An advertising executive dies and goes to hell... except nothing changes. Well, his daughter is buying drugs with sexual favours from her brother, and the number of cancer-causing products ...
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The film is set in a house occupied by a collection of social misfits. The main storyline is that of a strange musician's relationship with a girl, their drug use and his band. These events... See full summary »
A newly married happy couple visits a sex therapist to determine why the wife can't achieve an orgasm with her husband. This causes a horrific suppressed memory to emerge and she becomes more and more distant.
Stewart Kane, an Irishman living in the Australian town of Jindabyne, is on a fishing trip in isolated hill country with three other men when they discover the body of a murdered girl in ... See full summary »
Two escapees (Robert Shaw and Malcolm McDowell) are on the run in an unspecified but seemingly Latin-American country. Everywhere they go they are observed and hounded by a menacing black ... See full summary »
Filmed in the Clare Valley, Gladstone and the Flinders Ranges in South Australia, this prison movie was inspired by the true life prison riot at Bathurst Jail in 1974 and its subsequent Royal Commission into New South Wales Prisons.
An advertising executive dies and goes to hell... except nothing changes. Well, his daughter is buying drugs with sexual favours from her brother, and the number of cancer-causing products is on the increase. But the notes he writes to himself to prove he hasn't gone insane are getting more disjointed, and he runs off with an ex-prostitute called Honey Barbera. Written by
David Carroll <email@example.com>
Ray Lawrence, the director of "Bliss," and Paul Murphy, its cinematographer, were both first-time feature filmmakers when they made "Bliss." I believe the movie swept the Australian "Oscars" in '85, and in my humble opinion, deservedly so.
The tone is somewhat dark, the genre surrealist comedy, the performances deliciously eccentric, and the storytelling masterful. "Bliss" reminds me more of some of my favorite novels than it does any other films. Peter Carey's novel and adaptation have some of the feeling of John Irving's earlier works, but it's not derivative. The cinematography is gorgeous and understated. It has a surprisingly romantic core beneath a fairly jaded surface, which I think is a tough combination to pull off.
It isn't appropriate for kids (it has sophisticated, adult themes and, at moments, a very frank approach to sex) and it has an unexpectedly epic, languorous feel toward the end (so don't watch it when you're sleepy), but if you're serious about appreciating movies, you owe it to yourself to give this one a chance. Enjoy!
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