Brewster is a minor league baseball player. Unknown to him, he had a (recently deceased) rich relative. In order to test if Brewster knows the value of money, he is given the task of disposing of $30m in 30 days. Brewster isn't allowed to have any assets to show for the $30m or waste the money in any way. If successful, Brewster gets to inherit $300m. The biggest problem of all however, is that Brewster can't tell anyone what he's doing, so everyone thinks he's crazy. Add to this the fact that if he fails, two scheming trustees will get their hands on the money, Brewster's task is not an easy one. Written by
The exterior of the bar "Torchy's" seen at the beginning of the film, is also pictured in a key scene of the film When a Stranger Calls (1979). See more »
When Spike makes a profit of 10 million, Brewser ask to be alone. When they walk out the door closes and in the next frame they open the door and you hear the door close again. See more »
[speaking to Monty in his recorded will]
Brewster? Greetings from the grave! Don't look so surprised. Did you know your great-grandfather was a honky? My old man married twice. One wife, white, produced me. One wife, black, produced your grandmother. Checkered family you might say. I've outlived them all Brewster, except you. They tell me you're my only living relative and I have to say, I'm disappointed. Look at you! what have you made of yourself? A failed baseball pitcher. I believe in being ...
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In one of his all time best film performances, Richard Pryor portrays Montgomery Brewster, the pitcher for a minor league baseball team in New Jersey. His wealthy uncle dies and leaves him a $300 million inheritance....but there's a catch. In order to get it, he must spend $30 million in 30 days. It might sound simple enough but a position in the New York stock market as well as a phony election campaign for mayor sometimes keep bringing spent money back to him. Hilarious complications ensue as Pryor attempts to spend all of the money and keep it spent without getting any of it back. Pryor shines in a fine character role that's away from his usual con man typecasting.
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