In Madrid, the housewife Gloria lives in a tiny apartment with her husband, the taxi driver and forger Antonio; her lunatic mother-in-law, who is addicted in bottled water and cupcakes; and... See full summary »
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
In Madrid, the housewife Gloria lives in a tiny apartment with her husband, the taxi driver and forger Antonio; her lunatic mother-in-law, who is addicted in bottled water and cupcakes; and two teenage sons, one of them a drug dealer and the other gay. Gloria works as cleaning lady to raise some money for her dysfunctional family and is addicted in pills; her best friend is her neighbor, the call-girl Cristal. Antonio has a secret passion on a decadent German singer for whom he had worked as driver in Germany. A writer tries to convince Antonio to forge letters from Hitler and travels to Germany to meet the singer to invite her to participate in the scheme. Meanwhile Gloria delivers her gay son to a pervert dentist. Her mother-in-law finds a lizard while walking with her grandson on the street and they call it Dinero (Money) and bring it home. When Gloria has an argument with Antonio, she hits him on the head with a piece of wood, killing him. Now the police detectives investigate the... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Being a Spaniard, when you listen to Pedro talking, you realize he can't help being constantly comical, even though he tried to be serious about any matter.
But one knows for sure he is always concerned about social, religious and political issues, putting himself always in favor of those marginal, poor, alternative, or simply average, on its last legs. THIS is the case of Gloria's story, the modest and invisible woman cleaning your apartment who never shared a word about herself.
PEDRO is proud of this film, because it set a point of very beginning in his career, leaving behind some successful punky jokes and presents his work with ambition. He will show from now on his fondness for Hollywood, for Douglas Sirk melodramas, also for ancient south American boleros lyrics, brought to life. He never gave up being comical, of course, but now is not the end of it all.
(I never compare "Qué he hecho yo " with "Volver", although some plot lines are very similar, you could put all together into the particular universe of the author, while Raimunda is a very ardent portrait of a colorful, brave and beautiful mother, Gloria is a weak invisible woman snowed under some universe plan against her.
This is Almodovar's canon: He is trying to get every person watching his movies knowing NOT what to do, if cry or laugh or mix together in an awkward feeling, stimulating therefore some brainstorm into him or better: to her. (Pedro talks to women and talks about women, men can watch.) He shows tragedy, and then finds some funny side of it all, and makes you feel awful for being laughing at some silly thing that happened in the middle of disaster, and then drama flows again. Only women tend to be so complex to do that. Men are dull and emotionally uninteresting. So NO, this is not a Comedy. It is a funny Tragedy.
Almodovar's eyes always remain amazed at this world of fools, where crazy circumstances and coincidences seem to happen together against you.
Look into your maid's life. Yes, she may hide a fantastic story. Talk to her.
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