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A Chorus Line (1985)

PG-13  |   |  Drama, Music, Musical  |  13 December 1985 (USA)
6.0
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Ratings: 6.0/10 from 7,010 users   Metascore: 46/100
Reviews: 82 user | 28 critic | 13 from Metacritic.com

Hopefuls try out before a demanding director for a part in a new musical.

Writers:

(screenplay), (concept: musical "A Chorus Line"), 2 more credits »
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Title: A Chorus Line (1985)

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Nominated for 3 Oscars. Another 5 nominations. See more awards »

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Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of "A Chorus Line". Also investigates the history of the show and the creative minds behind the original and current incarnations.

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Cast

Cast overview, first billed only:
Michael Blevins ...
Mark Tobori
...
Diana Morales
...
Connie Wong
...
Kim
...
Richie Walters
...
Zach
Cameron English ...
Paul San Marco
Tony Fields ...
Al DeLuca
Nicole Fosse ...
Kristine Evelyn Erlich-DeLuca
Vicki Frederick ...
Sheila Bryant
Michelle Johnston ...
Beatrice Ann 'Bebe' Benson
...
Judy Monroe
Pam Klinger ...
Maggie Winslow
...
Val Clarke
...
Larry
Edit

Storyline

A director is casting dancers for a large production. Large numbers of hopefulls audition, hoping to be selected. Throughout the day, more and more people are eliminated, and the competition gets harder. Eventually, approximately a dozen dancers must compete for a few spots, each hoping to impress the director with their dancing skill. But, is this really what the director is looking for? Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Add Synopsis

Genres:

Drama | Music | Musical

Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

13 December 1985 (USA)  »

Also Known As:

Chorus Line  »

Box Office

Budget:

$27,000,000 (estimated)

Gross:

$4,832,625 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The song "Dance 10, Looks 3" was originally called "Tits and Ass", but it was changed so that the audience would not see that title listed in their programs. The logic was that if it were a surprise during the show, it would get a better audience reaction. See more »

Goofs

Zach, interviewing dancers in the theater, says he intends to structure the show around the personalities and back stories of whoever makes the cut. This indicates that he doesn't even have a script but merely an idea for a show that will presumably take months to develop. As a result, there is no reason for them to be in an expensive Broadway theater. In reality, they would have been in a far more economical rehearsal hall, because at this early point, no producer would finance costs of working bugs out of such a sketchy project in a high-rent Broadway theater. See more »

Quotes

Connie: Tapping's not my strongest point!
Larry: I see that.
See more »

Connections

Referenced in Muppets Most Wanted (2014) See more »

Soundtracks

Who Am I Anyway?
Music by Marvin Hamlisch
Lyrics by Ed Kleban
Performed by Cameron English
See more »

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User Reviews

A classic example of how to do everything wrong in a stage-to-film adaptation
2 February 2003 | by (San Marcos, CA) – See all my reviews

Richard Attenborough's totally ordinary and exasperating screen version of Michael Bennett's brilliant stage musical "A Chorus Line" is a classic example of how to do everything wrong in a stage-to-film adaptation.

First off, hire a director who has absolutely no idea how to stage a musical or judge musical talent. Allow him to hire a cast based on looks and youth as opposed to actual talent, update the setting from 1975 to 1985, then let him throw out the original production's ground-breaking choreography as being "dated" and hire the "Flashdance" choreographer to create '80's style dance routines that will look ridiculously dated 20 years later. And don't worry if the director doesn't even understand the meaning and purpose of the original show; after all, the show really isn't about aging dancers hoping for one more show so they can cling onto their dreams for a while longer. No, no, no. As he said at the time, the show is about "kids trying to break into show business." As a result, he doesn't have to even think about hiring the original cast as they are "now in their thirties and forties." (Note: all this is recounted in the book "On the Line" by Thommie Walsh and Baayork Lee.)

Then, to top it off, allow him to change the focus from the dancers themselves to a corny backstage love story between Zach the choreographer and Cassie, the fallen "star," who has come back to beg her old flame for a job. Finally, take the show's showstopper, the beautiful and unforgettable "What I did for Love" away from Diana, give it to Cassie, and turn it from an anthem about giving up your life for your dreams into a love song to a jerk. And make sure you cast a star like Michael Douglas as Zach and then cut to a reaction shot of him a dozen times during the dance numbers even if it is incredibly distracting. After all, people came to see him and not the dancing.

I could go on and on, but why bother? The truth is, with a couple of exceptions, nobody in this cast sings or dances convincingly on a Broadway level, and my bet is most wouldn't make it on the dinner theater circuit either. The exceptions? Vicki Frederick is a hoot as Sheila, the senior (and most cynical) of the dancers. Gregg Burge has a fun dance solo in the original tune "Surprise, Surprise," but then they ruin it by having him joined by the rest of the cast. And Alyson Reed is very good and convincing as Cassie, the star. But why, oh why did they replace Cassie's brilliant solo "The Music and the Mirrors" with the terrible original tune "Let Me Dance With You?" This and the bowdlerization of "What I Did For Love" alone sink the film. Not to mention that the show's other showstopper "Dance Ten Looks Three" is ruined by the terrible performance of Audrey Landers, who was obviously hired due to her gorgeous looks rather than her obvious lack of talent.

Any way, "A Chorus Line" is an major disappointment, especially now that Rob Marshall and company have shown us how to adapt a musical with his marvelous film version of "Chicago" which seems headed for a Best Picture Oscar. Ironically, both musicals debuted on Broadway the same year (1975) and while "A Chorus Line" was the bigger hit, because they got the film version of "Chicago" right and this one so wrong, "Chicago" seems destined to go down in history as the better production. Maybe if they'd waited for a more appropriate director with a real vision for this film, things would be different. Oh, the possibilities--- ** (out of *****)


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