In 1982 legendary British heavy metal band Spinal Tap attempt an American comeback tour accompanied by a fan who is also a film-maker. The resulting documentary, interspersed with powerful performances of Tap's pivotal music and profound lyrics, candidly follows a rock group heading towards crisis, culminating in the infamous affair of the eighteen-inch-high Stonehenge stage prop. Written by
Jeremy Perkins <firstname.lastname@example.org>
There's a common misconception that the "too small Stonehenge" disaster is a parody of Black Sabbath's oversized Stonehenge sets from the Born Again tour. This is impossible, the Stonehenge Spinal Tap scene existed as early as 1982 when the film existed as a 20-minute short. Black Sabbath didn't begin using their Stonehenge sets until 1983. See more »
In the hotel lobby, Nigel and Mick switch places on either side of David between shots. See more »
Hello; my name is Marty DiBergi. I'm a filmmaker. I make a lot of commercials. That little dog that chases the covered wagon underneath the sink? That was mine. In 1966, I went down to Greenwich Village, New York City to a rock club called Electric Banana. Don't look for it; it's not there anymore. But that night, I heard a band that for me redefined the word "rock and roll". I remember being knocked out by their... their exuberance, their raw power - and their punctuality. That ...
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There are no opening credits after the title is shown. See more »
I have seen this movie more times than any other movie ever. When I was 12 or 13, my brother rented it and we watched it 3 times in the same day. At first, I hated it because I didn't know any better, and my brother never "helped" me figure out why it was funny. The second time I watched it, I "got it" and have never been the same person ever since.
First off, the entire film is ad-libbed except for the songs and a few lines; which is the reason that people are talking over each other a lot, requiring repeated viewings to catch everything. It is in documentary format, so it all works for this type of film. The songs are hysterical but catchy at the same time, just like real 80's arena rock and hair metal (well some of it). It certainly helps to be a fan of the rock genre to enjoy the film, or you will miss out on some significant references and the basis for each of the band members.
There are no dull moments in this brisk, 82-minute film, and the sheer number of hysterical cameos (including Fran Drescher, Billy Crystal, Bruno Kirby, Howard Hesseman, Paul Shaffer and Anjelica Huston) kicks the film up to 11 as they all put in stellar performances.
This film should be in the Top 100, no question. On my list, it would be in the Top 10. Of course, American History X is currently rated #41, so that tells you something about the IMDb rating system.
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