This historical drama is an account of the early life of British politician Winston Churchill (Simon Ward), including his childhood years, his time as a war correspondent in Africa, and ... See full summary »
A movie about the First World War based on a stage musical of the same name, portraying the "Game of War" and focusing mainly on the members of the Smith family who go off to war. Much of ... See full summary »
Reporter Ernest Hemingway is an ambulance driver in Italy during World War I. While bravely risking his life in the line of duty, he is injured and ends up in the hospital, where he falls ... See full summary »
A successful but stressed mathematics professor (Clayburgh) goes to her father's wedding and falls in love with her father's bride's son (Douglas), a prematurely retired pro baseball player... See full summary »
American marathon runner Michael Andropolis sets his heart on representing his country at the Olympic games. Meanwhile his marriage has fallen apart and his children have no respect for him... See full summary »
Steven Hilliard Stern
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
A director is casting dancers for a large production. Large numbers of hopefulls audition, hoping to be selected. Throughout the day, more and more people are eliminated, and the competition gets harder. Eventually, approximately a dozen dancers must compete for a few spots, each hoping to impress the director with their dancing skill. But, is this really what the director is looking for? Written by
Murray Chapman <email@example.com>
The original Broadway production of "A Chorus Line" opened at the Shubert Theater in New York on July 25, 1975, won the 1976 Tony Awards for the Best Musical, Book and Score and ran for 6,137 performances, setting a record. That record was later broken by "Cats", which ran for 7,485 performances. See more »
When calling out numbers, Larry calls the number two twice. See more »
Connie Wong. Always Wong, never Wight.
[Zach looks up]
Bad joke. I was born in Chinatown, lower east side.
How old are you?
I was born December 5th, four thousand six hundred and forty two, the Year of the Chicken.
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For those who never saw A CHORUS LINE onstage and their only exposure to the story was this film, this film is OK as movie musicals, nothing special, just OK. I have seen the show on Broadway 4 times and even auditioned for a touring company of the show once and for someone who pretty much memorized the original production, the 1985 film version is so dreadful on so many levels that I don't even know where to begin. First of all, for those who have never auditioned for a theatrical production, let me assure you that IRL when you audition for a play, the director, producer, and choreographer never ask personal questions and don't give a crap about why you wanted to become a performer. A real theatrical audition, whether it be for a play or a musical, rarely takes more than five minutes. If you're auditioning as a dancer, you get shown a 64-bar dance combination once, you do it, and then they decide immediately whether you're in or out. Michael Bennett's original concept of the show was to flesh out the lives of dancers and introduce to the uninitiated the passion for performing and why so many sacrifice so much for so little. The play is about these dancers. First of all, director Richard Attenborough took so much focus off the dancers by beefing up the Cassie/Zach relationship and by casting Michael Douglas as Zach. In the play, you NEVER see Zach...he is just a voice in the back of the theater and his relationship with Cassie is barely touched upon. Cassie shown in the cab in traffic trying to get to the audition and upstairs talking to Larry (a character who is not even in the play)was all added for the movie and took so much focus off what the story is about. Major musical numbers were cut or rethought. The opening number in the play "I Hope I Get It" shows all of the dancers doing a jazz and ballet combination and then people get eliminated. In the movie they jam three hundred dancers onstage together and show them in closeup to disguise the fact that they have cast people in the film who can't dance (can you say "Audrey Landers"). "Goodbye 12, Goodbye 13, Hello Love", a brilliant vocal exploration of these dancers' childhood's jaundiced memories was reworked as "Surprise, Surprise" mainly a vehicle for the late Gregg Burge as Richie. The show's most famous song, "What I Did for Love" which in the show was a touching allegory sung by the entire cast about what they give up to dance, becomes just another standard love song in the film, performed tiredly by a miscast Allyson Reed as Cassie. Jeffrey Hornaday's choreography for the film is dull and unimaginative and doesn't hold a candle to Michael Bennett' original staging and when you're making a movie about dancers, the choreography has to be special. There are a couple of good dancers in the film, the previously mentioned Gregg Burge as Richie, Michelle Johnston as Bebe, and Janet Jones as Judy, but they are hardly given the opportunity to show what they can do, yet Audrey Landers, who can barely walk and chew gum at the same time, is given one of the show's best numbers, "Dance 10, Looks 3." I will admit that the finale, "One" is dazzling, but you have to wait almost two hours for that. I would say that if you never saw A CHORUS LINE onstage, this film might be worth a look, but if you are a devotee of the original Broadway musical...be afraid...be very afraid.
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