The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows ... See full summary »
Released from prison apparently under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewellers in out-of-season Cannes ... See full summary »
A respected police commissioner has a reputation as a fervent opera lover, but by night he also enjoys plunging into the transvestite scene. In addition, he harbors a longing for his very ... See full summary »
Derek de Lint
Flying from his enemies in the Catholic Church, the free thinking philosopher, poet and scientist Giordano Bruno (1548-1600) has found some protection in Venice. But the Roman Inquisition, ... See full summary »
Gian Maria Volonté,
Hans Christian Blech,
In the spring of 1944 in Poland, near the end of WWII, Janina faces a huge change in her life when her father decides to offer a shelter to his Jewish friend's daughter Ester. One day, her ... See full summary »
50 year old Giulio (Tognazzi) and his 17 year old goddaughter, Vincenzina (Muti) fall madly in love with each other and soon are wed. Unfortunately for Giulio he walks in on his friend and ... See full summary »
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview. Written by
Dragomir R. Radev <email@example.com>
Reminded me somewhat of Charlie Kaufman's scripts.
First off, the IMDb rating is criminal. 'Viva La Vie' should be averaging in the highest 7's IMO. On the positive side, going in with such low expectations, I was floored by how cool, and progressive this film is, and it's given me another under-exposed, excellent film to prosthelytize about to fellow film fans.
It's a fascinating film that I'd highly recommend to art house film lovers. I watched this film with a friend who is a fellow cinema fan, who can reasonably often have a different opinion than me on films. He loved it too, and we were both puzzled at the super low average this film has received.
I guess you could say that some people would be a little lost trying to decipher this film, but most should have no problem what so ever. To me, there are Charlie Kaufman qualities to this script. It keeps you guessing what is illusion and what is reality.
The Criterion Collection needs a few Claude Lelouch films, and this one is a prime candidate of a hidden gem. 'Le Voyou' would be a good pick as well. One doesn't want to know much about the plot going in, and Claude Lelouch actually turns up in the film to urge viewers to not spoil it for people who haven't yet seen the film.
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