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Storyline
Sports physician Marcus persuades his unstable brother David to come with him and train for a bicycle race across the Rocky Mountains. He doesn't tell him that he has a cerebral tumor. While David powerfully heads for the victory, Marcus has to realize that the contest is now beyond his capabilities. / Features great views of the Rockies and an insight in the tactics of bicycle races. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
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They're four one-of-a-kind people taking a chance...and going after a dream that will change their lives forever. [Theatrical]
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Trivia
At the end of the 3rd stage of the Hell of the West race when David needs to beat the second rider by 11 seconds, Marcus stops his stopwatch at 11.34 seconds. If you read 11.34 upside-down, it reads hEll - the first word in the name of the race.
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Goofs
During stage two in the Colorado National Monument, they start off going the correct direction from East to West, but not far into the stage they are riding next to a rock wall and are going from West to East (the wall is on the riders' right hand side). If they were going the same direction as when they started, the rock wall would be on the riders' left hand side instead of their right hand side.
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Quotes
David:
How can you be sick? You have a mustache.
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Soundtracks
"Brand New Day"
Written by
Lee Ritenour, Matheison & Veitch
Performed by Danny Hutton
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This sentimental film which one reviewer terms a "cult classic for cyclists..." is disappointing. Yes, as a former cyclist who was racing at a time long before cycling was popular, it does have some scenes that bring back memories of the adrenaline rush of riding in the pack (I was usually well at the rear) and the long hours of training. The scene where they have to sprint past a pit bull is memorable too, but most cyclists can outsprint dogs. However, when you compare this film to the 1979 Breaking Away, it doesn't stand up. Frankly, I found the theme of an athlete with a potential life-threatening condition to be a bit over-wrought and excessive sentimental. David Marshall Grant has his day in the sun alongside Costner and gives less than a memorable performance. Rae Dawn Chong is, as always, charming but the rest of the cast fades away. This is not a bad film and is one that could have been outstanding, with a bit of work. It's too bad that Hollywood too often makes films based on sport stories which avail little about the sport itself. Indeed, their portrayal of the sport winds up being what they (Hollywood marketeers) think main stream America thinks the sport looks like. This film was made before cycling was brought into the public eye by such outstanding American athletes as Davis Phinney, Greg LeMond and Lance Armstrong. My impression that the reviewer who chose to deem this film a "cult classic for cyclists" did so because there wasn't much else out there to fill that bill.