The Times of Harvey Milk (1984) 8.1
A documentary of the successful career and assassination of San Francisco's first elected gay councilor. Director:Rob Epstein |
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The Times of Harvey Milk (1984) 8.1
A documentary of the successful career and assassination of San Francisco's first elected gay councilor. Director:Rob Epstein |
|
| Watch Trailer 0Share... |
| Complete credited cast: | |||
| Harvey Milk | ... |
Himself
(archive footage)
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| Harvey Fierstein | ... |
Narrator
(voice)
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Anne Kronenberg | ... |
Herself
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Tory Hartmann | ... |
Herself
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Tom Ammiano | ... |
Himself
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Jim Elliot | ... |
Himself
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Henry Der | ... |
Himself
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Jeannine Yeomans | ... |
Herself
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Bill Kraus | ... |
Himself
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Sally M. Gearhart | ... |
Herself
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| Rest of cast listed alphabetically: | |||
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John Briggs | ... |
Himself
(archive footage)
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| Jerry Brown | ... |
Himself
(archive footage)
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| Jimmy Carter | ... |
Himself
(archive footage)
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Dianne Feinstein | ... |
Herself
(archive footage) (as Mayor Dianne Feinstein)
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David Fowler | ... |
Himself - TV Interviewer of Dan White
(archive footage)
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Member of the San Francisco Board of Supervisors Harvey Milk and San Francisco Mayor George Moscone were assassinated by Supervisor Dan White on November 27, 1978. Milk's life leading up to his election, his successful efforts to politically represent San Francisco's gay community, and the city's reaction to the assassinations are documented with extensive news film and personal recollections. Written by Ed Stephan <stephan@cc.wwu.edu>
This is a very important film, documenting the coming-of-age of LGBT involvement in the political process. Made just a few years after the Milk/ Moscone assassinations, it expertly captures the mood of a community, pre-AIDS, poised to assume political power.
The climax of the film is the peaceful, strangely silent, candle-lit march up Market Street from the Castro, the center of San Francisco's gay male community. The gay community's response to horrific violence is shock and love. When I show this film to young (mostly heterosexual) student audiences, there is always a collective gasp as they see the throngs of silent marchers.