Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <firstname.lastname@example.org>
Terry Gilliam admitted that the film was inspired by George Orwell's 1984, although he never actually read the book. He jokingly referred to it as "1984 and a half." See more »
When Sam enters the small room behind Mr. Helpmann's office, a moving shadow on his coat sleeve reveals either a crew member or equipment moving off-screen. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »
Music by Ary Barroso
English Lyrics by S.K. Russell
(C) 1939 by Irmaos Visale, Rio de Janeiro, Brazil
(C) 1939 by Southern Music Publishing Company Inc., New York, N.Y., U.S.A.
(C) obtained 1982 by Peer International Corporation, New York, N.Y., U.S.A. See more »
Brazil is definitively one of the top ten movies of all times. Its a sort of anti-Utopian spectacle, in the same fashion of George Orwell's 1984. The movie has a very complex sequence of events, which require more than one viewing for full understanding. In fact, the first time i saw Brazil, i didn't enjoy it much. But then i gave it a second chance, and the pleasure of watching it increased exponentially. The more I watch it, the more I discover hidden aspects and new ways to interpret this masterful creation. The scenario is extraordinary, mixing long pipe lines and a almost omnipresent Gothic atmosphere. If you didn't like the movie the first time you saw it, don't be by any means discouraged. This movie requires patience and an active role from the viewer. Finally, Brazil deserves special praise for all the dream-like sequences of the main character and the music fits in perfectly well.
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