... | negative cutter | |
| David Jansen | .... | apprentice film editor | |
| Jim Schurmann | .... | head color timer | |
Music Department | |||
| Thomas A. Carlson | .... | assistant music editor (as Tom Carlson) | |
| Raechel Donahue | .... | vocal effects advisor | |
| Danny Goldberg | .... | special music consultant | |
| Jay Gruska | .... | music producer | |
| James Horner | .... | music producer | |
| Greig McRitchie | .... | orchestrator | |
| Ken Runyon | .... | music editor | |
| Dan Wallin | .... | music scoring mixer | |
Transportation Department | |||
| Whitey Ellison | .... | transportation coordinator | |
| Wayne Morris | .... | transportation captain | |
| James Nordberg | .... | transportation (uncredited) | |
Other crew | |||
| Anthony Blake Brand | .... | production assistant | |
| Dennis Chase | .... | craft service | |
| Robert C. Decker | .... | location manager (as Robert Decker) | |
| John Gamble | .... | helicopter pilot | |
| Debbie Gaudio | .... | assistant auditor | |
| Larry Hand | .... | production accountant | |
| Paul Hibler | .... | caterer | |
| Fred Inman | .... | police coordinator | |
| Herb Johnson | .... | pilot: Grumman Goose | |
| Howard Keys | .... | first aid | |
| Anita Lerner | .... | assistant: Arnold Schwarzenegger | |
| Richard Liebegott | .... | production coordinator | |
| Andrew Lipschultz | .... | publicity coordinator | |
| Peter McKernan Sr. | .... | helicopter pilot | |
| Peter McKernan | .... | helicopter pilot (as Peter McKernan Jr.) | |
| Steve McNichols | .... | production assistant | |
| Lisa Meechan | .... | production secretary | |
| John Panzarella | .... | location manager | |
| Leslie Paonessa | .... | assistant: Mark Lester | |
| George Parra | .... | apprentice location manager | |
| Ross Reynolds | .... | helicopter pilot | |
| Ron Rotholz | .... | assistant: Joel Silver | |
| Arlene Singer-Gross | .... | teacher (as Arlene Singer) | |
| Charles A. Tamburro | .... | helicopter pilot (as Charles A. Tamburo) | |
| Michael Tamburro | .... | helicopter pilot (as Michael E. Tamburo) | |
| Cliff Taylor | .... | apprentice location manager | |
| Mary Thomas | .... | assistant: Joel Silver (as Mary C. Thomas) | |
| Elaine K. Thompson | .... | production associate | |
| Marion Tumen | .... | script supervisor | |
| Michael M. Vendrell | .... | martial arts specialist | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Jack Crain | .... | knife design/manufacturer (uncredited) | |
| Charles A. Tamburro | .... | aerial coordinator (uncredited) | |
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| Machete | The Expendables | The Professional: Golgo 13 | The Dark Knight | Captain America: The First Avenger |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
When I was growing up, I had two heroes on the big screen. One was Rambo and the other was Indiana Jones. They were two relentless characters that would never stop, never give up and their tenacity was stuff that kids or teens would swear by. When we were playing adventure games those were the two characters that always got chosen to play first. But the same year that Rambo II came out, a new hero was born. We all knew who Arnold was, he was the Terminator. But when Commando was released, one of my best friends said to me, " Hey Dan, I think this guy could take Rambo." After all Matrix says to Cook, " I eat green berets for breakfast and right now I'm very hungry!" I would maybe have to concur. Matrix was the toughest man alive ( until MacGyver came out ). And Commando is one of the best memories that I have as a young man growing up in the 80's. Besides it being a damn fine, fun movie, it also has two other elements that began to teach me about film. First a young Bill Paxton was in it and secondly I began to notice the name Joel Silver. He is the producer extraordinaire that is the man behind hits like Die Hard, Predator, Weird Science and more recently The Matrix. Now I look for his name in the producers chair and when he is on that poster as producer, I'll run to that movie.
Commando doesn't pretend to be something that it's not. The Rambo character was more into politics and it took itself a little more seriously than Commando did and that's fine. But this film is nothing but entertainment. It starts fast and violent and it ends hard and violent. You think Rambo kills a lot in Rambo, then count the bodies in this one. But it is so much fun because not only does Arnold have fun with it, but the script, as cheesy as it may seem is actually brilliant. Arnold's one liners are now a staple of his film persona and I think you can look at this film as the root of that persona. For example " Any carry on luggage? " the stewardess asks Arnold, " Just him," he replies pointing at the thug that is escorting him onto the plane. After he beats the hell out of Bill Duke he says, " We'll take Cooks car, he won't be needing it." And of course, to Bennett when they are about to fight mano a mano, "Come on Bennett, let's party!" Commando is littered with small moments like that you won't soon forget. It has stayed with me for 15 years and me and my friends rent it every now and again to laugh and cheer. If this a film that you haven't seen yet, then do so. If you haven't seen this film in quite a while, you should treat yourself to it. It is fun fun and more fun. And this is the first film that Arnold reprises his famous line " I'll be back!" So what's not to like about it?