A meek word processor impulsively travels to Manhattan's Soho District to date an attractive but apparently disturbed young woman and finds himself trapped there in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances. Written by
Gabe Taverney (firstname.lastname@example.org)
The first thirty minutes of the film are based on radio artist Joe Frank's 1982 N.P.R. Playhouse monologue "Lies". Some of the dialogue and plot elements in the film are lifted verbatim from the program, including Paul meeting Marcy in the deli, the bagels-and-cream-cheese paperweights, Paul calling Marcy that same night to buy the paperweights, Paul losing his cab fare when it flies out of the window, Marcy being raped by a former boyfriend who came down the fire escape and falling asleep during said rape, Marcy being married to a man working overseas whom she writes to every day, and said husband's sexual quirk. Joe Frank filed a lawsuit against the producers and was then paid handsomely in a settlement. See more »
After Paul and Hoarst's exchange about his rudeness to Marcy, Kiki says to Paul "Well it's not too late to finish what you've started" though when she says the word "well" her mouth doesn't move. See more »
[Paul and Lloyd in front of a computer terminal]
Alright, punch. Punch it in.
Okay, let's, first of all, refresh the screen here. Alright, and go into "format ruler".
[Lloyd punches at the keyboard]
All right. Now, file?
[presses a key]
[...] See more »
The closing credits are displayed over a moving shot of Paul's office, during which more and more employees show up for work. When the camera passes Paul's desk again, he has disappeared. See more »
This wasn't a big hit when it came out, but it should have been. Martin Scorsese is a master of creating atmosphere and exploring a specific setting, and he has proved that in movies like Taxi Driver and Gangs of New York. In this film he brings the SoHo of the early to mid 1980s to life in brilliant and surreal fashion. Griffin Dunne is a great Every Man character. You like him from the very first scene and you follow his adventures with excitement and dread. The tension in this film is also intense, and that is amazing for a light hearted comedy. I am always surprised to hear that people have not seen this movie, or that people don't like this movie. I urge all Scorsese fans to see it. It's one of his best, even though many critics did not like it when it came out. It's a cult hit, but it deserves to be more than that too. It's a masterpiece.
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