A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <email@example.com>
The rails embedded in the walkway out to the middle of the torture chamber were actually functional and were used to dolly the camera back and forth, seen when the camera rapidly pulls back from a close-up of Sam's head to a wide shot of the chamber. See more »
When Lowry enters Lint's office, Lint is seen from the side wearing a clean white lab coat. The towel to his left is almost clean. Then Lint turns around to Lawry. All of a sudden coat, its sleeves and towel are bloodied. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
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The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »
Aquarela do Brasil
Music by Ary Barroso
English Lyrics by Bob Russell
(C) 1939 by Irmaos Visale, Rio de Janeiro, Brazil
(C) 1939 by Southern Music Publishing Company Inc., New York, N.Y., U.S.A.
(C) obtained 1982 by Peer International Corporation, New York, N.Y., U.S.A. See more »
Brazil(1985) is a great SCIFI feature that's one of the most visually rewarding films to watch. The movie deals with a computer error that causes havoc for the protagonist, Sam Lowry. Sam Lowry is someone who dreams of living as an individual, away from the system of Big Brother. The movie is heavily influenced by George Orwell's classic novel, 1984. Brazil(1985) is the closest thing to a perfect adaptation of 1984 for the big screen.
Brazil(1985) is more well known for what happened behind the scenes than anything that happens in the film. There was a bitter battle between the director and producer that ended up in the cutting of the film much to Terry Gilliam's disapproval. As a result there are three cuts of the film(director, studio, TV). I've seen both the 142Minute and 132Minute version. In my opinion, the 142Minute edition is the definite one to watch.
Jonathan Pryce as Sam Lowry does a great act in showing someone who is imprisoned by the system. Robert De Niro plays Sam Lowry's alter ego, Harry Tuttle in an eccentric role for the actor. At first De Niro wanted the role of Sam's best friend but instead got the role of the spy Harry Tuttle. The film retains the forbidden love affair between Sam Lowry and Jill Layton that is an important element in 1984. A lot of scens that involved Kim Griest were cut due to the dissatifaction of her performance from the director.
Brazil(1985) is Terry Gilliam's masterwork and a well directed piece by the filmmaker himself. The set designs are dazzling and the depiction of city life is nothing short of amazing. The title song is one of the most famous tunes. Much better then 12 Monkeys(1996) because this is a more complete film. Brazil(1985) is part of a trilogy that includes Time Bandits(1981) and The Adventures of Baron Munchausen(1988).
This trilogy is really about the progression of life that begins in Childhood, continues in Middleage, and ends with Old age. Brazil(1985) is really about the uncertainties of middleage. The samurai dream sequences are a marvalous example of the symbolisms they provide for the movie. Bob Hoskins gives a dark humorous act as a government plumber. The dream sequences with Sam Lowry and his dream girl are beautifully romantic.
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