Dr. Richard Thorndyke arrives as new administrator of the Psychoneurotic Institute for the Very, VERY Nervous to discover some suspicious goings-on. When he's framed for murder, Dr. ... See full summary »
A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to ... See full summary »
A meek word processor impulsively travels to Manhattan's Soho District to date an attractive but apparently disturbed young woman and finds himself trapped there in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances. Written by
Gabe Taverney (firstname.lastname@example.org)
The first 30 minutes of the film is based on radio artist Joe Frank's 1982 NPR Playhouse monologue "Lies". Some of the dialogue and plot elements in the film is lifted verbatim from the program including Paul meeting Marcy in the deli, the bagels-and-cream-cheese paperweights, Paul calling Marcy that same night to buy the paperweights, Paul losing his cab fare when it flies out of the window, Marcy being raped by an ex-boyfriend who came down the fire escape and falling asleep during said rape, Marcy being married to a man working overseas whom she writes to every day, and said husband's sexual quirk. Joe Frank filed a lawsuit against the producers and was then paid handsomely in a settlement. See more »
When Paul running away from the mob seeks shelter in the coffee shop (River something) and orders hamburger and coffee, the clock on the doorway shows 4:10, but when he again running away from the mob goes there and meets Tom, the same clock shows 12:14 when the waiter brings him hamburger and coffee. See more »
[Paul and Lloyd in front of a computer terminal]
Alright, punch. Punch it in.
Okay, let's, first of all, refresh the screen here. Alright, and go into "format ruler".
[Lloyd punches at the keyboard]
All right. Now, file?
[presses a key]
[...] See more »
The closing credits are displayed over a moving shot of Paul's office, during which more and more employees show up for work. When the camera passes Paul's desk again, he has disappeared. See more »
Perhaps one of the Scorsese minor masterpieces that sometimes get lost when considering "Goodfellas" or even "Mean Streets," films that get the bulk of the chatter. This, along with "King of Comedy" run in a very different vein, combining black comedy with tension and suspense as a central spine to the piece. Sure, Goodfellas has some black comedic moments, but on whole, it stands as a "drama" rather than a comedy. This is a VERY different film and will cause you to laugh and to shake your head in sympathy and mutter "Oh NO" more than once. I rated it a 9, I have no idea why this got lower marks than that. See it more than once.
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