| Samuel Hui | ... | Sam Hong Kong (as Samuel Hul) | |
| Karl Maka | ... | Albert Au (as Cark Mak) | |
| Sylvia Chang | ... | Supt. Nancy Ho | |
| Peter Graves | ... | Tom Collins | |
| Richard Kiel | ... | Big G | |
| Jean Mersant | |||
| John Sham | |||
| Naomi Otsubo | |||
| Huguette Funfrock | ... | Queen of England | |
| Sandâ Sugiyama | ... | Oddjob (as Tsuneharu Sugiyama) | |
| Lerias Momeyer | (as Lerisa Momeyer) | ||
| rest of cast listed alphabetically: | |||
| Ken Boyle | |||
| Ming-Wei Chen | |||
| Ko-Chi Chik | |||
| Ging Man Fung | |||
| Lan Law | |||
| Hak Shun Leung | |||
| Peng-fei Li | |||
| Wai Cheung Mak | |||
| Yan-chi Ng | |||
| Yung-sheng Pan | |||
| Toby Russell | ... | Father christmas / CIA agent | |
| Gwa-pau Sai | |||
| Ming Shih | |||
| Geng-Hung Suen | |||
| Diego Swing | |||
| Kwok Chi Tsang | |||
| Gam-Bo Wong | |||
| Sau-Man Wong | |||
| Wai-Chung Woo | |||
| Boon Chai Yat | |||
| Chi-ming Yu | |||
| Charlie Cho | ... | Tso (uncredited) | |
| Tat-wah Cho | ... | Hua (uncredited) | |
| Neil Connery | ... | (uncredited) | |
| Ricky Hui | ... | Puffer Fish (uncredited) | |
| Lowell Lo | ... | Subway Driver (uncredited) | |
| Hark Tsui | ... | Cameo appearance (uncredited) | |
Directed by | |||
| Hark Tsui | |||
Writing credits(in alphabetical order) | ||
| Larry Dolgin | dialogue | |
| Bak-Ming Wong | ||
Produced by | |||
| Jim Lau | .... | assistant producer | |
| Karl Maka | .... | producer | |
| Dean Shek | .... | producer | |
| Bak-Ming Wong | .... | producer (uncredited) | |
Original Music by | |||
| Lynsey De Paul | |||
| Noel Quinlan | |||
Cinematography by | |||
| Henry Chan | (uncredited) | ||
Film Editing by | |||
| Kuo-chung Chou | (as Tony Chow) | ||
Production Design by | |||
| Oliver Wong | |||
Makeup Department | |||
| Man Chuen Chow | .... | makeup artist | |
| Chi-Shing Tung | .... | makeup artist | |
Art Department | |||
| Yang Hung | .... | props | |
| Wai-shing Yiu | .... | props | |
Special Effects by | |||
| Kevin Chisnall | .... | special effects supervisor | |
| Sai-Hung Wong | .... | special miniature effects | |
Stunts | |||
| Kin-Chung Chan | .... | motorcycle stunts | |
| Wai-Kit Chan | .... | motorcycle stunts | |
| Yiu-Hei Chan | .... | motorcycle stunts | |
| Chi-Hang Cheung | .... | motorcycle stunts | |
| Kin-Kwong Lam | .... | motorcycle stunts | |
| Gam-Yiu Lee | .... | motorcycle stunts | |
| Kwok-Wai Lee | .... | motorcycle stunts | |
| Blackie Ko Shou Liang | .... | motorcycle stunt advisor | |
| Wai-Gung Siu | .... | motorcycle stunts | |
| Yan-Chung Wong | .... | motorcycle stunts | |
Camera and Electrical Department | |||
| Tung-Chuen Chan | .... | gaffer | |
| Kuo Hua Chang | .... | gaffer | |
| Wing-Kuen Fung | .... | assistant camera | |
| Cheung Lee | .... | still photographer | |
| Tak-Wai Lee | .... | assistant camera | |
| Huang Lin | .... | gaffer | |
| Wah-Ging Siu | .... | lighting & compositing supervisor | |
| Tin Tam | .... | still photographer | |
| Wing-hang Wong | .... | assistant camera | |
| David Yeung | .... | assistant camera | |
| Pak Ying Yip | .... | gaffer | |
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Hong Kong section |
The third entry in the "Mad Mission" / "Aces Go Places" series sets its sights on being a James Bond - flavored spy comedy, by including a British secret agent that looks like an 80's version of Sean Connery ("I think you know the number"), an Oddjob-like henchman complete with killer hat, and a Jaws-like henchman (minus the steel teeth) played by Richard Kiel himself! There are also international locations (Paris), submarines, daring heists, wild chases, multiple gadgets....and there, I think, lies the problem with this film: it relies too much on the gadgets and the gimmicks and not enough on the characters. Along with those people I mentioned above, Peter Graves from the "Mission: Impossible" series also appears, but all these names ultimately add little to the film beyond....well, name value. Much like in the second part of the series, a lot of things happen here not because they make sense or hang together, but because the people who made the film thought they would look cool (the chase scene with the "Mad Max 2" outcasts, for example). The second film somehow worked; this one falls curiously flat. (**)
PS: The actress who plays the bad-girl-turned-good is g-o-r-g-e-o-u-s.