In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <email@example.com>
Terry Gilliam was asked to do a film class during the battle of this film at USC. Terry agreed, and took advantage of the situation by preparing to bring an "audio visual aid", which was his cut of the film, which would have been allowed. Unfortunately, two days before the event, students advertised a free screening of the film. When he arrived it was announced that Universal would not allow him to show the film. During his speech to the class, he was interrupted by studio executives' phone calls. They eventually allowed him to show a clip of the film. He showed the entire film, and repeated the screenings for over two weeks. It was during one of these screenings that Los Angeles film critics saw the film, and awarded it the Best Picture of the Year award, which was responsible for getting the film released the way Gilliam wanted it. See more »
Sam sticks his head in his refrigerator to cool off when his air conditioning breaks. He leaves it open throughout Tuttle's visit, but just before Tuttle leaves the door is shut even though no one closed it. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
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Sidney Sheinberg's name is listed in the credits next to Worst Boy. Terry Gilliam and Sheinberg fought notoriously over the content and release of the film. See more »
Brazil is a mad, paperwork obsessed, duct filled, shopping crazy world. In fact, Brazil is today, minus the ducts. Everyone is obsessed with shopping and in order to get anything done within the world of government, there is paperwork to be filled out, and filled out and on and on. Terry Gilliam's Orwellian nightmare is like a merging of Metropolis and his own mad drawings and cut outs the linked the sketches in Monty Python's Flying Circus. Bureaucrats abound in Gilliam's vision, and they run the place. Anyone with free will and imagination is thought to be dangerous. Visually, the film is a marvel of art direction and miniatures flawlessly edited together. So, be like Harry Tuttle. Go out, become a freelance guerilla plumber and try not to get consumed by paperwork. One last item. If you can, get the Criterion version of Brazil. It's the film that Terry Gilliam intended you to see.
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