8.0/10
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521 user 232 critic

Brazil (1985)

A bureaucrat in a retro-future world tries to correct an administrative error and himself becomes an enemy of the state.

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(screenplay), (screenplay) | 1 more credit »
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Nominated for 2 Oscars. Another 8 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Charles McKeown ...
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Kathryn Pogson ...
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Storyline

Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by Philip Brubaker <coda@nando.net>

Plot Summary | Plot Synopsis

Taglines:

Suspicion breeds confidence. See more »

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for some strong violence | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

18 December 1985 (USA)  »

Also Known As:

Бразилия  »

Box Office

Budget:

$15,000,000 (estimated)

Gross:

$9,929,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (edited) | (director's cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The first film Terry Gilliam made after officially breaking with the Monty Python troupe. However, Michael Palin does have a part in the film. See more »

Goofs

When Sam is in Helpmann's office looking at the printer, pre-printed text can clearly be seen on the feeder roll. See more »

Quotes

[first lines]
Singers: [TV commercial jingle] Central Services: We do the work, you do the pleasure.
TV commercial pitchman: Hi, there. I want to talk to you about ducts.
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Crazy Credits

The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »

Connections

Referenced in Three to Tango (1999) See more »

Soundtracks

As Time Goes By
by Herman Hupfeld
(C) 1931 Warner Bros Inc., All Rights Reserved
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Frequently Asked Questions

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User Reviews

An extraordinary movie, original, funny and frightening. Terry Gilliam's masterpiece.
6 April 2003 | by (Perth, Australia) – See all my reviews

I really can't tell you how much my first viewing of this movie knocked me out. Nearly twenty years ago, before Terry Gilliam's reputation is what it is today, seeing this in a cinema without knowing ANYTHING about it, it was one of the most unforgettable movie experiences of my life! Still is. I was a Python fan since childhood and well aware of Gilliam's animation work, but nothing could prepare you for just how bizarre, funny, scary and disturbing 'Brazil' is. It's still one of the most original and inventive science fiction movies ever made, with a surreal, retro future quite unlike anything seen on a movie screen before or since. Gilliam mixes Python's anarchic, intellectual humour with Orwell, Kafka and Theatre Of The Absurd elements and comes up with something really special. John Sladek kinda sorta wrote some stories in a similar territory before this, and Dean Motter has written some comics since, but 'Brazil' is really in a world of its own! Jonathan Pryce was fairly obscure at the time and an odd choice to play the leading role, but is perfectly cast, and it's hard to think of an actor who would have been as convincing and sympathetic. The rest of the cast includes an amusing cameo from Robert De Niro, Kim Greist (only her second movie, after 'C.H.U.D.' of all things!) as Pryce's love interest, Python's Michael Palin, and a bunch of excellent Brit character actors - Bob Hoskins, Ian Richardson, Ian Holm, Jim Broadbent, etc.etc. It goes without saying that when I praise 'Brazil' I am ONLY referring to Gilliam's cut. This is still an utterly brilliant movie, one of the very best of the last twenty-five years. I can't recommend this movie highly enough, it is a masterpiece pure and simple.


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