Cocky cockney snooker player Billy Kid accepts the challenge of a grudge match from Maxwell Randall (the Green Baize Vampire), six times world champion; the loser will never play ...
See full summary »
Baal is a young amoral rebellious poetic genius who, after a short and eventful life of debauchery, betrayal and violence, is about to cut his ties to the world and meet his doom. A high society party is where the end begins.
Unemployed youngsters spend their days at the roller disco of the title, circling round and round, before being called to take up low-paid jobs as they become available. They leave the ... See full summary »
Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His... See full summary »
This is the hard and shocking story of life in a British borstal for young offenders. Luckily the regime has changed since this TV film was made. The brutal regime made no attempt to reform... See full summary »
Cocky cockney snooker player Billy Kid accepts the challenge of a grudge match from Maxwell Randall (the Green Baize Vampire), six times world champion; the loser will never play professional snooker again. Written by
Roisin Moriarty <Roisin.Moriarty@gecapital.com>
How utterly amazing to discover other fans of this iconic musical - OK, maybe a little OTT, but nonetheless, a worthy description. I first saw BTK when I was a demure early-teen, being granted permission to stay up past ten-o-clock. I drifted off to sleep that night with all these bizarre images floating through my head and for many years, hoped I would once again be able to watch this odd little film. Lady luck clearly didn't like any of us, though, did she?
Thus began my quest (and a deep blossoming love of Bruce Payne, receding hairline unnoticed)but without the delights of the internet and technology not on my side, I sat in hope with fading memories of BTK, beginning to wonder if I didn't imagine the whole thing.
Several years later, I forget when exactly, Channel 4 deemed to give us all a repeat performance - thank god for my Saisho VCR (it had cost me £250, earned through a long, hot summer slaving in a cafe at 15) and thereby began my plugging for this wonderful film.
Years on, my copy was just about had it, particularly around 'green stamps', 'wednesday man' and 'the one' (oh how I love TO's fake cockney accent.... let's face it, he was quite posh in that Wesley Snipes movie)from constant reviewing. The VCR did actually out-live the tape.
Whenever asked that ever-popular getting-to-know-you question of 'what's your fave movie?' my reply was always the same. No one else had ever even heard of BTK, let alone seen it.
Imagine my supreme delight on checking my e-mail one day a couple of years ago, to discover an e-mail from a friend, informing me that BTK was to be shown on Film Four the following week. Convinced he had to be wrong, I checked the guide and blow-me-down, there it was! With no ad breaks!!!!!
To this day, I am still trying to educate the masses with the odd little home-screenings and I think we're finally getting through. The indescribable fabulousness of the final credits track has turned me into one of those annoying people who refuses to leave the cinema until the VERY end. What if you were to miss the best bit?!! Well, I never will.
And, as a final note, how tragic that when you try and explain who Phil Daniels is, the only way people know is when you tell them he did the voiceover on Blur's Parklife. Beyond tragic.
5 of 6 people found this review helpful.
Was this review helpful to you?