With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
Centuries ago, in the land of Prydain, a young man named Taran is given the task of protecting Hen Wen, a magical oracular pig, who knows the location of the mystical black cauldron. This is not an easy task, for The Evil Horned King will stop at nothing to get the cauldron. Written by
The management team at Disney changed during production. New studio chairman Jeffrey Katzenberg screened the mostly-completed film and was appalled by its darkness. He suggested editing the film, and when producer Joe Hale protested (animated films are typically not edited in post production the same way live-action films are), Katzenberg himself brought the film into an editing bay and began cutting it himself, ultimately extracting three minutes from the final run time. See more »
As the Horned King prepares to activate the Cauldron, he first pulls away the tarp over the cart of dead warriors. The next shot shows the Horned King already holding up one of the corpses over his head. See more »
Legend has it, in the mystic land of Prydain, there was once a king so cruel and so evil, that even the Gods feared him. Since no prison could hold him, he was thrown alive into a crucible of molten iron. There his demonic spirit was captured in the form of a great, black cauldron. For uncounted centuries, the black cauldron lay hidden, waiting, while evil men searched for it, knowing whoever possessed it would have the power to resurrect an army of deathless warriors... and with ...
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Doesn't deserve to be dismissed as harshly as it has been
Always curious about The Black Cauldron, I finally got around to it after seeing a DVD at the rental store. Despite a lot of grating elements, I ended up liking it overall.
The movie starts off on the wrong foot. The voices come across as recorded at low fidelity, and when combined with the sometimes hard-to-understand British accents, can be somewhat off-putting. Issues with voice and script become even more pronounced with characters such as Gurgi and his Gollum-esquire speech patterns. Indeed, the second time I watched the DVD I threw the English subtitles on, and not just for Gurgi.
Other problems with voicing include an exceedingly dull lead actor for Taran (he simply can't emote), and an overly chirpy female lead for Eilonwy.
Most other elements of the film proved passable if predictable in the Disney mold of plot, hero design, sidekicks, etc. Where it branches out for the better is in avoiding any and all musical interludes and along the way offering some scenarios and graphic effects that are more mature than most other Disney animated feature films (though later in the '90s the likes of The Lion King, Hunchback, and Tarzan would also tangle with mature themes).
Animation is also spectacularly mixed in quality, an odd distinction among Disney films but a distinction nonetheless. Usually solid, there are high points such as external shots of a dark castle or a visceral chase sequence. There are also low points such as unnatural shifts in hair color that overemphasize different environments, or obvious spots where animation was rushed (a rock slide sequence).
Yet for all these lows and highs, as an animation fan I ended up siding with the high points. Many sequences are inviting to re-watch, even if the entirety of the movie may not be. For all the talk of failure that continues to surround this movie, one can see in the film itself elements of a more mature Disney that could have been extremely promising with a more seasoned batch of animators and a world less hostile to PG animated fare.
16 of 23 people found this review helpful.
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