Tulkinghorn inquires into the death of Nemo, whose handwriting was recognized by Lady Dedlock. Later, Gumpy expresses his feelings for Esther, to her discomfort. Finally, the wheels of justice at the...
Esther meets Dr. Woodcourt, who plans to be a ship surgeon. Lady Dedlock visits Jo concerning Nemo and later meets the Jarndyce wards. Charley is hired by Jarndyce, who later learns of the plans of ...
Thomas Gradgrind, a wealthy, retired merchant in the industrial city of Coketown, England, devotes his life to a philosophy of rationalism, self-interest, and fact. He raises his oldest ... See full summary »
Jane Austen's last novel provides the plot for this earlier Granada miniseries. Set in pre-Victorian England, this movie tells the story of Anne Elliot, who now having lost her "bloom" is ... See full summary »
It's odd to find myself criticizing a production that stars Diana Rigg and Denholm Elliott, but I have no choice. Not only is this miniseries often dull and slow-moving, but it's very hard to follow the story. After watching episode one, I was so confused that I set it aside, and waited until I'd watched the much superior 2005 production with Gillian Anderson.
I picked this up again after seeing the more recent series, so at least I can follow the story. But it's still not that coherent. I haven't read the novel yet, so this production may be more faithful, but it's certainly not very good television. All the interior scenes are so dark (as are the street scenes) that it's sometimes difficult to see clearly. Much of this (in the street scenes, anyway) was apparently done to convey the filth and fog of London --- but they overdid it.
Diana Rigg is a splendid actress, but she has very few scenes in this production, and as she plays the role with any icy hauteur, betraying almost no hint of her vulnerability, it's hard to empathize with her. The rest of the cast tries its best, but this is just not a good script. It's slow and hard to follow.
If you're not familiar with the plot, I recommend the 2005 series with Gillian Anderson as the one to start with. This is one is worthwhile but misfires on many levels. Below par for BBC productions of this vintage.
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