Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
Two singers, best friends Lorelei Lee and Dorothy Shaw travel to Paris pursued by a private detective hired by Lorelei's fiancé's disapproving father to keep an eye on her, a rich, enamoured old man and many other doting admirers.
A director is casting dancers for a large production. Large numbers of hopefulls audition, hoping to be selected. Throughout the day, more and more people are eliminated, and the competition gets harder. Eventually, approximately a dozen dancers must compete for a few spots, each hoping to impress the director with their dancing skill. But, is this really what the director is looking for? Written by
Murray Chapman <firstname.lastname@example.org>
Because of her dancing inexperience, Audrey Landers is generally not seen in wide shots of the entire cast dancing, but is inserted in close-ups. A dance double is clearly seen in long shots of "One". See more »
In the closing while the credits are running, watch the lower right hand corner of the screen. While doing high-kicks one dancer falls and then gets up again and continues dancing. See more »
Why is it only my ass that ever gets invited places?
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Having seen, studied, read, and researched ACL and Michael Bennett, I have to say that the show does not translate well to the screen. The movie is 'good' at best, but completely loses much of what made ACL so successful on Broadway. The constant swipes to Cassie (taking a cab into the city; talking with Larry; etc) were completely unnecessary, and many of the great songs and monologues were shortened or (worse) cut altogether! Whereas I like Michael Douglas, I feel that he was a poor choice for Zach. Michael Douglas should not have been cast as Zach for the exact same reason Kevin Kline was not cast as Zach in the original production: he couldn't dance.
I often wonder if Michael Bennett would have approved of this film.
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