In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
This film follows the life of Celie, a young black girl growing up in the early 1900's. The first time we see Celie, she is 14 - and pregnant - by her father. We stay with her for the next 30 years of her tough life... Written by
Colin Tinto <firstname.lastname@example.org>
Although Quincy Jones is the sole music credit during the opening titles, a dispute arose regarding much of the music in the film. As a result, when the score was nominated for Best Original Score at the Oscars, twelve musicians (including Jones) were listed as contributors to the score. See more »
The shaving cream on Mister's face changes between shots as Celie is sharpening the razor and Shug is seen running to the house. See more »
Sat in that jail, I sat in that jail til I near about done rot to death. I know what it like to wanna go somewhere and cain't. I know what it like to wanna sing... and have it beat out 'ya. I want to thank you, Miss Celie, fo everything you done for me. I 'members that day in the store with Miss Millie - I's feelin' real down. I's feelin' mighty bad. And when I seed you - I know'd there is a God. I know'd there is a God.
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"A powerful insight into the life of a mistreated black woman in the Deep South"
This stunning and enthralling portrayal, directed by the marvelous Steven Spielberg, is a true gem for reminding the world of the hardships of the ancestors of America's black peoples. Celie, an uneducated black woman is mistreated by her father, her "Mister", her step-children and almost anyone she is forced to endure aside from sister Nettie of course whose companionship, I believe, reiterates an important message: to love each other no matter what.
The brief injections of comedic satire in the picture enable Goldberg, in her debut, to show the world what she really is a comic. A Golden Globe Award-winning and Oscar-nominated performance allows Goldberg to profess the destitute situation of the protagonist. One feels this was Goldberg's time to shine and really did thoroughly deserve that golden statuette from the Academy in comparison to her actual Oscar-winning supporting performance in 1990's Ghost. Nonetheless, the lack of real acclaim for this picture doesn't take away its drawing and moving storyline to see if, for once, Celie can really be happy.
I didn't really recognize much of the supporting cast of the movie, expect from Oprah Winfrey. Now, I was not expecting much from Winfrey's performance as time and time again you get the occasional 'pop' and 'TV' stars who try and make the 'transition' into film. However, I was pleasantly surprised of Winfrey's portrayal of a distraught and let's say 'difficult' housewife Sofia. Although her character, I felt, did in a sense perpetuate the stereotype of the "big angry black woman" which I believe the film was trying to move away from. All in all, Winfrey garnered both an Oscar and Golden Globe nomination.
One of the most beautiful pictures I have seen in years, and, not a single Oscar win, that I'll never know.
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