The battle between Sam and David continues and became serious when Sam proposed to Maddie. She is non-committal with her answer but it forces David to think about how he feels about Maddie. Sam and ...
When David and Maddie meet the owner of a club who tells them about an unresolved murder. Maddie and David argue about who they think the real murderer is and, in their dreams, set about solving the ...
Walter Davis is a workaholic. His attention is all to his work and very little to his personal life or appearance. Now he needs a date to take to his company's business dinner with a new ... See full summary »
Samantha Hughes, a teenaged Kentucky girl, never knew her father, who died in Vietnam before her birth. Samantha lives with her uncle Emmett, who also served in Vietnam. Emmett hangs around... See full summary »
A struggling, middle-aged actress attempts to make a career in Hollywood, all while surrounded by her hard-drinking best friend Maryann, her two ex-husbands, Ira and Jeff, and her two ... See full summary »
The top model Maddie Hayes was betrayed by her investment adviser who flew with all her money to South-America and began the hard life of a Casino owner. All the unfaithful manager has left Maddie is her house, her unbelievable beauty and intelligence and the run-down detective-agency "City Angels" (renamed by Maddie into "Blue Moon"). Because of her lack of money, she wants to sell the agency, but the houses only detective David Addison tries to convince her to join the agency as the new boss. So Maddie Hayes becomes involved in the work of a real private detective, which means so hard work as to spy upon unfaithful husbands, find missing people or murderers, foil attempts on VIP's lives, stop killers, help lovers and by the way save the world's peace and existence. While doing this Maddie and David try to get used to each other and this way they recognize their complete difference in life-style, humour, amusement and of course in the way how to run a detective agency. Maybe this is ... Written by
Adrian Schuster & Oliver Philipp <firstname.lastname@example.org>
One of the hallmarks of this show was the irreverent (and frequent) way in which the so-called "fourth wall" was broken: at various times the actors would look directly into the camera and speak to the audience; dialogue referred to the "producers", "director" and especially the "writers" and/or "script"; and in the second-season finale episode "Camille", the characters actually left the set and went running around the film studio lot, then the episode ended abruptly around the actors when filming wrapped for the summer break (shown on-screen). See more »
When I was 12 this was my favorite show on TV, but I've come to appreciate it more in my old age. Bruce and Cybill are great, but above all, the writing is among the best I've seen in a television series. The nonstop sledge hammer wit for a full hour makes me laugh out loud every episode. The scenes are always brilliantly constructed, the jokes always intelligent. The writers never got all the credit they deserved, I'm sure. No matter how funny one joke is, there is always a come back line. I think you have to get past the early episodes that were a little more serious. I didn't start watching until around the beginning of '86.
So much on TV nowadays is either over-the-top dramatic, or toilet humor. No one knows how to just have fun anymore. Moonlighting never forgot that it was just a television show, and it didn't mind poking fun at itself. Some lines that demonstrated this were, "Two teams [...] with the same story. Either someone's lying or the writers just Xeroxed the other scene", and, "What do we do now?" "Wrap this up in about 12 minutes so another show can come on the air."
After David and Maddie got together, then weren't together, then were, how did it end anyway? The show became a bit of a soap opera. But it was always a treat to watch. Everyone mentions Moonlighting's version of "The Taming of the Shrew." Some of my other favorite episodes are "The Bride of Tupperman", which ends with a hospital scene chase to 'Dem Bones, "Symphony in Knocked Flat" (guest appearance by Don King), "Yours Very Deadly" (Burt Viola's first appearance), and both Christmas episodes. And the show wouldn't be complete without the rhymes of Agnes Dipesto. If you aren't that familiar with the show, don't miss your next opportunity to see Moonlighting!
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