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Constantine Nicholas (scenario)
Genevieve Nicholas (scenario)
1985 (USA) more
Myles of Footage: Baraka
(From SoundOnSight. 4 June 2009, 1:46 PM, PDT)
The Faster The Better more (11 total)
Directed by | |||
| Ron Fricke | |||
Writing credits(in alphabetical order) | ||
| Constantine Nicholas | scenario | |
| Genevieve Nicholas | scenario | |
Produced by | |||
| Preston M. Fleet | .... | consulting producer | |
| Ron Fricke | .... | producer | |
| Jeffrey Kirsch | .... | producer (as Jeffrey W. Kirsch) | |
| Mark Magidson | .... | executive producer | |
| Steven Marble | .... | associate producer | |
Original Music by | |||
| Michael Stearns | |||
Cinematography by | |||
| Ron Fricke | |||
Film Editing by | |||
| Ron Fricke | |||
| Alton Walpole | |||
Production Management | |||
| Tom Garrett | .... | production manager | |
| Alton Walpole | .... | production manager | |
Special Effects by | |||
| Wayne V. McGee | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Ron Fricke | .... | time lapse camera system: designer | |
| Steven Marble | .... | assistant camera | |
| Alton Walpole | .... | assistant camera | |
Editorial Department | |||
| Clinton Hatchett | .... | post-production assistant | |
| Steven Marble | .... | assistant editor | |
| William Pine | .... | color timer (as Bill Pine) | |
| Jess Van Valkenburg | .... | post-production assistant | |
| Vern Van Valkenburg | .... | post-production assistant | |
Transportation Department | |||
| Barry Kolsky | .... | on-set driver | |
Other crew | |||
| Hassan Baghat | .... | location assistant: Egypt | |
| Gary Clemons | .... | motion control system: assembler | |
| Virginia Clemons | .... | motion control system: assembler | |
| Pamela Crooks | .... | publicist | |
| Miguel de Santiago-Juarez | .... | location assistant: Spain | |
| George H. Diller | .... | location assistant: Florida | |
| Elizabeth Emerson | .... | concept development | |
| Elizabeth Emerson | .... | production assistant | |
| Bertrand Ferriot | .... | production advisor: France | |
| Rolf Foller | .... | aerial pilot | |
| Tom Garrett | .... | co-location manager | |
| Tom Garrett | .... | location coordinator: New York (as Thomas Gniazdowski) | |
| Tom Garrett | .... | production coordinator | |
| Samy H. Ghoneim | .... | location assistant: Egypt | |
| Mohamed Gohar | .... | location assistant: Egypt | |
| Louis Habib | .... | location coordinator: Egypt | |
| Dudley Hale | .... | aerial pilot | |
| Mischa Hausserman | .... | aerial pilot | |
| Mary Hettinger | .... | publicist | |
| Tove Johnson | .... | production assistant | |
| Marcel Kahn | .... | location coordinator: France | |
| Marcel Kahn | .... | production coordinator: France | |
| Popi Kim | .... | motion control system: assembler | |
| Sandie Klugman | .... | motion control system: assembler | |
| Mustafa Labib | .... | location assistant: Egypt | |
| Jean Marie Le Goff | .... | aerial pilot | |
| Wayne V. McGee | .... | motion control system: designer | |
| Constantine Nicholas | .... | scenario | |
| Genevieve Nicholas | .... | scenario | |
| Genevieve Nicholas | .... | studio manager | |
| John Pittas | .... | location assistant: Greece | |
| Paul Reddish | .... | location coordinator: United Kingdom | |
| P. Christopher Reyna | .... | technical director: San Francisco | |
| Renen Schorr | .... | location coordinator: Israel | |
| Stefano Sulli | .... | location assistant: Italy | |
| Carlo Timpanaro | .... | location coordinator: Italy | |
| Bill Witaker | .... | aerial pilot | |
43 min
1.34 : 1 more
Composer Michael Stearns used an instrument called the Beam to generate many of the sounds for this film, which is 12 feet long made of extruded aluminum with 24 piano strings from 19-22 gauge. The original instruments it was based upon were made from cast iron and difficult to move around. more
Referenced in Silicon Valley Timelapse (2008) more
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This is a 42-minute different kind of travelogue, showing various places around the world with no narration and, in some cases, speeded-up photography. In other cases - mainly the beginning - it's ultra-slow. To be honest, I like that fast-forward technique far more, such as where you see clouds and shadows moving by quickly. They move by landscapes, famous monuments and other building and even over art work. Other scenes area also run by quickly; usually when people are in the picture.
Later, the speed is accelerated even more. Now people are just a blur. Still later, it's done differently with stop-action-type motion. Filming locations mainly are in the Southwest United States, New York City, Egypt, France and Italy.
A few segments, such as those early ones in Egypt are way too slow but others are beautiful and fascinating. Some of these shots almost look computer-made, but they are real. The movie reminded me of "Koyaanisqati," but this is far better, in my opinion.
There is no dialog in this short film. I've seen this three times and enjoyed it each time, although by now I am bored by the slow scenes. My favorites are ultra-speedy traffic parts. If you are looking something different, check it out.