"The Equalizer" (1985) TV series 1985-1989

User Rating:

7.6/10   

Creators:

Richard Lindheim
Michael Sloan

Seasons:

1 | 2 | 3 | 4

Release Date:

18 September 1985 (USA)

Genre:

Action | Crime | Drama

Plot:

Robert McCall is "The Equalizer", a private detective with a lot of contacts who is available for hire...

Plot Keywords:

Detective | Spy | New York City | Manhattan New York City | Neo Noir

Awards:

Won Golden Globe. Another 1 win & 11 nominations

Cast

Edward Woodward	...	Robert McCall (87 episodes, 1985-1989)
Keith Szarabajka	...	Mickey Kostmayer (42 episodes, 1985-1989)

Runtime:

60 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Filming Locations:

New York City, New York, USA

Company:

Universal TV

Trivia:

During the height of the show's popularity, actor Edward Woodward was often approached on the street by people in need, with situations similar to those depicted in the show. He began carrying flyers with the phone numbers of social services organizations and legal clinics for them to contact.

Quotes:

Robert McCall: Don't do something you won't live to regret.

Movie Connections:

Referenced in "The Lone Gunmen: Planet of the Frohikes (#1.7)" (2001)

A flawed show that I would not miss

I doubt that I could call this an objectively excellent show, but I loved it. We all have worries and concerns in this world, and when The Equalizer would come on, it was as if someone showed up to take care of it all.

The violence was gratuitous, the hero flawed, the premises and execution over the top. Yet the team, headed by an effective if somewhat hammy Edward Woodward who is in turn flanked by Mickey Kostmayer, and Jimmy and Sterno, and the regulars - Control, Pete O'Phelan, Lt. Smalls, Scott, etc. - grew on us. So many budding actors, now famous, guested on this show.

In a key conversation, McCall tells Control how he wished the rain pouring outside could clear away all the human scum and filth that terrorizes society. McCall took it upon himself to do so.

I often wished that longer-term plot elements would take hold. At one point, McCall says to Saul Rubinek's character, "Jason, you set me up. I don't know why, but believe me, I will find out" - but nothing came of this. Some of today's shows, Alias for example, show the potential for twists and turns in long-term plot elements. So, while there were serial elements (ex. McCall's family tribulations), the episodes were largely stand-alone. The Equalizer had huge potential for groundbreaking storylines, but failed to realize it. Still, it provided me with my weekly dose of valued escapism.