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The Breakfast Club (1985)
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Overview
User Rating:
Director:
Writer:
John Hughes (written by)
Release Date:
15 February 1985 (USA)
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Tagline:
They only met once, but it changed their lives forever. more
Plot:
Five high school students, all different stereotypes, meet in detention, where they pour their hearts out to each other, and discover how they have a lot more in common than they thought. full summary | full synopsis
NewsDesk:
(188 articles)
Celebrity Biography: Ryan Sheckler
(From PopStar. 19 November 2009, 9:12 AM, PST)
Hall Ordered To Keep Away From Ex
(From WENN. 17 November 2009, 1:56 AM, PST)
(From PopStar. 19 November 2009, 9:12 AM, PST)
Hall Ordered To Keep Away From Ex
(From WENN. 17 November 2009, 1:56 AM, PST)
User Comments:
One of my (personal) favorite comedies. John Hughes strikes again!
more (515 total)
Cast
(Complete credited cast) | Emilio Estevez | ... | Andrew Clark |
 | Paul Gleason | ... | Richard Vernon |
 | Anthony Michael Hall | ... | Brian Johnson |
 | John Kapelos | ... | Carl |
 | Judd Nelson | ... | John Bender |
 | Molly Ringwald | ... | Claire Standish |
 | Ally Sheedy | ... | Allison Reynolds |
| Perry Crawford | ... | Allison's Father |
| Mary Christian | ... | Brian's Sister |
| Ron Dean | ... | Andy's Father |
| Tim Gamble | ... | Claire's Father |
| Fran Gargano | ... | Allison's Mom |
| Mercedes Hall | ... | Brian's Mom |
Additional Details
Parents Guide:
Runtime:
97 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Iceland:L |
Singapore:NC-16 |
Canada:A (Nova Scotia) |
Canada:AA (Ontario) |
Brazil:Livre (DVD rating) |
South Korea:15 |
Argentina:13 |
Australia:M |
Canada:13+ (Quebec) (original rating) |
Canada:G (Quebec) (re-rating) (2003) |
Canada:PG (Manitoba) |
Finland:K-14 |
Netherlands:12 |
Sweden:11 |
UK:15 |
USA:R (Certificate No. 27628) |
West Germany:12 |
Norway:16
Filming Locations:
Fun Stuff
Trivia:
Claire's entire ensemble was purchased specially for the character from a Ralph Lauren store, the only one in Chicago at the time. Hughes had rejected the original costume on the grounds that it wasn't sophisticated enough.
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Goofs:
Continuity: When Bender is staring at Allison while she bites her nails, his white shirt had been pulled low, exposing a part of his chest. In the next shot of him, seconds later, when he has obviously not moved, his white shirt has been pulled back up.
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Quotes:
[first lines]
Andrew Clark: So... what's your poison?
[no answer]
Andrew Clark: ...Ok, forget I asked.
Allison Reynolds: Vodka.
Andrew Clark: Vodka? When do you drink vodka.
Allison Reynolds: Whenever.
Andrew Clark: How much?
Allison Reynolds: Tons.
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Andrew Clark: So... what's your poison?
[no answer]
Andrew Clark: ...Ok, forget I asked.
Allison Reynolds: Vodka.
Andrew Clark: Vodka? When do you drink vodka.
Allison Reynolds: Whenever.
Andrew Clark: How much?
Allison Reynolds: Tons.
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Soundtrack:
Waiting
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FAQ
*** Items Below This Point Might Contain Spoilers ***Chapter Headings, an official version:
What does Bender's joke mean?
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Parents have never understood the youth of the world. Elvis used to be evil. Now he's too tame for modern music enthusiasts. Just imagine how tame Eminem will seem years from now. And as a scarier thought, who (or what) could be worse than some of the singers on today's market?
John Hughes is locked in a time capsule, still bearing the mind of a teenager, and he is able to tap into these feelings of teenage angst. That is what separates "The Breakfast Club" from, say, "The New Guy," or one of those other stupid teen films of recent years.
And the jerk, played by Judd Nelson, isn't meant to be cool. He is a jerk, and if older viewers took the time to pay attention to the film, they would perhaps realize that the point of the film, from the very beginning, is to establish that this so-called jerk is only acting like one to get attention. Because he is obviously shunned at home. He's an outcast. And unlike other films that refuse to establish their characters, "The Breakfast Club" introduces him as a jerk, and proceeds to explain why he is that way. This is what makes this movie tick.
I knew a kid like Bender (Nelson) once when I was in school, and generations of kids continue to go through the exact same things. Once they reach a certain age, though, it seems as though all adults suddenly break away from the teenage emotions. John Hughes never did, I guess. (Although he certainly tapped into adult behavior with his best film, "Planes, Trains and Automobiles" [1987], a welcome introduction to Hughes' adult comedy, hinted at in "Vacation" [1981], which he wrote.)
The film opens with a quote from David Bowie that just about sums the entire film up. We are introduced to five kids spending eight hours of detention at Shermer High School in Illinois. They are: Andrew the Jock (Emilio Estevez), Brian the Nerd (Anthony Michael Hall), Bender the Criminal (Judd Nelson), Claire the Princess (Molly Ringwald), and Allison the Basketcase (Ally Sheedy). They are looked over by the school principal (Paul Gleason), who assigns them the task of writing a report on why they are here in detention and what they did to get there.
To say that the outcome is predictable is an understatement. We know who's going to get together with whom from the beginning, but getting there's all the fun. Watching the characters come to appreciate their differences and learn that they're more than just billboard examples of angry teenagers is more than half the fun.
Teenagers are not as unaware of who they are as some people always think. John Hughes knew this, and deliberately tapped into this state of mind as no other director has done before -- or since, for that matter. Sure, they've tried. (Hughes' "Ferris Bueller's Day Off" was just about the only other film that tried to show teenagers as something more than stupid hormone-crazy rambunctious adolescents, but as young adults who were trying to grow up fast -- the scene where Ferris and Sloane pretend their water is wine is good evidence of this.)
Hughes' teenage characters were not the clichés they are now when "The Breakfast Club" came out in 1985 -- this film has proved to be the steeple of teen clichés (many of them poked fun at in "Not Another Teen Movie," which features a cameo by Ringwald). Think of "2001" or "Halloween" -- the drifting spaceships and psycho killers chasing sex-hungry teenagers is now routine, but it wasn't then. The Jock, The Nerd, The Criminal, The Princess, and The Basketcase weren't clichéd back then, either -- although Hughes purposely chose these references to the characters in order to let Brian, The Nerd, say that they were more than just that in the beginning of the film when he's reading his essay in voice-over narrative.
I seriously doubt whether this film is any better than the work of Coppola, Cortiz, Kurosawa, Scorsese, Welles, et al. If I were assembling a list of "the greatest movies ever made," I'd never include this.
But sometimes the greatest films aren't just the films that are technically perfect, but those that connect to you on one level or another. I know that my all-time favorite comedy ("Planes, Trains and Automobiles") may not be considered better than something such as "Some Like it Hot," but that film doesn't affect me the same way. I either don't connect with the story, the characters, the feelings, or I just don't appreciate the film as a whole. I appreciate "The Breakfast Club" in many ways, and for that reason it will always be considered one of my favorite films. Even if it is kinda sappy.