The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit... See full summary »
Mirza Ebrahim Khan, travels past in time to introduce cinematography to the previous king who can afford to pay for the new industry. But Nasser-e-din Shah takes an interest in the actress ... See full summary »
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »
Consisting of three separate stories, the director explores "Man" as a theme: birth, life and death, to present a sometimes comic, sometimes tragic portrait of life at the bottom of the ... See full summary »
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they ... See full summary »
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two ... See full summary »
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes ... See full summary »
Mohammad Amir Naji,
This is an absorbing and thought-provoking look at a Middle Eastern activist who is captured (in an exciting opening sequence in which he and his fellow renegades become slowly aware of rival forces surrounding them in their meeting place), and then is tortured in prison by people who are supposed to be his allies!
His persecution is intercut with the arrival of his newborn-- during his capture, his wife is giving labour; and during his incarceration, she clutches their baby, crying incessantly, knowing that this infant will never see its father. BOYCOTT avoids the complexity of the political and religious issues surrounding the Middle East conflict, and instead fleshes out a human story of a man who is a martyr for a belief system that similarly exploits him.
Of the handful of films I have seen by the wunderkind Iranian director Mohsen Makmalbaf (whose work I actually prefer to the more recognizable style of his more well-known countryman Abbas Kiarostami), not one of his films are like any other he has made. (Even his masterpieces, GABBEH and MOMENT OF INNOCENCE are technically and stylistically different from each other) And of the master's movies of I have seen, this perhaps is his most "commercial", if because it relies less on visual ideas than a more conventional narrative. With its hyperactive chase scenes, gunshots sounding like those in Spaghetti westerns, and melodramatic music, this perhaps is more imbued in Western film-making techniques than any other... ironic for a film featuring a world that is unlike that of the Western World.
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