Private Eyes revolves the characters in a private detective agency headed by Wong Yuk-See (Michael Hui) with two employees, a stuttered, easily bullied Pighead (Ricky Hui) and secretary/... See full summary »
Struggling actor Chih-Wen (Michael Hui) got a raw deal from his company, MTV Studios, by signing a binding 8-year contract and was only given one opportunity to perform live thus far. Soon,... See full summary »
A fortune teller (Michael Hui), who gives pretentious forecasts, was investigated by a revenue agent (Leon Lai) for failing to pay his taxes. However, the teller's lucky break came when he ... See full summary »
A father's ex-girlfriend resurfaces after a 10-year absence wanting to take her son away from him. With his world shattered, he must decide between what is best for his son and his own future happiness.
Old Hui runs a restaurant specializing in roast duck. His secret duck recipe is very tasty, but customers and staff alike have to put up with the filthy shop and Hui's cost-cutting way of ... See full summary »
Chou Sai-Cheong. a bitter supervisor of a Hong Kong private security company, teaches unusual guard tactics to new recruits such as electric mats, parachuting off burning buildings and ... See full summary »
Er Woo Dong translates to "entertainer," a rough approximation of the duties of 14th-century Korean courtesan Er Yoon Chang. After a lifetime "in service," Er Yoon Chang retires to a ... See full summary »
Michael Hui can almost guarantee an audience. At the time, he was easily the best comic writer-actor in colonial Hong Kong. Teppanyaki, where he plays a chef, builds on his reputation, although compared to hits such as Security Unlimited (1981), Hui's writing seems a little lacklustre. It's still a delightful comedy and most moviegoers will enjoy it - and then again, Security Unlimited was a hard act to follow.
The ingredients (pun not intended) are there: the chef, subject to abuse by his spoilt wife and her (usually armed) father (who owns the restaurant he works at), his best friend and his 103-year-old grandfather, and their relationship. The chef (Hui) has fallen for a calendar girl (Sally Yeh), which puts additional strain on his work and home life.
It still illustrates how naturally writing and acting come to Michael Hui. There are some fantastic moments - such as the eyebrow shaving and the tennis game using a frying pan - but they come less often than in some of Hui's earlier efforts. There's a feeling that there could be something extra. Good, but not great.
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