Club Life (1986)

R  |   |  Action, Drama, Thriller  |  March 1986 (USA)
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Ratings: 5.4/10 from 78 users  
Reviews: 4 user | 4 critic

A young man from a small town goes to Hollywood to make his fortune. He gets hired as a bouncer at a disco club, but soon finds himself caught up in drugs, gangsters and eventually has to ... See full summary »


(as Norman T. Vane)


(as Norman T. Vane)
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Credited cast:
Tilly Francesca (as Dee Wallace-Stone)
Yana Nirvana ...
The Butchettes
Rest of cast listed alphabetically:
Pat Ast ...
Jamie Barrett ...
Kimberlee Carlson ...
The Butchettes
Kate Finlayson ...
Brunette Fighter
Ronnie Gilbert ...
Block kid
Black Punk
Ron Kuhlman ...
The Doctor


A young man from a small town goes to Hollywood to make his fortune. He gets hired as a bouncer at a disco club, but soon finds himself caught up in drugs, gangsters and eventually has to flee when his boss and another bouncer are murdered by drug dealers, who are soon after him. Written by

Plot Summary | Add Synopsis


Small town hero to big city action. See more »


Action | Drama | Thriller


R | See all certifications »




Release Date:

March 1986 (USA)  »

Also Known As:

King of the City  »

Filming Locations:

Company Credits

Production Co:

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Did You Know?


Tony Curtis improvised the whole speech he delivers at the funeral in the club. See more »


Featured in Adjust Your Tracking (2013) See more »


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Performed by Urok
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User Reviews

How do you NOT love this movie.
10 October 2010 | by (Los Angeles) – See all my reviews

My friends and I raid cheap video stores around LA and pick up TONS of titles like this. There's nothing like straight to video 80s B movies, they fu*kin rule.

This one absolutely did not disappoint. The best aspect of one of these films is that they always manage to bring in one washed up star for the "heavy" role, or some juicy part. Amazingly, they managed to get Tony Curtis for this picture.

I had the feeling that the entire thing was an excuse for the director to call his friends and go "Holy shi*, I got Tony Curtis to be in my movie!" The whole thing seems like Tony just walked on set, threw away his pages and ignored all direction and just said "Im not doing it like that, ya motherfu*ker. Im doing it THIS way." And bless his heart for it, because he RULES in this. Of course this was a schlocky movie for him to do, and its no doubt Tony's a great actor. But to watch him in something like this, surrounded by a bunch of other horrendous actors makes him shine twice as bright. It's kind of like being a mediocre looking chick in a group of fatties. Any other night, nobody would look twice at you. But tonight, you're a STAR. He's such a bad ass in it, I loved it. It made me wish he'd go for meatier roles like this in real movies in his older age.

Micheal Parks is his usual, bad ass "Nick Nolte before Nick Nolte" self. He spews tons of great B movie dialog, and says "got-damn" better than most actors in the history of Hollywood. He actually pushes a line of coke in front of the main character and goes "Be somebody." YES! He also has one of the most ridiculous death scenes I've seen in a while, and one of the best funeral sequences ever captured on celluloid.

And thank god, thank GOD they didn't let the neon nun-chucks go. You see in bad movies, often there will be some kind of awesome aspect alluded to or featured on the box cover that never really lives up to it's potential; a new kind of gun, some kind of crazy car, etc. (Think of the Balabushka pool cue from Color of Money; some kind of weapon or item that makes the character special) They'll tease you with it for hours, but due to budget constraints it will either fall by the wayside or wind up being totally lame.

In this one, they keep showing these awesome glow in the dark nun-chucks. And in the 3rd act, he does indeed use them to their full potential. I was so happy. This movie rocks man, if you're into 80s cheese this one does not disappoint. It's kind of like Roadhouse before the Roadhouse.

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