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Agnes of God (1985)

PG-13 | | Drama, Mystery | 27 September 1985 (USA)
When a naive novice nun is discovered with a dead newborn in her convent quarters, a court-appointed psychiatrist investigates her case.

Director:

Writers:

(screenplay), (play)
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Nominated for 3 Oscars. Another 1 win & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Anne Pitoniak ...
Dr. Livingston's Mother
Winston Rekert ...
Detective Larry Langevin
Gratien Gélinas ...
Father Martineau
Guy Hoffmann ...
Justice Joseph Leveau (as Guy Hoffman)
...
Monsignor
Françoise Faucher ...
Eve LeClaire
Jacques Tourangeau ...
Eugène Lyon
Janine Fluet ...
Sister Marguerite
Deborah Grover ...
Sister Anne
Michele George ...
Sister Susanna
Samantha Langevin ...
Sister Jeannine
Jacqueline Blais ...
Sister David Marie
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Storyline

At a convent, fragile, unearthly Sister Agnes gives birth, but the child dies and Agnes retains no memory of the event. The police soon are involved because of the death of the baby. However, the main conflict is between Mother Superior Miriam Ruth, who wants Agnes left alone, and Dr. Martha Livingston, a psychiatrist determined to help Agnes gain a stronger grasp on reality and uncover any wrongdoers. Written by Reid Gagle

Plot Summary | Add Synopsis

Taglines:

What unspeakable crime took place behind the third floor window? Only Agnes knows. And Dr. Martha Livingston is the one person who can unravel the mystery.

Genres:

Drama | Mystery

Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

27 September 1985 (USA)  »

Also Known As:

Agnes de Dios  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The Broadway stage production of "Agnes of God" was nominated for two Tony Awards in 1982 with both nominations being for acting. For playing Mother Superior Miriam Ruth, actress Geraldine Page was nominated for Best Actress in a Play, whilst actress Amanda Plummer won the Outstanding Featured Actress in a Play for portraying novice nun Sister Agnes. See more »

Goofs

During the most profound scene where Agnes receives the stigmata, the audio boom is visible for at least five seconds. See more »

Quotes

Doctor Martha Livingston: Who did this to you? Who?
Sister Agnes: God! It was God... and now I'll burn in Hell because I hate him.
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Connections

Referenced in The 13th Annual Young Comedians Special (1989) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Career Performance For Tilly
3 January 2002 | by (Maui) – See all my reviews

The incredible performance by Meg Tilly is what makes this movie repeatedly watchable. She seems almost possessed by this role and entirely believable. She makes the innocent, spiritual and fantasy like world that this strange young nun lives in, appealing. One can find yourself almost being envious of the purity of the world that Agnes experiences. The performances of Jane Fonda and Anne Bancroft are also very good. The debate and tension that flows between them is interesting as each forces the other to take a deeper look at themselves, their pasts and to confront the reasons for their chosen paths in life. Also these women represent the two sides of one of the main dilemmas in the film and the one that we the viewers are left to wrestle with. Is Agnes better off in her cloistered, innocent world where Mother Miriam wants to keep her or would it be better for her to become more aware of the realities of the outside world with all it's diversity and possibilities that Doctor Martha Livingston thinks she should know. The tension between these two characters is not without it's humorous moments as well. It's never easy for a psychological drama to have to sort out the inner darkness of a troubled individual in the course of a two hour film but this one does better than most. Those that need answers spelled out plain, simple and clear cut are of course frustrated by the ending but enough is presented here to allow one to draw conclusions and yet leave room for thought and speculation, which makes for a far more compelling way to part from a story.


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