The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <email@example.com>
During his trouble with a studio, Terry Gilliam asked Daily Variety for a full page ad, which cost around $1,500 at the time. He had it bordered like a funeral invitation and it said: "Dear Sid Sheinberg, when are you going to release my film? Signed: Terry Gilliam." See more »
When Sam Lowry is overwhelmed by the incoming cylinders coming through the pneumatic tubes, he connects the "incoming" pipe to the "outgoing" pipe with a short U-shaped hose. The bend in the hose is far too sharp a turn for any of the cylinders to make it to the "outgoing" pipe. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »
Aquarela do Brasil
Music by Ary Barroso
English Lyrics by S.K. Russell
(C) 1939 by Irmaos Visale, Rio de Janeiro, Brazil
(C) 1939 by Southern Music Publishing Company Inc., New York, N.Y., U.S.A.
(C) obtained 1982 by Peer International Corporation, New York, N.Y., U.S.A. See more »
Brazil(1985) is a great SCIFI feature that's one of the most visually rewarding films to watch. The movie deals with a computer error that causes havoc for the protagonist, Sam Lowry. Sam Lowry is someone who dreams of living as an individual, away from the system of Big Brother. The movie is heavily influenced by George Orwell's classic novel, 1984. Brazil(1985) is the closest thing to a perfect adaptation of 1984 for the big screen.
Brazil(1985) is more well known for what happened behind the scenes than anything that happens in the film. There was a bitter battle between the director and producer that ended up in the cutting of the film much to Terry Gilliam's disapproval. As a result there are three cuts of the film(director, studio, TV). I've seen both the 142Minute and 132Minute version. In my opinion, the 142Minute edition is the definite one to watch.
Jonathan Pryce as Sam Lowry does a great act in showing someone who is imprisoned by the system. Robert De Niro plays Sam Lowry's alter ego, Harry Tuttle in an eccentric role for the actor. At first De Niro wanted the role of Sam's best friend but instead got the role of the spy Harry Tuttle. The film retains the forbidden love affair between Sam Lowry and Jill Layton that is an important element in 1984. A lot of scens that involved Kim Griest were cut due to the dissatifaction of her performance from the director.
Brazil(1985) is Terry Gilliam's masterwork and a well directed piece by the filmmaker himself. The set designs are dazzling and the depiction of city life is nothing short of amazing. The title song is one of the most famous tunes. Much better then 12 Monkeys(1996) because this is a more complete film. Brazil(1985) is part of a trilogy that includes Time Bandits(1981) and The Adventures of Baron Munchausen(1988).
This trilogy is really about the progression of life that begins in Childhood, continues in Middleage, and ends with Old age. Brazil(1985) is really about the uncertainties of middleage. The samurai dream sequences are a marvalous example of the symbolisms they provide for the movie. Bob Hoskins gives a dark humorous act as a government plumber. The dream sequences with Sam Lowry and his dream girl are beautifully romantic.
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