A meek word processor impulsively travels to Manhattan's Soho District to date an attractive but apparently disturbed young woman and finds himself trapped there in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances. Written by
Gabe Taverney (firstname.lastname@example.org)
In the coffee shop where Paul first meets Marcy, an elderly couple sitting at a table to Marcy's right in an over-the-shoulder shot are the director's mother and father. See more »
When Paul asks June to join him for a drink, he begins to approach her table walking towards his right. But as the scene switches, he's then suddenly walking in the opposite direction towards his left. See more »
[Paul and Lloyd in front of a computer terminal]
Alright, punch. Punch it in.
Okay, let's, first of all, refresh the screen here. Alright, and go into "format ruler".
[Lloyd punches at the keyboard]
All right. Now, file?
[presses a key]
[...] See more »
The closing credits are displayed over a moving shot of Paul's office, during which more and more employees show up for work. When the camera passes Paul's desk again, he has disappeared. See more »
Such a dark, ironic and uncomfortably funny string of events plus a large helping of bizarre, paranoid and unpredictable characters have never before been forged into one story.
The film follows Paul Hacket (Griffin Dunne) on a date from hell, where from square one it all goes horribly wrong. As we move on, the mood winds up into a frenzied nightmare as this poor mans' plight goes from bad to worse. "All I want to do is go home" he says, running for his life from an angry mob.
The story isn't complex, which you may think could bore, but the characters are so delightfully wacky that you can't help but be transfixed.
We've all had bad days when we've said "Phew! What a nightmare!" - well forget it, until you've taken half the knocks this guy does, you've had but a walk in the park.
Don't just rent this movie - buy it.
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