He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <email@example.com>
When Sam enters his apartment after the Central Services had frozen it, his shoulders bump into some "ice" that is hanging from pipes. You can clearly see that the "ice" is made out of rubber. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »
In a futuristic world Sam Lowry (Jonathan Pryce) a gawky bureaucrat clerk gets himself caught in the middle of a revolution all because of an error, where terrorists lead by Harry Tuttle (Robert De Niro) are out to destroy the bureaucratic governing state and also his literally after the girl of his dreams.
A totally grim and surreal fantasy is portrayed in co-writer/director Terry Gilliam's film. The bleak world that we see is truly bizarre and visually astonishing, by representing a domineering world run by an unfair bureaucracy and technology that has gone chaotic- because of obsession, daily routines and power. Its a materialistic society thats filled with unfair rules and regulations. The special effects are spellbinding with the gizmos and gadgets that flow through the film. The engaging screenplay is excellent in representing the disturbing life style of this future and the script filled with sharp satire and amusing black humour and wit. The set and art direction is nothing but breathtaking, while the plot might have it's flaws- but the superb detail and imagination that went into it you just glaze over it. The plot itself is filled with many interesting sub-plots on technology, the government system, pleasures of this life-style and terrorism- but also there are some subtle details that may go unnoticed- but with repeat viewings you catch onto them. The story has it's tense, mysterious and macabre moments that seem to gel perfectly, while the dream sequences that Sam has were simply splendid and very hypnotic and the same goes for the haunting music score that spirals with emotion.
The performances were good and quite colourful- but nothing really spectacular, Jonathan Pryce is charming as the love struck Sam; Kim Greist is elegantly mysterious as Jill Layton the girl Sam's after, Robert De Niro as a chirpy plumber/terrorist Tuttle, Bob Hospkins as Spoor the repair man, Katherine Helmond as the obsessive mother of Sam Mrs. Ida Lowry and Ian Holm as the twitchy Mr. M. Kurtzmann.
This is a brilliant and innovative Sci-fi film. Though it's long, but never dull and it leaves you wanting more at the end. It definitely leaves a significant impression well, it did on me.
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