The battle between Sam and David continues and became serious when Sam proposed to Maddie. She is non-committal with her answer but it forces David to think about how he feels about Maddie. Sam and ...
When David and Maddie meet the owner of a club who tells them about an unresolved murder. Maddie and David argue about who they think the real murderer is and, in their dreams, set about solving the ...
Samantha Hughes, a teenaged Kentucky girl, never knew her father, who died in Vietnam before her birth. Samantha lives with her uncle Emmett, who also served in Vietnam. Emmett hangs around... See full summary »
Walter Davis is a workaholic. His attention is all to his work and very little to his personal life or appearance. Now he needs a date to take to his company's business dinner with a new ... See full summary »
A struggling, middle-aged actress attempts to make a career in Hollywood, all while surrounded by her hard-drinking best friend Maryann, her two ex-husbands, Ira and Jeff, and her two ... See full summary »
The top model Maddie Hayes was betrayed by her investment adviser who flew with all her money to South-America and began the hard life of a Casino owner. All the unfaithful manager has left Maddie is her house, her unbelievable beauty and intelligence and the run-down detective-agency "City Angels" (renamed by Maddie into "Blue Moon"). Because of her lack of money, she wants to sell the agency, but the houses only detective David Addison tries to convince her to join the agency as the new boss. So Maddie Hayes becomes involved in the work of a real private detective, which means so hard work as to spy upon unfaithful husbands, find missing people or murderers, foil attempts on VIP's lives, stop killers, help lovers and by the way save the world's peace and existence. While doing this Maddie and David try to get used to each other and this way they recognize their complete difference in life-style, humour, amusement and of course in the way how to run a detective agency. Maybe this is ... Written by
Adrian Schuster & Oliver Philipp <firstname.lastname@example.org>
Many episodes included a shot of Maddie's feet stepping off of the elevator and walking to her office. Glenn Gordon Caron admitted that the shots existed to give him time to complete the script. Scripts were constantly re-written, and shooting often began without a completed script. Caron would continue writing while shots of Maddie's feet were set up and filmed. See more »
So gather the kids, the dog, Grandma... and lock them in another room. And sit back and enjoy this very special episode of Moonlighting.
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A few minutes of bloopers from previous episodes are shown between the closing credits of episode 5.5, "Shirts and Skins". See more »
"Moonlighting" had the same basic template as "Remington Steele" (which "Moonlighting" creator Glenn Gordon Caron also wrote for), but the two shows were ultimately so different that it never really felt like a ripoff. (In any case, "Remington Steele" itself felt a bit like "Hart To Hart," about which the less said the better.)
The show's troubled backstage production is the stuff of legend (if Sky 1 viewers think the arrival of new episodes of "The Simpsons" is an event, they don't remember this show's travails - a new episode on ABC was practically a headline story); so self-reverential was "Moonlighting" that the episode "The Straight Poop" was actually about the show's backstage drama, with Rona Barrett (real-life gossip maven) hosting and interviews with Cybill Shepherd's ex Peter Bogdanovich and, amusingly, Pierce "Steele" Brosnan. But though the problems really affected the show to the extent that some episodes had to focus on David and Maddie's secretary Agnes and the agency's new recruit Herbert, it never really became unwatchable.
And at its best, "Moonlighting" was a gem; with dazzling wordplay, real sparks between Bruce Willis and Cybill Shepherd (although Shepherd never getting recognised by the Emmys was justified), and some occasionally good mysteries to boot. Listing all the highlights the show produced would take too long, but the show deserves its place in history for, among others:
1. "It's A Wonderful Maddie": Maddie finding that in an alternate timeline the Blue Moon Detective Agency has been taken over by Jonathan and Jennifer Hart (Maddie and Max together: "Don't I know you from somewhere?") and that David has wound up marrying Cheryl Tiegs - a much better choice than Cybill Shepherd methinks.
2. "The Murder's In The Mail": For the "man with a mole on his nose" scene with the doorman.
3. What the narrator at the start of one of the episodes called "those silly chases they like to do on 'Moonlighting'."
4. "Atomic Shakespeare": In which a boy who has to miss "Moonlighting" to study "The Taming of the Shrew" leads us into a very amusing reshaping of the yarn ("10 Things I Hate About You" was good, but can that give you a medieval wedding ceremony with "Good Loving"?).
5. The movie-length pilot, complete with the full version of the wonderful Lee Holdridge-Al Jarreau theme song over the credits.
6. "The Dream Sequence Always Rings Twice." Orson Welles and Bruce Willis. A match made in heaven.
7. "Camille": Especially the climax.
Bruce Willis can look back on this with pride; Cybill Shepherd had nowhere to go but down. And the show's writers (Caron, Jeff Reno and Ron Osborn, Roger Director, Chris Ruppenthal, Debra Frank and Carl Sautter...), I salute you. A true classic.
Too bad the Anselmo case was never solved, though.
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