Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
Two singers, best friends Lorelei Lee and Dorothy Shaw travel to Paris pursued by a private detective hired by Lorelei's fiancé's disapproving father to keep an eye on her, a rich, enamoured old man and many other doting admirers.
A director is casting dancers for a large production. Large numbers of hopefulls audition, hoping to be selected. Throughout the day, more and more people are eliminated, and the competition gets harder. Eventually, approximately a dozen dancers must compete for a few spots, each hoping to impress the director with their dancing skill. But, is this really what the director is looking for? Written by
Murray Chapman <firstname.lastname@example.org>
After Paul is carried off the stage to be taken to the hospital, we see Diana carrying his bag out for him. Moments later as the last elimination is about to take place, the bag is still in the middle of the stage and you even see Diana looking at it as she is walking back to the front line. See more »
This is one of the worst film adaptations of a musical ever made. The stage version of A Chorus Line is wonderful. This movie misses the mark in almost every way. Even the casting is baffling. Take Audrey Landers as Val. "Dance 10 Looks 3" is Val's song. Val's story is that she is a great dancer but a 3 in the looks department. Yes, she finds a solution, but ultimately she's a great dancer. What do the brilliant filmmakers do? They hire an actress who can't dance and is famous for looking great. Way to miss the boat.
Then there's the choreography. I'm sure Michael Bennett was turning over in his grave. Why didn't they use his choreography? It really can't be improved upon.
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