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The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by
Philip Brubaker <firstname.lastname@example.org>
The mask used by the torturer also appears used by several extras in the 1994 music video "Basket Case" by Green Day. See more »
Sam sticks his head in his refrigerator to cool off when his air conditioning breaks. He leaves it open throughout Tuttle's visit, but just before Tuttle leaves the door is shut even though no one closed it. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
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Sidney Sheinberg's name is listed in the credits next to Worst Boy. Terry Gilliam and Sheinberg fought notoriously over the content and release of the film. See more »
Brazil is a mad, paperwork obsessed, duct filled, shopping crazy world. In fact, Brazil is today, minus the ducts. Everyone is obsessed with shopping and in order to get anything done within the world of government, there is paperwork to be filled out, and filled out and on and on. Terry Gilliam's Orwellian nightmare is like a merging of Metropolis and his own mad drawings and cut outs the linked the sketches in Monty Python's Flying Circus. Bureaucrats abound in Gilliam's vision, and they run the place. Anyone with free will and imagination is thought to be dangerous. Visually, the film is a marvel of art direction and miniatures flawlessly edited together. So, be like Harry Tuttle. Go out, become a freelance guerilla plumber and try not to get consumed by paperwork. One last item. If you can, get the Criterion version of Brazil. It's the film that Terry Gilliam intended you to see.
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