Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
Two singers, best friends Lorelei Lee and Dorothy Shaw travel to Paris pursued by a private detective hired by Lorelei's fiancé's disapproving father to keep an eye on her, a rich, enamoured old man and many other doting admirers.
A director is casting dancers for a large production. Large numbers of hopefulls audition, hoping to be selected. Throughout the day, more and more people are eliminated, and the competition gets harder. Eventually, approximately a dozen dancers must compete for a few spots, each hoping to impress the director with their dancing skill. But, is this really what the director is looking for? Written by
Murray Chapman <email@example.com>
Seven musicals won the Pulitzer Prize in drama during the twentieth century--one per decade from the 1930s to the 1990s. They are as follows: "Of Thee I Sing" from the 1930s, "South Pacific" from the 1940s, "Fiorello" from the 1950s, "How to Succeed in Business Without Really Trying" from the 1960s, "A Chorus Line" from the 1970s, "Sunday in the Park with George" from the 1980s, and "Rent" from the 1990s. "Next to Normal" (2010) was the first musical to win a Pulitzer in the twenty-first century. See more »
In some of the large or far away shots, Valerie is missing from the ensemble, even though she is supposed to be rehearsing with the others. It is very notable that she is missing thru most of the dancing sequence at the beginning when Zach makes everyone get on stage to do the combination from the top; also missing in the ending of the "Surprise, Surprise" number, and when they are doing the tap-dancing combination when Cassie sings "What I did for Love", she is not there. (It turns out that the reason for this is that the actress playing her was not a strong dancer and was removed from some of the more taxing routines.) See more »
Why is it only my ass that ever gets invited places?
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This is one of the worst film adaptations of a musical ever made. The stage version of A Chorus Line is wonderful. This movie misses the mark in almost every way. Even the casting is baffling. Take Audrey Landers as Val. "Dance 10 Looks 3" is Val's song. Val's story is that she is a great dancer but a 3 in the looks department. Yes, she finds a solution, but ultimately she's a great dancer. What do the brilliant filmmakers do? They hire an actress who can't dance and is famous for looking great. Way to miss the boat.
Then there's the choreography. I'm sure Michael Bennett was turning over in his grave. Why didn't they use his choreography? It really can't be improved upon.
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