An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Bryce Dallas Howard
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
This film follows the life of Celie, a young black girl growing up in the early 1900's. The first time we see Celie, she is 14 - and pregnant - by her father. We stay with her for the next 30 years of her tough life... Written by
Colin Tinto <email@example.com>
In the scene in which Celie has on Shug's dress in Shug's bedroom, Shug makes Celie look in the dresser mirror. There is another mirror on the dresser in which a crew members head is visible. See more »
I loves Harpo, God knows I do. But I'll kill him dead 'fo I let him beat me.
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This is a truly wonderful film from the guru of directing, Mr Steven Spielberg. This great director has suffered much criticism throughout his career. He was slammed by a lot of the press for 'never really growing up' and it took SCHINDLER'S LIST to quiten these critics. However almost ten years before his remarkable account of the Holocaust Spielberg directed this gem.
It is the moving tale of a young black girl born into a male-dominated world, and tells the story of her gradual loss of identity followed by her defiance in reclaiming the life she lost. This was Whoopi Goldberg's remarkable screen debut that assured her of major stardom, and it is not hard to see why. Her fear towards her husband is frighteningly real, as is her silent rebellious side that ventures outwards in the last section of the film. Danny Glover paints a horrific image of a cruel husband, and still manages to give us a valid reason why he acts the way he does, before a moving conclusion to his character's development. The part of Sofia is also expertly played by Oprah Winfrey, especially during the Christmas reunion scene when the viewer can't help but share her pain through to joy. A special treat is an appearance by Laurence Fishburne (then Larry) in a small role.
It is cinema such as this that proves Steven Spielberg's genius. You will often forget that it is him you are watching (not least by the lack of another genius, Mr John Williams), but it only adds to this director's credit that he is so versatile. If anyone passed over this film as a possible blip in Spielberg's career (as I shamefully did!) watch it now! You will not be disappointed.
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