The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <firstname.lastname@example.org>
According to Maxim magazine, director Terry Gilliam was reportedly so stressed during filming that he lost all feeling in his legs for a week. See more »
When Sam Lowry is overwhelmed by the incoming cylinders coming through the pneumatic tubes, he connects the "incoming" pipe to the "outgoing" pipe with a short U-shaped hose. The bend in the hose is far too sharp a turn for any of the cylinders to make it to the "outgoing" pipe. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »
Aquarela do Brasil
Music by Ary Barroso
English Lyrics by Bob Russell
(C) 1939 by Irmaos Visale, Rio de Janeiro, Brazil
(C) 1939 by Southern Music Publishing Company Inc., New York, N.Y., U.S.A.
(C) obtained 1982 by Peer International Corporation, New York, N.Y., U.S.A. See more »
Brazil is a true masterpiece. Like something that was wrenched from the surreal dreams of Salvidore Dali, images in this movie are dark, funny, disturbing, thought-provoking, and profound, all at the same time. This is truly a movie you can watch multiple times and find new themes each time. When it was released, it had some important things to say. Today, in our society that is scared into semi-paralysis by the threat of terrorists and the overly oppressive response of our own government, this movie is more relevant than ever. If yoy pay attention, you may actually walk away from this movie with a profound sense of understanding. Most everyone I have recommended this movie to has been deeply moved in some way by it. This movie should be required viewing!
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