In a storm, in a workhouse, to a nameless woman, young Oliver Twist is born into parish care where he's overworked and underfed. As he grows older his adventures take him from the ...
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Based on Charles Dickens' novel, this adaptation traces the childhood of an orphan whose mother dies giving birth to him in an English work-house in the 1820s. Little Oliver Twist, already ... See full summary »
Oliver's mother, a penniless outcast, died giving birth to him. As a young boy Oliver is brought up in a workhouse, later apprenticed to an uncaring undertaker, and eventually is taken in ... See full summary »
James A. Marcus,
Based on the Charles Dickens novel Oliver Twist is about an orphan boy who runs away from a workhouse and meets a pickpocket on the streets of London. Oliver is taken in by the pickpocket ... See full summary »
Young Pip is expected to become a blacksmith, but, hating the soot and smoke, he secretly dreams of becoming a gentleman. When he meets the mysterious Miss Havisham and her haughty niece ... See full summary »
In a storm, in a workhouse, to a nameless woman, young Oliver Twist is born into parish care where he's overworked and underfed. As he grows older his adventures take him from the countryside to London, through harsh treatment, kindness, an undertaker, and a thieves' dens, where he makes friends and enemies. But all the time he is pursued by the mysterious Monks, who hires Fagin to turn Oliver into a thief. Oliver is rescued by chance and kind friends. But it's a puzzle of legitimacy, inheritance, and identity that Oliver's friends must attempt to unravel before Monks can destroy Oliver. Written by
Of the 30 or so filmed versions of the same Charles Dickens novel (excluding indirect adaptations and parodies such as Oliver & Company (1988)), this is considered the most complete and accurate adaptation, as it manages to depict almost all of the characters and incidents from the book. See more »
From Dudley Simpson's haunting title music to Eric Porter's sinister Fagin, this is truest adaptation of the book that I know.
The production values are spot-on, capturing the filth and seediness of Dickens' London. Michael Attwell is the most menacing of Bill Sykes and Ben Rodska makes Oliver innocent without being too goody-goody.
If that were not enough, the length of the production (6 hours) means that, for once, the sub-plots are included and the main plots are laid out as Dickens wrote them.
If 6 hours is too long then David Lean still represents the safest bet but, for the purist, this will probably never be improved upon.
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