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L'amour braque (1985)
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Overview
User Rating:
Director:
Writers:
Fyodor Dostoyevsky (novel)
Etienne Roda-Gil (writer)
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Release Date:
27 February 1985 (France) more
Plot:
After the successful bank robbery Micky hopes to take back his girlfriend Mary who has been taken from him by the brothers Venin... more | add synopsis
Awards:
1 nomination more
User Comments:
Eclipse of Reason more (4 total)
Cast
(Cast overview, first billed only) | Sophie Marceau | ... | Mary |
 | Francis Huster | ... | Léon |
 | Tchéky Karyo | ... | Micky |
| Christiane Jean | ... | Aglaé |
| Jean-Marc Bory | ... | Simon Venin |
| Michel Albertini | ... | André |
| Saïd Amadis | ... | Le caïd |
| Roland Dubillard | ... | Le commissaire |
| Ged Marlon | ... | Gilbert Venin |
| Serge Spira | ... | Le baron |
| Julie Ravix | ... | Gisèle |
| Marie-Christine Adam | ... | La mère de Marie |
| Azeddine Bouayad | ||
| Harry Cleven | ... | Pluto |
| Yann Collette |
Additional Details
Parents Guide:
Runtime:
101 min
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Color:
Color (Eastmancolor)
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb France section | Add this title to MyMovies |
Indescribable. Zulawskis rendition of Dostojewski steps over the borders. This is surreal theater from it's most outside, most avant-garde, and yes, it's most autonomous perspective. The viewer is entertained, no doubt; and everything he sees is staged for his entertainment; but never is there a doubt that this is a form art that lives beyond the category of entertainment. To prove that such an art is possible, Zulawski makes his actors transform into lifeless figures that recite paradox phrases; and with that, he makes them the vulnerable animals that people really are, behind their masks. If you look at the dark sides, you can also find innocence, but you won't find reason or rationality – only sheer emotion, usually struggling with one's minds rational side, but the latter is entirely lost here. Still, the protagonists find ways to give their lives a philosophical fundament, and they spent the whole of the film arguing about them, thereby feeling pain, enduring humiliation, reaching for freedom. Harshly uncompromising, ever unforgettable.