A computer hacker whose goal is to discover the reason for human existence continually finds his work interrupted thanks to the Management; namely, they send a teenager and lusty love interest to distract him.
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <email@example.com>
The mask used by the torturer also appears used by several extras in the 1994 music video "Basket Case" by Green Day. See more »
After the bombing in the mall (when Jill is holding the suspicious package), Sam Lowry gives his coat to a wounded woman and is apprehended shortly after. In the next scene in the back of the paddy-wagon, Sam is wearing the coat again. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The closing shot of Lowry incarcerated humming to himself provides the backdrop for the end credits. See more »
Music by Ary Barroso
English Lyrics by S.K. Russell
(C) 1939 by Irmaos Visale, Rio de Janeiro, Brazil
(C) 1939 by Southern Music Publishing Company Inc., New York, N.Y., U.S.A.
(C) obtained 1982 by Peer International Corporation, New York, N.Y., U.S.A. See more »
In a futuristic world Sam Lowry (Jonathan Pryce) a gawky bureaucrat clerk gets himself caught in the middle of a revolution all because of an error, where terrorists lead by Harry Tuttle (Robert De Niro) are out to destroy the bureaucratic governing state and also his literally after the girl of his dreams.
A totally grim and surreal fantasy is portrayed in co-writer/director Terry Gilliam's film. The bleak world that we see is truly bizarre and visually astonishing, by representing a domineering world run by an unfair bureaucracy and technology that has gone chaotic- because of obsession, daily routines and power. Its a materialistic society thats filled with unfair rules and regulations. The special effects are spellbinding with the gizmos and gadgets that flow through the film. The engaging screenplay is excellent in representing the disturbing life style of this future and the script filled with sharp satire and amusing black humour and wit. The set and art direction is nothing but breathtaking, while the plot might have it's flaws- but the superb detail and imagination that went into it you just glaze over it. The plot itself is filled with many interesting sub-plots on technology, the government system, pleasures of this life-style and terrorism- but also there are some subtle details that may go unnoticed- but with repeat viewings you catch onto them. The story has it's tense, mysterious and macabre moments that seem to gel perfectly, while the dream sequences that Sam has were simply splendid and very hypnotic and the same goes for the haunting music score that spirals with emotion.
The performances were good and quite colourful- but nothing really spectacular, Jonathan Pryce is charming as the love struck Sam; Kim Greist is elegantly mysterious as Jill Layton the girl Sam's after, Robert De Niro as a chirpy plumber/terrorist Tuttle, Bob Hospkins as Spoor the repair man, Katherine Helmond as the obsessive mother of Sam Mrs. Ida Lowry and Ian Holm as the twitchy Mr. M. Kurtzmann.
This is a brilliant and innovative Sci-fi film. Though it's long, but never dull and it leaves you wanting more at the end. It definitely leaves a significant impression well, it did on me.
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