A meek word processor impulsively travels to Manhattan's Soho District to date an attractive but apparently disturbed young woman and finds himself trapped there in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances. Written by
Gabe Taverney (firstname.lastname@example.org)
Over the course of the film, Dunne's shaved unibrow changes at multiple times. Sometimes there's hair in the center of the brows, sometimes fully there, sometimes completely gone, and sometimes hair parallel off the center. See more »
[Paul and Lloyd in front of a computer terminal]
Alright, punch. Punch it in.
Okay, let's, first of all, refresh the screen here. Alright, and go into "format ruler".
[Lloyd punches at the keyboard]
All right. Now, file?
[presses a key]
[...] See more »
The closing credits are displayed over a moving shot of Paul's office, during which more and more employees show up for work. When the camera passes Paul's desk again, he has disappeared. See more »
Perhaps one of the Scorsese minor masterpieces that sometimes get lost when considering "Goodfellas" or even "Mean Streets," films that get the bulk of the chatter. This, along with "King of Comedy" run in a very different vein, combining black comedy with tension and suspense as a central spine to the piece. Sure, Goodfellas has some black comedic moments, but on whole, it stands as a "drama" rather than a comedy. This is a VERY different film and will cause you to laugh and to shake your head in sympathy and mutter "Oh NO" more than once. I rated it a 9, I have no idea why this got lower marks than that. See it more than once.
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