| Betsy Russell | ... | Molly "Angel" Stewart | |
| Rory Calhoun | ... | Kit Carson | |
| Susan Tyrrell | ... | Solly Mosler | |
| Ossie Davis | ... | Captain Harry Moradian | |
| Robert F. Lyons | ... | Lt. Hugh Andrews | |
| Steven M. Porter | ... | Yo-Yo Charlie | |
| Paul Lambert | ... | Arthur Gerrard | |
| Barry Pearl | ... | Johnny Glitter | |
| Estee Chandler | ... | Cindy | |
| Tim Rossovich | ... | Teddy Butts | |
| Frank Doubleday | ... | Miles Gerrard | |
| Howard Honig | ... | Sergeant Hal Baylor | |
| Ross Hagen | ... | Ray Mitchell | |
| Tracy Robert Austin | ... | Pat | |
| Michael A. Andrews | ... | Mike | |
| Paul 'Mousie' Garner | ... | Joe Borenstein | |
| Hoke Howell | ... | 7 Finger Sid | |
| Liz Sheridan | ... | Nurse | |
| Richard DeHaven | ... | Terry | |
| Joseph Michael Cala | ... | Sanitarium Guard | |
| Debi Sue Voorhees | ... | Roxie | |
| Edward Blackoff | ... | Studs | |
| Billy Beck | ... | Tall Man | |
| Robert Tessier | ... | Tattoo Artist | |
| Laura Burkett | ... | Blonde Hooker | |
| Lynda Wiesmeier | ... | Debbie | |
| Dick Valentine | ... | Cop | |
| Jeanne Lucas | ... | Shopping Cart Sally | |
| Karin Mani | ... | Janie Soon Lee | |
| Bill Cakmis | ... | Security Guard | |
| Leroy Daniels | ... | Bootblack | |
| Charlene Jones | ... | Hooker | |
| Ian Peters | ... | Businessman | |
| Tony Lorea | ... | Man in Bowler | |
| Carl Bressler | ... | Professor Garfield | |
| Claudia Templeton | ... | Claudia | |
| Charlene Shires | ... | Spectator | |
| Richard Acunto | ... | Spectator | |
| Jessica O'Neil | ... | Little Buck | |
| rest of cast listed alphabetically: | |||
| Kin Shriner | |||
Directed by | |||
| Robert Vincent O'Neill | |||
Writing credits(in alphabetical order) | ||
| Joseph Michael Cala | ||
| Robert Vincent O'Neill | ||
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| Peter Lyons Collister | |||
Film Editing by | |||
| John R. Bowey | |||
Production Design by | |||
| Stephen Marsh | |||
Art Department | |||
| Matt Gulbin | .... | on-set carpenter | |
Special Effects by | |||
| Doug Hubbard | .... | special effects | |
Stunts | |||
| Michael Adams | .... | stunts | |
| Simone Boisseree | .... | stunts | |
| May Boss | .... | stunts (as May Raymond Boss) | |
| Michael Cassidy | .... | stunts | |
| Phil Chong | .... | stunts | |
| Vince Deadrick Jr. | .... | stunt coordinator | |
| Vince Deadrick Sr. | .... | stunts | |
| Richard Drown | .... | stunts | |
| Ron Ellis | .... | stunts | |
| Dawn Grant | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Eddie Hice | .... | stunts | |
| Marcia Holley | .... | stunts | |
| Larry Holt | .... | stunts | |
| Mike Johnson | .... | stunts | |
| Karin Mani | .... | stunts | |
| Denver Mattson | .... | stunts | |
| Regis Parton | .... | stunts | |
| Walter Robles | .... | stunts | |
| Bobby Sargent | .... | stunts | |
| Packy Smith | .... | stunts | |
| Peter Stader | .... | stunts | |
| Bob Terhune | .... | stunts | |
| Rock A. Walker | .... | stunts | |
| Richard Washington | .... | stunts | |
| Jesse Wayne | .... | stunts | |
Camera and Electrical Department | |||
| Matt Gulbin | .... | grip: construction | |
| Philip Lee | .... | second assistant camera | |
| John 'Fest' Sandau | .... | best boy electric | |
| Paul Villandry | .... | electrician | |
Music Department | |||
| Jeff Vaughn | .... | score mixer | |
Other crew | |||
| Kristen Andersen | .... | production assistant | |
| Brett Laumann | .... | production assistant | |
| Victoria Plummer | .... | production coordinator | |
| Brian Robertshaw | .... | stand-in | |
| Lori A. Wagner | .... | stand-in | |
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| Angel | Chained Heat | Foxy Brown | The Jezebels | Olga's House of Shame |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
At the beginning there is some promise to this sequel - there's a little zip, some decent exploitation, and it seems there will be more of an actual plot this time. Alas, as soon as Angel swears vengeance and hits the streets again, all the positive stuff generated up to that point is quickly flushed down the toilet. The production values barely meet that of a television drama of the time, there is more blatant and utterly unfunny comic relief (Calhoun really embarrasses himself), and the story moves at a snail's-pace, with only occasional (and dreary) "action" sequences. And once again, street-life is portrayed as being not all that bad, so much so that it too promotes boredom. Don't bother!