The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows ...
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Salomé Lerner just finished writing an autobiograpy. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created ... See full summary »
The inspector Staniland as always try to put himself in the place of the victim, this time an unsuccessful pianist. That's when the victim's mistress Barbara entered the appartment, look ... See full summary »
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up ... See full summary »
British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ... See full summary »
Kristin Scott Thomas,
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview. Written by
Dragomir R. Radev <firstname.lastname@example.org>
Reminded me somewhat of Charlie Kaufman's scripts.
First off, the IMDb rating is criminal. 'Viva La Vie' should be averaging in the highest 7's IMO. On the positive side, going in with such low expectations, I was floored by how cool, and progressive this film is, and it's given me another under-exposed, excellent film to prosthelytize about to fellow film fans.
It's a fascinating film that I'd highly recommend to art house film lovers. I watched this film with a friend who is a fellow cinema fan, who can reasonably often have a different opinion than me on films. He loved it too, and we were both puzzled at the super low average this film has received.
I guess you could say that some people would be a little lost trying to decipher this film, but most should have no problem what so ever. To me, there are Charlie Kaufman qualities to this script. It keeps you guessing what is illusion and what is reality.
The Criterion Collection needs a few Claude Lelouch films, and this one is a prime candidate of a hidden gem. 'Le Voyou' would be a good pick as well. One doesn't want to know much about the plot going in, and Claude Lelouch actually turns up in the film to urge viewers to not spoil it for people who haven't yet seen the film.
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