| Photos (See all 85 | slideshow) | Videos (see all 7) |
| Rob Reiner | ... | Marty DiBergi | |
| Kimberly Stringer | ... | Heavy Metal Fan | |
| Chazz Dominguez | ... | Heavy Metal Fan | |
| Shari Hall | ... | Heavy Metal Fan | |
| R.J. Parnell | ... | Mick Shrimpton | |
| David Kaff | ... | Viv Savage | |
| Tony Hendra | ... | Ian Faith | |
| Michael McKean | ... | David St. Hubbins | |
| Christopher Guest | ... | Nigel Tufnel | |
| Harry Shearer | ... | Derek Smalls | |
| Bruno Kirby | ... | Tommy Pischedda | |
| Jean Cromie | ... | Ethereal Fan | |
| Patrick Maher | ... | New York M.C. | |
| Ed Begley Jr. | ... | John 'Stumpy' Pepys | |
| Danny Kortchmar | ... | Ronnie Pudding | |
| Fran Drescher | ... | Bobbi Flekman | |
| Patrick Macnee | ... | Sir Denis Eton-Hogg (as Patrick MacNee) | |
| Memo Vera | ... | Bartender | |
| Julie Payne | ... | Mime Waitress | |
| Dana Carvey | ... | Mime Waiter | |
| Sandy Helberg | ... | Angelo DiMentibelio | |
| Robin Menken | ... | Angelo's Associate (as Robin Mencken) | |
| Zane Buzby | ... | Rolling Stone Reporter | |
| Billy Crystal | ... | Morty the Mime | |
| Jennifer Child | ... | Limo Groupie | |
| J.J. Barry | ... | Rack Jobber | |
| George McDaniel | ... | Southern Rock Promoter | |
| Paul Benedict | ... | Tucker 'Smitty' Brown | |
| Anne Churchill | ... | Reba | |
| Howard Hesseman | ... | Terry Ladd | |
| Paul Shortino | ... | Duke Fame | |
| Cherie Darr | ... | Fame Groupie | |
| Lara Cody | ... | Fame Groupie | |
| Andrew J. Lederer | ... | Student Promoter | |
| Russ Kunkel | ... | Eric 'Stumpy Joe' Childs | |
| Diana Duncan | ... | 'Jamboree Bop' Dancer | |
| Gina Marie Pitrello | ... | 'Jamboree Bop' Dancer | |
| June Chadwick | ... | Jeanine Pettibone | |
| Victory Tischler-Blue | ... | Cindy (as Vicki Blue) | |
| Joyce Hyser | ... | Belinda | |
| Gloria Gifford | ... | Airport Security Officer | |
| Paul Shaffer | ... | Artie Fufkin | |
| Archie Hahn | ... | Room Service Guy | |
| Charles Levin | ... | Disc 'n' Dat Manager | |
| Wonderful Smith | ... | Janitor | |
| Anjelica Huston | ... | Polly Deutsch (also as Angelica Huston) | |
| Chris Romano | ... | Little Druid | |
| Daniel Rodgers | ... | Little Druid | |
| Fred Willard | ... | Colonel On Military Base | |
| Fred Asparagus | ... | Joe 'Mama' Besser | |
| Rodney Kemerer | ... | L.A. Party Guest | |
| Robert Bauer | ... | Moke | |
| rest of cast listed alphabetically: | |||
| Helen Kelly | ... | 'Pod' Concert Viewer (uncredited) | |
| Paul Korda | ... | Rock star, LA party guest (uncredited) | |
| Blackie Lawless | ... | Comercial Headbanger (uncredited) | |
| Claudia Sloan | ... | Girlfriend (uncredited) | |
| Brinke Stevens | ... | Girlfriend (uncredited) | |
| Sam Whipple | ... | Recording Engineer (uncredited) | |
Directed by | |||
| Rob Reiner | |||
Writing credits | ||
| Christopher Guest | (written by) & | |
| Michael McKean | (written by) & | |
| Harry Shearer | (written by) & | |
| Rob Reiner | (written by) | |
Produced by | |||
| Karen Murphy | .... | producer | |
Original Music by | |||
| Christopher Guest | |||
| Michael McKean | |||
| Rob Reiner | |||
| Harry Shearer | |||
Cinematography by | |||
| Peter Smokler | |||
Film Editing by | |||
| Kent Beyda | |||
| Kim Secrist | |||
Casting by | |||
| Eve Brandstein | |||
Production Design by | |||
| Bryan Jones | |||
Makeup Department | |||
| Michele Payne | .... | hair stylist supervisor | |
| Michele Payne | .... | makeup supervisor | |
| Patricia Messina | .... | makeup artist (uncredited) | |
Production Management | |||
| Lindsay Doran | .... | executive in charge of production | |
| Cary Glieberman | .... | unit production manager | |
Art Department | |||
| Gregory Boone | .... | designer: logo and album covers | |
| Bernt Amadeus Capra | .... | assistant production designer (as Bernt Capra) | |
| Tommy Estridge | .... | property master | |
| Stan Harris | .... | additional art director | |
| James Maher | .... | art director: Pop, Look & Listen | |
| Will Weston | .... | designer: additional album covers | |
| Kent State | .... | props (uncredited) | |
Sound Department | |||
| Douglas B. Arnold | .... | concert playback operator (as Doug Arnold) | |
| Beth Bergeron | .... | sound editor | |
| John Brasher | .... | supervising sound editor | |
| David E. Campbell | .... | sound re-recording mixer (as Dave Campbell) | |
| Roberta Doheny | .... | sound effects editor | |
| Robert Eber | .... | sound mixer (as Bob Eber) | |
| Alfred T. Ferrante | .... | sound recordist | |
| Alia Kahn | .... | sound assistant | |
| Lars Nelson | .... | sound effects recordist | |
| John T. Reitz | .... | sound re-recording mixer (as John Reitz) | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Wayne Beauchamp | .... | concert special effects (as James Beauchamp) | |
Camera and Electrical Department | |||
| Victor Abbene | .... | electrician | |
| Ben Batzdorff | .... | best boy | |
| Rod Blackie | .... | assistant camera | |
| Hilyard John Brown | .... | additional camera operator (as H.J. Brown) | |
| Robert Carmichael | .... | additional camera operator (as Bob Carmichael) | |
| Skip Cook | .... | best boy grip | |
| Thomas Geren | .... | additional camera operator (as Tom Geren) | |
| Steven Green | .... | assistant camera (as Steve Green) | |
| Joseph Matlock | .... | grip | |
| Bill Meurer | .... | gaffer | |
| Richard Ocean | .... | lighting designer: concert lighting | |
| James Quakenbush | .... | assistant camera | |
| Hector Ramirez | .... | additional camera operator | |
| Rick Robertson | .... | additional camera operator | |
| Jeff Smith | .... | key grip | |
| Kristin York | .... | unit photographer | |
| Greg Robbins | .... | stage rigging technician (uncredited) | |
| Mark Simon | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Marc Hirschfeld | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Renee Johnston | .... | costume stylist | |
| Lesley Neufeld | .... | wardrobe assistant (as Lesley Nicholson) | |
Editorial Department | |||
| Christine Cholvin | .... | assistant editor | |
| Robert Leighton | .... | supervising editor | |
| Marsha Murphy | .... | post-production coordinator | |
| Cathy Rosenstein | .... | post-production coordinator | |
| Arthur Tostado | .... | color timer (as Art Tostado) | |
Music Department | |||
| Harlan Collins | .... | music arranger: "Cup & Cakes" | |
| Christopher Guest | .... | musician | |
| David Kaff | .... | musician | |
| Kenneth Karman | .... | music editor | |
| Patrick McDonald | .... | music recording engineer | |
| Michael McKean | .... | musician | |
| R.J. Parnell | .... | musician | |
| Harry Shearer | .... | musician | |
| John Sinclair | .... | musical stylist | |
| John Sinclair | .... | musician: additional keyboards | |
| Bob Badami | .... | music editor (uncredited) | |
Transportation Department | |||
| Billy G. Arter | .... | transportation coordinator (as Billy Arter) | |
| Ed Hanna | .... | driver | |
| Joe Johnson | .... | driver | |
Other crew | |||
| Robert Bauer | .... | band road manager | |
| Harlan Collins | .... | copyist: "Cup & Cakes" | |
| Leslie Cornyn | .... | assistant production controller | |
| Jane Covner | .... | unit publicist | |
| Margaret E. Fannin | .... | production coordinator | |
| David Guerra | .... | roadie | |
| Bill Hankins | .... | production liaison | |
| Vicki Hillman | .... | production liaison | |
| Carol Kravetz | .... | choreographer | |
| Ralph Lee Moss | .... | roadie | |
| Debbie Nodella | .... | production secretary | |
| Anne Rapp | .... | continuity | |
| Douglas E. Stoll | .... | location manager (as Douglas Evan Stoll) | |
| Jeffrey Stott | .... | production controller (as Jeff Stott) | |
| Steve Turek | .... | craft service | |
| Michael Thomas Slifkin | .... | talent coordinator (uncredited) | |
Thanks | |||
| Susan Rogers | .... | acknowledgment: still photographs provided by | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Not too long ago, my classmates and I were allowed to bring in a DVD of our choice as it was nearing the end of the school term. Knowing that these pop culturists wouldn't be too happy to watch one of my 'arty cult films', I didn't give a shite and brought in 'This is Spinal Tap'. They quite happily agreed to put it on after I told them it was funny and had swearing in it. But soon, boredom started to sink in with the class. "Crap", they labelled it. "Boring", they yelled. After less than ten minutes, my teacher was changing the disk to, wait for it 'The Others'. One of my chums, being a fan of the film, dismissed them as idiots. However, I told him it was all a matter of taste and that they would be much happier settling down to watch their 40-year-old virgins and American pies than this more subtly-coloured tin of paint. So as I walked over to the front of the classroom, tail between my legs, to pick up my DVD my teacher leaned over and said, "Don't worry, I liked it. You have to be cultured to enjoy this sort of thing." And you know what, she's right.
To be quite frank, 'Spinal Tap' is just like marmite. You'll either love everything about it or hate every frame of it. Some people say it's like watching wet paint dry, others say it was so funny it gave them a hernia. I definitely fall into that latter category. After the umpteenth viewing, I still find it painfully hilarious!
But that's not the only reason for seeing it. It's also a totally accurate, observational and witty deconstruction of rock's strutting pretensions. If you're someone who thinks rock bands take themselves far too seriously, you need this movie. If, on the other hand, you feel like rock stars should forever be treated like gods and worshipped on a regular basis, you might just want to avoid this. After all, when Aerosmith's Steven Tyler had finished watching it he said he just felt like he wanted to throw himself off a cliff! It reveals the utter shallowness of rock 'n' roll without even flinching!
If you're also a lover of in-your-face laugh-out-loud got-it-straight-away humour, just stay away. Far, far away. This is intellectual stuff. You have to possess intelligence to enjoy it. I've never met any stupid people who did enjoy this film.
Director Rob Reiner really shows how broad his range is with this (his best in my opinion!), bringing every authentic detail, no matter how seemingly minor, to the screen effortlessly with a wonderfully sharp cast. Its still a challenge to get my head around the fact that this is from the same tubby Santa Claus look-alike who made 'The Princess Bride' and 'Stand By Me'! Reiner has always been a man with extraordinarily wide horizons and always will be, constantly entertaining cinema-goers with so many different stories!
The film's fly-on-the-wall mockumentary style works wonders, getting some beautiful performances from its actors (namely Michael McKean and Christopher Guest) and adding to its 'natural' feel. Many films, mainly British ones, have imitated this style ever since. Even one of the film's actors and co-writers has stuck to the hip of this film for the most part of his career, coming up with new and even more outlandish 'mockumentaries' to entertain and sate his legion of followers.
On each viewing, you'll erupt into laughter at the discovery of a new joke. Then for weeks on end, you'll be quoting it to your friends and everyone you know. It's like a treasure trove without a bottom!
To finish this not-so-critical analysis, I can never find any fault or flaw even after the innumerable viewings I've had. I never get bored of it either. I think the reason I like this so much is, honestly, because it was made for people like me!