London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact ... See full summary »
Pinkie Brown is a small-town hoodlum whose gang runs a protection racket based at Brighton race course. When Pinkie orders the murder of a rival, Fred, the police believe it to be suicide. ... See full summary »
A physicist struggling to prove one of Einstein's theories still finds time to dabble in an extra-curricular relationship with one of his lab assistants. Meanwhile at home his under-sexed ... See full summary »
A successful but stressed mathematics professor (Clayburgh) goes to her father's wedding and falls in love with her father's bride's son (Douglas), a prematurely retired pro baseball player... See full summary »
In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV ... See full summary »
When Arthur Davis, a junior bachelor in the British secret service's African section, is seen taking a file with him -to meet his girlfriend Cynthia- the brass fears he may be the leak to ... See full summary »
American marathon runner Michael Andropolis sets his heart on representing his country at the Olympic games. Meanwhile his marriage has fallen apart and his children have no respect for him... See full summary »
Steven Hilliard Stern
A director is casting dancers for a large production. Large numbers of hopefulls audition, hoping to be selected. Throughout the day, more and more people are eliminated, and the competition gets harder. Eventually, approximately a dozen dancers must compete for a few spots, each hoping to impress the director with their dancing skill. But, is this really what the director is looking for? Written by
Murray Chapman <email@example.com>
The original Broadway production of "A Chorus Line" opened at the Shubert Theater in New York on July 25, 1975, won the 1976 Tony Awards for the Best Musical, Book and Score and ran for 6,137 performances, setting a record. That record was later broken by "Cats", which ran for 7,485 performances. See more »
During the auditions, many of the dancers that were cut are shown again later on in the auditions before the cut resulting in only the main characters. A key example is the boy with the red-striped shirt and red head band who mutters, "I've never been cut this soon" as he leaves the stage; he is clearly seen a few minutes later behind Diana just before she goes over to talk to Paul. See more »
I would always try to find ways to kill myself, but then I realized to commit suicide in Buffalo is redundant.
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On Broadway, A Chorus Line was pure magic. From the second the show opened with a spectacular burst of energy to the truly grand finale, a joyous curtain call of all those chorus members who we grew to love during the course of the show, we were totally engaged - captivated by the intensely personal stories, some funny, some clever, some stirring, of this chorus line. The movie is another matter entirely. The focus is now on the director - and WHAT an ogre he is! Every time the film switches to Michael Douglas, there he is with a bitter, sour expression, barking out questions and orders, screaming and yelling whenever he gets the chance. Yikes!! That changes the dynamics of the story. On Broadway, the director was indeed an imperious offstage presence, but he was also sort of a theatrical device to allow the stories of these amazing strong/fragile/intriguing/hilarious chorus line members to be told with insight and clarity. There is a reason this work won the Pulitzer Prize! And actually in one of the only moments the director appears, he is there to comfort the young Puerto Rican Dancer after we hear that dancer's heart-breaking story. He appears again to ultimately express his genuine affection/ concern for Cassie. But in the movie, from the second Douglas' director starts bitterly barking orders, the chorus line members' stories become secondary. It's like they are in a lousy profession, where a jaded director instead of showing the joy at creating a new exciting theatrical show, is jaded, exhausted, furious at having to audition these chorus members. On stage, there was ALWAYS the excitement of the show. Here in the movie practically from the word go, you feel sorry for everyone involved. During the course of the musical, we desperately wished every single one of those chorus members well, and how happy we would have been if they had all gotten the job! But of course that couldn't happen. But in the Finale when they all came back in glorious costume with those amazing spinning mirrors on stage, sometimes reflecting us in the audience, in our hearts, and we know, also in the hearts of all those chorus members both accepted and rejected, they were on stage forever dancing in a profession they loved so much, bringing magic to the theatre. In the movie, after all the misplaced story lines and emphasis, that magic becomes totally diluted. All we feel (even with the exact same curtain call), is that some of the members got a job with a mean-spirited director. So they all come on the screen and are dancing again. Big deal.
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