In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he never ages and has walked the earth for ... See full summary »
David Lee Smith,
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <firstname.lastname@example.org>
In preparation for the role, Robert De Niro witnessed neurologists performing brain surgery because he likened his character's job to that of a brain surgeon. See more »
When Sam enters his apartment after the Central Services had frozen it, his shoulders bump into some "ice" that is hanging from pipes. You can clearly see that the "ice" is made out of rubber. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »
Music by Ary Barroso
English Lyrics by S.K. Russell
(C) 1939 by Irmaos Visale, Rio de Janeiro, Brazil
(C) 1939 by Southern Music Publishing Company Inc., New York, N.Y., U.S.A.
(C) obtained 1982 by Peer International Corporation, New York, N.Y., U.S.A. See more »
When Brazil was released, I was an early teenager and I couldn't find anything exciting in this gloomy and old-fashioned movie. How wrong I was! Since then, I've seen it again many times and have appreciated every single bit of it. It's a masterpiece and I can now say I consider it the best sci-fi film ever made! Simply brilliant! As with all great films, there's no need to describe specific scenes or events to justify its greatness. Finally, let me link this film with Monty Python works. Terry Gilliam proves here why comedy is a very serious matter. Brazil is not comedy, although it has its moments, but he makes evident that a good comedian can produce a much deeper and dramatic film than a "serious" director.
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