A meek word processor impulsively travels to Manhattan's Soho District to date an attractive but apparently disturbed young woman and finds himself trapped there in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances. Written by
Gabe Taverney (firstname.lastname@example.org)
A technique known as "end slating" was used to capture Paul's reaction as he enters the nearly-vacant Club Berlin. Right before filming the shot, Griffin Dunne went to a bar around the corner, ordered drinks for the customers, then ran out without paying. The scene opens on him after this had just happened off-camera. See more »
June addresses Paul by his name twice, although he never tells her his name. See more »
[Paul and Lloyd in front of a computer terminal]
Alright, punch. Punch it in.
Okay, let's, first of all, refresh the screen here. Alright, and go into "format ruler".
[Lloyd punches at the keyboard]
All right. Now, file?
[presses a key]
[...] See more »
The closing credits are displayed over a moving shot of Paul's office, during which more and more employees show up for work. When the camera passes Paul's desk again, he has disappeared. See more »
While reading the Henry Miller's Tropic of Cancer in a coffee shop, the bored word processor Paul Hackett (Griffe Dunne) meets Marcy Franklin (Rosanna Arquette), and she gives her phone number to him. Close to midnight, Paul decides to call her and she invites him to visit her in the loft of her friend, the sculptor Kiki Bridges (Linda Fiorentino), in Soho. Paul gets a taxi and loses his money through the open window of the cab. Paul arrives in Kiki's place, where begins his surrealistic adventure along the night.
I do not know how many times I have seen this movie along my life, maybe ten times, but it still attracts me and now I have just seen it for the first time on DVD. I love it and it is one of my favorite cult movies. The surrealistic 'saga' of Paul Hackett trapped in Soho without means to return home is fantastic and fascinate me. The cast, direction, soundtrack and camera are excellent. I believe it is the best role and performance of Griffin Dunne in his career. My vote is nine.
Title (Brazil): 'Depois de Horas' ('After Hours (literally)')
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