A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is ... See full summary »
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <firstname.lastname@example.org>
During the opening scene where you see the paperwork floor with all of the runners dropping and picking up receipts. There is actually only one row of typing stations they just pass forward and backward along the same set of stations. See more »
When Tuttle is at Sam's apartment for the first time to fix the heating, he removes the wall-panel and hands it over to Sam twice. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »
Brazil is definitively one of the top ten movies of all times. Its a sort of anti-Utopian spectacle, in the same fashion of George Orwell's 1984. The movie has a very complex sequence of events, which require more than one viewing for full understanding. In fact, the first time i saw Brazil, i didn't enjoy it much. But then i gave it a second chance, and the pleasure of watching it increased exponentially. The more I watch it, the more I discover hidden aspects and new ways to interpret this masterful creation. The scenario is extraordinary, mixing long pipe lines and a almost omnipresent Gothic atmosphere. If you didn't like the movie the first time you saw it, don't be by any means discouraged. This movie requires patience and an active role from the viewer. Finally, Brazil deserves special praise for all the dream-like sequences of the main character and the music fits in perfectly well.
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