When David and Maddie meet the owner of a club who tells them about an unresolved murder. Maddie and David argue about who they think the real murderer is and, in their dreams, set about solving the ...
The battle between Sam and David continues and became serious when Sam proposed to Maddie. She is non-committal with her answer but it forces David to think about how he feels about Maddie. Sam and ...
The top model Maddie Hayes was betrayed by her investment adviser who flew with all her money to South-America and began the hard life of a Casino owner. All the unfaithful manager has left Maddie is her house, her unbelievable beauty and intelligence and the run-down detective-agency "City Angels" (renamed by Maddie into "Blue Moon"). Because of her lack of money, she wants to sell the agency, but the houses only detective David Addison tries to convince her to join the agency as the new boss. So Maddie Hayes becomes involved in the work of a real private detective, which means so hard work as to spy upon unfaithful husbands, find missing people or murderers, foil attempts on VIP's lives, stop killers, help lovers and by the way save the world's peace and existence. While doing this Maddie and David try to get used to each other and this way they recognize their complete difference in life-style, humour, amusement and of course in the way how to run a detective agency. Maybe this is ... Written by
Adrian Schuster & Oliver Philipp <firstname.lastname@example.org>
Many episodes included a shot of Maddie's feet stepping off of the elevator and walking to her office. Glenn Gordon Caron admitted that the shots existed to give him time to complete the script. Scripts were constantly re-written, and shooting often began without a completed script. Caron would continue writing while shots of Maddie's feet were set up and filmed. See more »
Moonlighting was one of those shows that I didn't watch at first but once I caught an episode I was hooked. The constant sparring of Maddie and David was excellent with a lot of acknowledgement to the camera. I even enjoyed the episodes where Agnes Dipesto and Herbert Viola were given more screen-time.
My favourite episodes include the feature length first episode, "The Lady in the Iron Mask", "Atomic Shakespeare", "The Straight Poop", "It's a Wonderful Job" and "Poltergeist III Dipesto Nothing".
It's currently airing on a cable channel in the U.K. and although not all episodes were good the majority were very well written with many memorable scenes.
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