| Photos (See all 11 | slideshow) |
| Jane Fonda | ... | Dr. Martha Livingston | |
| Anne Bancroft | ... | Mother Miriam Ruth | |
| Meg Tilly | ... | Sister Agnes | |
| Anne Pitoniak | ... | Dr. Livingston's Mother | |
| Winston Rekert | ... | Detective Langevin | |
| Gratien Gélinas | ... | Father Martineau | |
| Guy Hoffmann | ... | Justice Joseph Leveau (as Guy Hoffman) | |
| Gabriel Arcand | ... | Monsignor | |
| Françoise Faucher | ... | Eve LeClaire | |
| Jacques Tourangeau | ... | Eugène Lyon | |
| Janine Fluet | ... | Sister Marguerite | |
| Deborah Grover | ... | Sister Anne | |
| Michele George | ... | Sister Susanna | |
| Samantha Langevin | ... | Sister Jeannine | |
| Jacqueline Blais | ... | Sister David Marie | |
| Françoise Berd | ... | Sister Thérèse | |
| Mimi D'Estée | ... | Sister Elizabette | |
| Rita Tuckett | ... | Sister Geraldine (as Rita Tucket) | |
| Lillian Graham | ... | Sister Madeline Marie | |
| Norma Dell'Agnese | ... | Sister Geneviève | |
| Muguette Moreau | ... | Sister Luke | |
| Janice Bryan | ... | Sister Mary Joseph | |
| Agnes Middleton | ... | Sister Paul | |
| France Arbour | ... | Housekeeper | |
| Laurel Lyle | ... | Helen the Receptionist | |
| Victor Désy | ... | Librarian (as Victor Desy) | |
| Charlotte Laurier | ... | Young Prostitute | |
| Peter Langley | ... | Sister Geneviève's Family | |
| Nicole Marie Abbat | ... | Sister Geneviève's Family | |
| Matthew Armstrong | ... | Sister Geneviève's Family | |
| Chava Mandlsohn | ... | Sister Geneviève's Family | |
| Charles S. Pottie | ... | Sister Geneviève's Family (as Charles S. Pottie S.J.) | |
| Gerry Huckstep | ... | Paramedic | |
| Marc Denis | ... | Newscaster | |
| Herbert Luft | ... | Television Reporter | |
| André Lacoste | ... | Male Patient | |
| Jennifer Jewison | ... | Female Patient | |
| Carole Chatel | ... | Lab Technician | |
| Daniel Tremblay | ... | Police Detective |
Directed by | |||
| Norman Jewison | |||
Writing credits | ||
| John Pielmeier | (screenplay) | |
| John Pielmeier | (stage play) | |
Produced by | |||
| Norman Jewison | .... | producer | |
| Charles Milhaupt | .... | associate producer | |
| Bonnie Palef | .... | associate producer (as Bonnie Palef-Woolf) | |
| Patrick J. Palmer | .... | producer (as Patrick Palmer) | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Sven Nykvist | (director of photography) | ||
Film Editing by | |||
| Antony Gibbs | |||
Casting by | |||
| Gretchen Rennell | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Carol Spier | |||
Set Decoration by | |||
| Jaro Dick | |||
Costume Design by | |||
| Renée April | |||
Makeup Department | |||
| Ann Brodie | .... | makeup artist | |
| Paul LeBlanc | .... | hair stylist | |
| Gary Liddiard | .... | makeup artist: Ms. Fonda | |
Production Management | |||
| Justis Greene | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| David Bailey | .... | third assistant director | |
| John Board | .... | first assistant director | |
| Madeleine Henrié | .... | second assistant director (as Madeleine Henrie) | |
Art Department | |||
| Daniel R. Bradette | .... | assistant property master | |
| J. Tracy Budd | .... | property master (as Tracy Budd) | |
| Dan Conley | .... | set dresser | |
| Martin Freedman | .... | set dresser | |
| Rolf Harvey | .... | assistant art director | |
| Barbra Matis | .... | assistant art director | |
| Richard Reseigne | .... | construction design coordinator | |
| John Dondertman | .... | assistant art director (uncredited) | |
Sound Department | |||
| Alison Clark | .... | sound editor | |
| Tony Currie | .... | sound editor | |
| Austin Grimaldi | .... | sound re-recording mixer | |
| Joe Grimaldi | .... | sound re-recording mixer | |
| Herb Heritage | .... | boom operator | |
| Sharon Lackie | .... | sound editor | |
| Richard Lightstone | .... | production sound mixer | |
| Andy Malcolm | .... | sound editor | |
| Michael O'Farrell | .... | sound editor | |
| Peter Thillaye | .... | supervising sound editor | |
| Don White | .... | sound re-recording mixer | |
| Anke Bakker | .... | assistant sound editor (uncredited) | |
| Lise Wedlock | .... | foley assistant (uncredited) | |
Special Effects by | |||
| Richard Huggins | .... | special blood effects: Theatre Magic | |
| Carrie Robbins | .... | special blood effects: Theatre Magic | |
| Ron Thiessen | .... | special effects coordinator | |
Stunts | |||
| David Rigby | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| David Crone | .... | Steadicam operator (as David C. Crone) | |
| Attila Dory | .... | still photographer (as Atilla Dory) | |
| Ralph Gerling | .... | camera operator | |
| Kevin Jewison | .... | first assistant camera | |
| Brian Montague | .... | gaffer | |
| Bill Pryde | .... | second assistant camera | |
| Shin Sugino | .... | still photographer | |
| Randy Tambling | .... | key grip | |
| Frank Teunissen | .... | second grip | |
| Rae Thurston | .... | best boy | |
Casting Department | |||
| Bonnie Finnegan | .... | casting assistant | |
| Karen Hazzard | .... | local casting: Ontario | |
| Helene Robitaille | .... | local casting: Quebec (as Hélène Robitaille) | |
Costume and Wardrobe Department | |||
| Fabienne April | .... | costumer | |
| Ursula Brooke | .... | assistant costumer | |
| Arthur Rowsell | .... | assistant costumer | |
| Mario Davignon | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Mary Canty | .... | first assistant film editor | |
| Bruce Lange | .... | associate film editor | |
Music Department | |||
| Hayward Parrott | .... | music scoring mixer | |
| Richard Stone | .... | supervising music editor: Segue Music | |
| Ron Searles | .... | assistant scoring engineer (uncredited) | |
Transportation Department | |||
| Stuart Hughes | .... | transportation coordinator | |
| Charlotte Rose | .... | driver: Ken Adam (uncredited) | |
Thanks | |||
| Letitzia Adam | .... | with very special thanks to | |
| Gloria Demers | .... | with very special thanks to | |
| Mary Dominic | .... | with very special thanks to (as Mother Mary Dominic) | |
| Andreas Drenters | .... | with very special thanks to | |
| Heather Drenters | .... | with very special thanks to | |
| Jeannine Edmunds | .... | with very special thanks to | |
| David Eley | .... | with very special thanks to (as Father David Eley S.T.) | |
| Marc Gervais | .... | with very special thanks to (as Father Marc Gervais S.J.) | |
| Larry Palef | .... | with very special thanks to | |
| Rachel Pfeffer | .... | with very special thanks to (as Rachael Pfeffer-Lapidese) | |
| Sister Pierette | .... | with very special thanks to | |
| Charles S. Pottie | .... | with very special thanks to (as Father Charles S. Pottie S.J.) | |
| Sister Rolande | .... | with very special thanks to | |
| Roger Sherman | .... | with very special thanks to (as Roger Sherman Esq.) | |
| Daniel Tremblay | .... | with very special thanks to | |
| Margaret Wescott | .... | with very special thanks to | |
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| Sisters | The Exorcism of Emily Rose | I Confess | Doubt | Love in the Time of Cholera |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The incredible performance by Meg Tilly is what makes this movie repeatedly watchable. She seems almost possessed by this role and entirely believable. She makes the innocent, spiritual and fantasy like world that this strange young nun lives in, appealing. One can find yourself almost being envious of the purity of the world that Agnes experiences. The performances of Jane Fonda and Anne Bancroft are also very good. The debate and tension that flows between them is interesting as each forces the other to take a deeper look at themselves, their pasts and to confront the reasons for their chosen paths in life. Also these women represent the two sides of one of the main dilemmas in the film and the one that we the viewers are left to wrestle with. Is Agnes better off in her cloistered, innocent world where Mother Miriam wants to keep her or would it be better for her to become more aware of the realities of the outside world with all it's diversity and possibilities that Doctor Martha Livingston thinks she should know. The tension between these two characters is not without it's humorous moments as well. It's never easy for a psychological drama to have to sort out the inner darkness of a troubled individual in the course of a two hour film but this one does better than most. Those that need answers spelled out plain, simple and clear cut are of course frustrated by the ending but enough is presented here to allow one to draw conclusions and yet leave room for thought and speculation, which makes for a far more compelling way to part from a story.