Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
Philo Beddoe is an easy-going trucker and a great fist-fighter. With two friends - Orville, who promotes prize-fights for him, and Clyde, the orangutan he won on a bet - he roams the San ... See full summary »
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer chooses victims who are acquaintances of Block. Even his daughters are threatened. Written by
Tony Kessen <email@example.com>
Actor Clint Eastwood's then-partner Sondra Locke, who had co-starred with him in six previous films, was not cast in the lead female role of Beryl Thibodeaux in this film. Sudden Impact (1983) was the last Eastwood film that Locke appeared in and reportedly, the Warner Brothers studio executives told Eastwood that the public had tired of seeing movies of him teamed with Locke and not to make any more pictures with her. See more »
Despite shooting on location in New Orleans, not one person in this movie has a regional Louisiana, New Orleans, or Cajun accent. See more »
Twenty-eight years ago I borrowed 40 dollars from my father, packed up an old, beat up suitcase, took a bus and came here. I was seventeen at the time. While I walked through the French Quarter, I looked out over the Mississippi and swore I'd never leave.
Ever come close?
Only once. When I looked down and saw that the suitcase was missing.
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I truly consider Tightrope to be by far one of Eastwood's best acting performances. He definitely DID deserve, that year, at least an Oscar nomination for Best Actor. And don't be mistaken, Wes Block has nothing to do with Dirty Harry ... true, these two cops both have their "dark side" -an aspect that Eastwood has learned to exploit in a number of his pictures, BUT Wes Block appears to be much more "human" than Harry. This single father is struggling with his own demons, persuaded that until now he has screwed up about everything in his life, beginning with his marriage ... he's trying real hard to be a good father, as well as a good cop, that is until this killer comes along and threatens all he's been fighting for to preserve.
Here we get to know a guy who's extremely vulnerable, hurt, un-self confident, haunted and whose relationship with women remains ambiguous, based on control, kind of as if he was afraid of them, of what they could do to him, seeing them as a threat ... hence his resort to the services of prostitutes and his use of handcuffs on them.
As usual in Eastwood's movies, we wanna know what's underneath this front his characters put on ... -like in Pale Rider, Josey Wales, The Bridges of Madison County ... the silences, the puzzling, haunting, deep looks, that tell us far more about a character than any word would. "Less is more" is definitely a guideline of this movie. Most of the time, Eastwood's characters reveal themselves through their silences, and it's particularly true here.
I believe there's a line in Tightrope that sums up pretty accurately what Eastwood's movies are really about: "I'm not sure how close I wanna get ..." They're about very private men struggling with life.
This movie is simply one of his best.
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