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Mad Mission 3: Our Man from Bond Street (1984)
"Zui jia pai dang 3: Nv huang mi ling" (original title)

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Ratings: 5.7/10 from 561 users  
Reviews: 8 user | 9 critic

A master thief is duped by lookalikes for James Bond and the Queen of England into stealing a valuable gem from a heavily guarded location then must help the police recover it.

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Title: Mad Mission 3: Our Man from Bond Street (1984)

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Cast

Cast overview, first billed only:
Samuel Hui ...
King Kong (as Samuel Hul)
Karl Maka ...
Albert Au (as Cark Mak)
Sylvia Chang ...
Jean Mersant ...
Naomi Otsubo ...
Agent 701
Huguette Funfrock ...
Ricky Hui ...
Puffer Fish
Tat-wah Cho ...
Hua
Toby Russell ...
Father Christmas / CIA Agent
Ken Boyle ...
CIA Agent
Ging Man Fung ...
Police Officer in Computer Room
Peng-Fei Li ...
Police Offficer in Computer Room
Yan-Chi Ng ...
Police Officer in Computer Room
...
Police Officer in Computer Room
John Sham ...
Police Chief
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Storyline

King Kong (Samuel Hui), while vacationing in Paris, is kidnapped by a British agent called James (Jean Mersant), who wants to recover one of the stolen crown jewels, the Star of Fortune, supposedly at the request of the Queen of England. The jewel is hidden at the Hong Kong Police Headquarters and Kong will have to steal the jewel without his partner-in-crime, Detective Albert "Baldy" Au (Karl Maka), knowing. When James' devious intentions are later revealed and Baldy and his wife, Supt. Nancy Ho (Sylvia Chang) discovered Kong's heist, Kong finds himself at a crossroad. Written by Oliver Chu

Plot Summary | Add Synopsis

Genres:

Action | Comedy

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Details

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Language:

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Release Date:

26 January 1984 (Hong Kong)  »

Also Known As:

Mad Mission 3: Our Man from Bond Street  »

Filming Locations:

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Company Credits

Production Co:

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Technical Specs

Runtime:

(Hong Kong)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Connections

Referenced in A View to a Kill (1985) See more »

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User Reviews

 
Silliest outing
26 August 1999 | by (Wellington, New Zealand) – See all my reviews

This third Mad Mission film continues the adventures of King King (Sam Hui), Albert Au (Karl Maka) and Superintendent Nancy Ho (Sylvia Chang). The films had become an institution in Hong Kong at the time, and Maka and co-producer Dean Shek knew that they had a ready-made audience.

Whether this led to a weaker script is not known but it is, apart from the fifth and last instalment, the weakest of the series penned by Maka and company. But the first two were hard acts to follow and there was always a risk of comparison.

For a start, you need to have seen the first two to understand the development of the characters. Nancy has married Albert, and have a bald son, who is introduced in this outing. King Kong receives a mission from Her Majesty the Queen (remember, this was in colonial Hong Kong) and along the way meets certain characters who resemble Sean Connery, Oddjob and Jaws.

The silliness of the film is not helped by Maka's willingness to make a fool of himself. This may be part of his humour and style but here it is taken to tiresome extremes. Certain ingredients from the earlier films are taken and exaggerated too greatly: Au's stupidity and suggested infidelity, Nancy's tough-cop routine, and King Kong's cad, James Bond-like attitude. The plot is extremely thin and at best confusing. Even by early 1980s Hong Kong standards, it leaves a lot to be desired.

It has its moments: Albert Au trying to use the police computer; the interrogation of King Kong by a police detective (played by Sam Hui's real-life brother, Michael); and the 'Aw, how cute' factor provided by Au's screen son. Mission: Impossible's Peter Graves makes a brief appearance in a scene which is entirely in Chinese (Graves is dubbed - badly). Some of the lines are not too bad, but one wonders how well they hold up in the dubbed English versions.

There is some poor dubbing in the Chinese original, with non-Chinese actors sounding typically bad. I suppose it's pleasing to know that the tables can be turned from time to time.

Fans of the series would be advised to go straight to the fourth instalment, which is far superior in humour and pace.


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