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After Hours (1985)

7.7
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Ratings: 7.7/10 from 32,353 users   Metascore: 90/100
Reviews: 172 user | 77 critic | 8 from Metacritic.com

An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho whom he met that evening at a coffee shop.

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Title: After Hours (1985)

After Hours (1985) on IMDb 7.7/10

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Nominated for 1 Golden Globe. Another 4 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
June
...
Pepe (as Thomas Chong)
...
...
...
Thomas 'Tom' Schorr
...
...
Gail
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Diner Waiter (Pete)
...
Robert Plunket ...
Street Pickup
...
Lloyd
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Coffee Shop Cashier
Larry Block ...
Taxi Driver
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Storyline

A meek word processor impulsively travels to Manhattan's Soho District to date an attractive but apparently disturbed young woman and finds himself trapped there in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances. Written by Gabe Taverney (duke1029@aol.com)

Plot Summary | Plot Synopsis

Taglines:

What is the very worst night you ever had...? [UK Video] See more »

Genres:

Comedy | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 October 1985 (USA)  »

Also Known As:

A Night in SoHo  »

Box Office

Budget:

$4,500,000 (estimated)

Gross:

$10,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

First screenplay written by Joseph Minion. See more »

Goofs

When Paul running away from the mob seeks shelter in the coffee shop (River something) and orders hamburger and coffee, the clock on the doorway shows 4:10, but when he again running away from the mob goes there and meets Tom, the same clock shows 12:14 when the waiter brings him hamburger and coffee. See more »

Quotes

[first lines]
Paul Hackett: [Paul and Lloyd in front of a computer terminal] Alright, punch. Punch it in.
Lloyd: Right.
Paul Hackett: Okay, let's, first of all, refresh the screen here. Alright, and go into "format ruler".
[Lloyd punches at the keyboard]
Paul Hackett: There.
Lloyd: All right. Now, file?
Paul Hackett: Right.
Lloyd: Right?
[presses a key]
[...]
See more »

Crazy Credits

The closing credits are displayed over a moving shot of Paul's office, during which more and more employees show up for work. When the camera passes Paul's desk again, he has disappeared. See more »

Connections

Referenced in Richard Roeper & the Movies: Date Night (2010) See more »

Soundtracks

Symphony in D Major, K. 73N, 1st Movement
Composed by Wolfgang Amadeus Mozart
Performed by The Academy of Ancient Music and Jaap Schroder
Courtesy of Polygram Special Products,
A Division of Polygram Records, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A unique experience.
15 July 2007 | by (Omaha, NE USA) – See all my reviews

To get an understanding of the caliber film we're dealing with, you have to imagine some of the finest elements of other films being wound into a tight 95 minute package and directed by the incomparable Martin Scorsese. After Hours reminds this critic in many ways of Stanley Kubrick's Eyes Wide Shut. But somehow it seems to be about the best elements of that film. Our film deals with a mild-mannered Manhattan office worker taking a late night trip to the Soho district to meet up with a beautiful woman he first encountered earlier in the evening. So, much like with Tom Cruise in EWS, we have a protagonist searching for love in a world completely foreign to him. But instead of a never ending and overly talky film, we get a tightly wound and much better paced film from Scorsese. When the film does slow down for conversations, the ones we're treated to are comparable to the best Tarantino ever wrote for any of his films. Fortunately we don't get too many of them, like we would in a Tarantino film, however.

Griffin Dunne plays Paul Hackett, who is bound and determined to hook up with Marcy (Rosanne Arquette) whom he met in a restaurant earlier that evening. Once he makes it to Soho, Paul quickly realizes this spur-of-the-moment rendezvous may have been a terrible idea. Apparently Soho is (or was in 1985) a macabre place full of eccentric artists, bondage enthusiasts, and vigilante mobs made up of mostly gay people. Not only does Paul fail to score with Marcy, he ends up being stranded in the neighborhood with no money to get home, and being blamed for several apartment break-ins by a crowd that wants his blood! Every place or person he turns to for help seems to get him deeper and deeper into danger. There are all kinds of famous or soon to be famous people popping up in little roles here and there. Will Patton as a leather clad bondage enthusiast may be the most odd. Also look for Scorsese in a nightclub sporting a beard and shining a spotlight down on the rowdy patrons.

Unlike many Scorsese films, this one does not rely much at all on violence to get the point of danger across. I believe there is only one violent death, and the victim is not a main character. But in true Scorcese form, the scene produces a laugh! More than anything else, this film has a claustrophobic feeling. It's as if the world is crumbling all around Paul Hackett, and the next door he walks through may be his last. By the final fifteen minutes, he finds himself in the apartment of a gay man he picks on the street. To the man's obvious disappointment, Hackett simply wants someone to tell his story to. Before the scene has any type of logical conclusion, Hackett finds himself back on the street running for his life once again. His momentary attempt at finding compassion shattered in the blink of an eye. The whole film is kind of like that.

After Hours may not be for all tastes, but this critic first saw it back in junior high and never forgot what a treasure it is. 10 of 10 stars.

The Hound.


22 of 34 people found this review helpful.  Was this review helpful to you?

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