| David Carradine | ... | Kain | |
| Luke Askew | ... | Zeg the Tyrant | |
| Maria Socas | ... | Naja the Sorceress | |
| Anthony De Longis | ... | Kief, Zeg's Captain (as Anthony DeLongis) | |
| Harry Townes | ... | Bludge the Prelate | |
| Guillermo Marín | ... | Bal Caz (as William Marin) | |
| Armando Capo | ... | Burgo the Slaver (as Arthur Clark) | |
| Daniel March | ... | Blather, Bal Caz's Fool | |
| John Overby | ... | Gabble, Bal Caz's Fool | |
| Richard Paley | ... | Scar-face | |
| Marcos Woinsky | ... | Burgo's Captain (as Mark Welles) | |
| Cecilia Narova | ... | Exotic Dancer (as Cecilia North) | |
| Dylan Willias | ... | Zeg's Guard | |
| José Casanova | ... | Zeg's Guard (as Joe Cass) | |
| Miguel Zabaleta | ... | Zeg's Guard (as Michael Zane) | |
| Herman Cass | ... | Zeg's Guard | |
| Arturo Noal | ... | Zeg's Guard (as Arthur Neal) | |
| Hernán Gené | ... | Zeg's Guard (as Herman Gere) | |
| Gus Parker | ... | Zeg's Guard | |
| Ned Ivers | ... | Slave | |
| Liliana Cameroni | ... | Zeg's Drowned Slave (as Lillian Cameron) | |
| Eva Adanaylo | ... | Woman at Well (as Eve Adams) | |
| rest of cast listed alphabetically: | |||
| Noëlle Balfour | ... | (uncredited) | |
Directed by | |||
| John C. Broderick | (as John Broderick) | ||
Writing credits | ||
| John C. Broderick | (screenplay) (as John Broderick) | |
| John C. Broderick | (story) (as John Broderick) & | |
| William Stout | (story) | |
Produced by | |||
| John C. Broderick | .... | producer (as John Broderick) | |
| Frank K. Isaac | .... | producer (as Frank Isaac) | |
| Héctor Olivera | .... | co-producer | |
| Alejandro Sessa | .... | co-producer (as Alex Sessa) | |
| Roger Corman | .... | executive producer (uncredited) | |
Original Music by | |||
| Luis María Serra | (as Louis Saunders) | ||
Cinematography by | |||
| Leonardo Rodríguez Solís | |||
Film Editing by | |||
| Silvia Ripoll | (as Silvia Roberts) | ||
Casting by | |||
| Stan Shaffer | |||
Art Direction by | |||
| Emilio Basaldua | (as Emmett Baldwin) | ||
Costume Design by | |||
| María Julia Bertotto | (as Mary Bertram) | ||
Makeup Department | |||
| George Barry | .... | makeup artist | |
| R. Christopher Biggs | .... | makeup special effects (as Chris Biggs) | |
| Willy Smith | .... | makeup effects assistant (as William Smith) | |
| Rodolfo Spinetta | .... | hair dresser (as Rudy Sparks) | |
Production Management | |||
| Alejandro Arando | .... | production manager (as Alex Plowing) | |
Second Unit Director or Assistant Director | |||
| Américo Ortiz de Zárate | .... | assistant director (as Andrew Sargent) | |
| Claudio Reiter | .... | second assistant director (as Charles Ritter) | |
| Nico Sarudiansky | .... | second assistant director (as Nick Salter) | |
| Antonio Barrio | .... | second assistant director (uncredited) | |
Art Department | |||
| Gustavo Acosta | .... | props (as Gus Ames) | |
| Ercilia Alonso | .... | set dresser (as Evan Alcott) | |
| José Cámara | .... | props (as Joe Cannon) | |
| Jorge de la Reta | .... | props (as George Davies) | |
| Nick Nickels | .... | property master | |
| William Stout | .... | original art | |
| Jan Ferris | .... | sculptor/designer: spider creature and tooth glove (uncredited) | |
Sound Department | |||
| Pedro Marra | .... | boom operator (as Peter Miller) | |
| Jorge Stavropulos | .... | sound mixer (as George Stevenson) | |
Special Effects by | |||
| Ricardo Lanzoni | .... | special effects (as Richard Lennox) | |
Stunts | |||
| Anthony De Longis | .... | stunt coordinator (as Anthony DeLongis) | |
Camera and Electrical Department | |||
| Miguel Amengual | .... | gaffer (as Michael Aldridge) | |
| Juan José Fabio | .... | assistant camera (as John Faber) | |
| Oscar González | .... | second assistant camera (as Oscar Johnson) | |
| Ever Latour | .... | camera operator (as B.B. Latour) | |
| Hans Ritter | .... | still photographer (as Hank Ritter) | |
Costume and Wardrobe Department | |||
| Beatriz Quiroga | .... | costumer (as Beatrice Rowe) | |
| Gloria Van Hartenstein | .... | costumer (as Gloria Hartwell) | |
| Mónica Mendoza | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Jorge Firdman | .... | assistant editor (as George Fairfax) | |
| Fernando Guariniello | .... | assistant editor | |
Other crew | |||
| Raúl Ahumada | .... | production assistant (as Ralph Smoker) | |
| Gonzalo Astorga | .... | production assistant (as John Astor) | |
| Anthony De Longis | .... | swordplay choreographer (as Anthony DeLongis) | |
| Jennifer Joy | .... | assistant to director | |
| Ginny Nugent | .... | production coordinator | |
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| In the Name of the King: A Dungeon Siege Tale | Prince of Persia: The Sands of Time | Conan the Barbarian | The Three Musketeers | Masters of the Universe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Argentina section |
However, that's not to say that this routine sword 'n' sandal fantasy adventure doesn't have a brilliant touch or two. As has been said numerous times before, it's essentially another reworking of the time-honoured premise of "Yojimbo", as a mythical lone warrior, Kain (David Carradine) does his best to manipulate two warring factions in a small isolated community who each want control of the only water well. One of them is led by Zeg (the amusingly cast Luke Askew), the other by Bal Caz (Guillermo Marin). The sorceress of the title is Naja, played by the super sexy Maria Socas, who plays her role almost completely topless, certain to guarantee enthusiastic approval by trash fans everywhere. The movie really is rather thinly written (by director John Broderick and William Stout, the latter being an artist & production designer who's worked on genre efforts like "Conan the Barbarian" and "The Return of the Living Dead"), and it may leave one caring little about characters or what happens to them. Carradine is sometimes a hoot, but he often looks here like he can't wait to cash his paycheck. So it's up to the supporting players to try to give this thing a shot in the arm. Askew, Marin, and Armando Capo as the inhuman Burgo the Slaver are all reasonably entertaining antagonists. Production design, location shooting, and costumes are effective, but the action runs hot and cold; the sword fights aren't the most exciting one will ever see. R. Christopher Biggs supplies the makeup effects on the non-human characters as well as one funky little lizard thing. The music is credited to Luis Maria Serra, but any fan of previous Roger Corman productions is sure to recognize certain cues from the James Horner score for "Humanoids from the Deep". The one thing that really makes "The Warrior and the Sorceress" worthwhile is fairly brief, but impressive: the makeup effects on a luscious exotic dancer (played by Cecilia Narova) who happens to have four breasts, outdoing the memorable three breasted hooker from "Total Recall". Overall this is pretty forgettable once it's over, but it provides adequate enough entertainment for a trim 82 minute running time. Undemanding fans of sleazy low budget fantasy films should be satisfied. Six out of 10.