In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he never ages and has walked the earth for ... See full summary »
David Lee Smith,
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <firstname.lastname@example.org>
When Lint, who has just returned from a 'customer', takes off the bloodied lab coat, it is shown briefly from the inside being soaked with blood. However, there are no blood traces on his vest underneath. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The closing shot of Lowry incarcerated humming to himself provides the backdrop for the end credits. See more »
When Brazil was released, I was an early teenager and I couldn't find anything exciting in this gloomy and old-fashioned movie. How wrong I was! Since then, I've seen it again many times and have appreciated every single bit of it. It's a masterpiece and I can now say I consider it the best sci-fi film ever made! Simply brilliant! As with all great films, there's no need to describe specific scenes or events to justify its greatness. Finally, let me link this film with Monty Python works. Terry Gilliam proves here why comedy is a very serious matter. Brazil is not comedy, although it has its moments, but he makes evident that a good comedian can produce a much deeper and dramatic film than a "serious" director.
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