Vineyard owner marquis Philippe de Montfaucon is called back to his castle Bellenac because of another dry season. He asks his wife and children to remain in Paris, but they still come ... See full summary »
Two-part, four-hour followup to "A Woman of Substance" with Deborah Kerr, now playing Emma Harte at age 80 in the last winter of her life and dealing with her granddaughter Paula, as well ... See full summary »
Toward the end of his life F. Scott Fitzgerald is writing for Hollywood studios to be able to afford the cost of an asylum for his wife. He is also struggling against alcoholism. Into his life comes the famous gossip columnist.
A grandmother seeks a governess for her 16 year old granddaughter, Laurel, who manages to drive away each and every one so far by exposing their past, with a record of three in one week! ... See full summary »
A Woman of Substance charts the life of Emma Harte, from kitchen maid at the beginning of the 20th Century, to respected business woman and Grandmother in the 1980's. From humble beginnings... See full summary »
Clemson Reade, a business tycoon with marriage on his mind, and Effie, a U.S. diplomat, are a modern couple. Unfortunately there seems to be too much business and not enough pleasure on the... See full summary »
This unpretentious little gem came out around the same time as David Lean's PASSAGE TO India, and has been unfairly overshadowed by the blockbuster. I was charmed by the quiet, sensitive, yet emotionally charged portrayal of how an insecure, aggressive widow of a tea garden manager reluctantly develops an affectionate relationship with an Indian housewife and her family. What I found particularly good was that the Indian housewife, played excellently by Madhur Jaffrey, is no impossible goody-goody, but as much a human being with likes, dislikes and prejudices as the widow played by Deborah Kerr. There is also the sad irony of the grandchildren of the Indian family inevitably leaving their 'Indianness' behind in favour of a British lifestyle. Strongly recommended for those in the mood for subtlety and understatement. And it should be watched with Lean's PASSAGE TO India for fruitful comparisons. To my mind, and I'm probably in a minority of one, THE ASSAM GARDEN is the better of the two films. I once possessed a video recording of it, which is now the property of the Film Studies Department of Jadavpur University, Kolkata, India.
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