The U.S. government has been using deep caves in Central America as bases for a special type of radio transmitter used for communicating with submaries. When the signal from one of these ...
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Professor hires a spaceship to get to the source of weird signals from deep space. The trip is cut short however when the ship's computer gets jealous because the captain is in love with one of the female passengers and it gets homicidal.
Catherine Mary Stewart,
The U.S. government has been using deep caves in Central America as bases for a special type of radio transmitter used for communicating with submaries. When the signal from one of these transmitters suddenly disappears, a team of soldiers and cave specialists is sent in to find out what happened. After some exploring deep underground, they stumble upon a tribe of albino cave dwellers who have been isolated from the rest of the world for thousands of years. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
In terms of plot, mid '80s subterranean horror/adventure What Waits Below is a lot like Neil Marshall's The Descent (2005), both films revolving around a group of speleologists running into trouble when the cavern that they are exploring turns out to be home to a race of savage underground humanoids. In execution, however, the two films couldn't be more different...
Where The Descent is an expertly crafted white-knuckle thrill ride that delivers cool cannibalistic creatures guaranteed to scare the bejeezuz out of the viewer, What Waits Below is a plodding cheeze-fest that offers up slimy hand-puppet snake monsters and laughable albinos with silly haircuts.
Robert Powell, who is most renowned for his titular role in Jesus of Nazareth, makes for an extremely lacklustre hero (could this guy really find work as a mercenary? He looks more like a hairdresser to me) and Lisa Blount is bland as the token babe with a brain. The real stars of the film are the stunning underground locations, but as awe inspiring as the spectacular caverns and colourful rock formations undoubtedly are, they cannot possibly adequately compensate for the stodgy direction, weak acting, cruddy props and terrible dialogue ("In a cave, the only predictable element is the unpredictable").
3.5/10, generously rounded up to 4 for the surprisingly gory shot of a dead soldier with his face all messed up.
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