An advertising executive dies and goes to hell... except nothing changes. Well, his daughter is buying drugs with sexual favours from her brother, and the number of cancer-causing products ... See full summary »
The film is set in a house occupied by a collection of social misfits. The main storyline is that of a strange musician's relationship with a girl, their drug use and his band. These events... See full summary »
Filmed in the Clare Valley, Gladstone and the Flinders Ranges in South Australia, this prison movie was inspired by the true life prison riot at Bathurst Jail in 1974 and its subsequent Royal Commission into New South Wales Prisons.
In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don't really care to escape because they are fed and they have a ... See full summary »
Annie's Coming Out (also known as A Test of Love) is a 1984 Australian drama film directed by Gil Brealey. It is based on the non-fiction book Annie's Coming Out by disability activists ... See full summary »
Angela Punch McGregor,
Oscar-nominated director Bruce Beresford (Driving Miss Daisy, Tender Mercies) crafts a tender coming-of-age tale that introduces one of Australian literature's most beloved characters to ... See full summary »
Tasha Robson, 16, has run away from home! While she rides the waves aboard the large ferry heading from South Shields, England to Scandinavia in search of her unknown father, "The Viking" all is less than calm in the Robson household.
Steve Lucas is a nineteen year old who is filled with the burning resentment of being forced to live in his brother's shadow. His brother Adam, is burdened by his father's desire for glory,... See full summary »
An advertising executive dies and goes to hell... except nothing changes. Well, his daughter is buying drugs with sexual favours from her brother, and the number of cancer-causing products is on the increase. But the notes he writes to himself to prove he hasn't gone insane are getting more disjointed, and he runs off with an ex-prostitute called Honey Barbera. Written by
David Carroll <email@example.com>
Ray Lawrence, the director of "Bliss," and Paul Murphy, its cinematographer, were both first-time feature filmmakers when they made "Bliss." I believe the movie swept the Australian "Oscars" in '85, and in my humble opinion, deservedly so.
The tone is somewhat dark, the genre surrealist comedy, the performances deliciously eccentric, and the storytelling masterful. "Bliss" reminds me more of some of my favorite novels than it does any other films. Peter Carey's novel and adaptation have some of the feeling of John Irving's earlier works, but it's not derivative. The cinematography is gorgeous and understated. It has a surprisingly romantic core beneath a fairly jaded surface, which I think is a tough combination to pull off.
It isn't appropriate for kids (it has sophisticated, adult themes and, at moments, a very frank approach to sex) and it has an unexpectedly epic, languorous feel toward the end (so don't watch it when you're sleepy), but if you're serious about appreciating movies, you owe it to yourself to give this one a chance. Enjoy!
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