A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ? Written by
Colin Tinto <firstname.lastname@example.org>
In the Year of Darkness, 2029, the rulers of this planet devised the ultimate plan. They would reshape the Future by changing the Past. The plan required something that felt no pity. No pain. No fear. Something unstoppable. They created 'THE TERMINATOR' See more »
The Terminator (1984) was filmed on a very tense set, e.g. Schwarzenegger didn't enjoy the prosthetics, because the wires of the red eye burned a lot of the time; for the arm scene, he had to have his real arm tied behind his back for hours. James Cameron also shot the carjacking scene without a permit. Anyone who came up to him with lame ideas wound up irritating Cameron, e.g. Cameron waxed an idea of the Terminator drinking a beer and acting silly (like in ET) because that just couldn't happen. See more »
When Traxler and Vukovich arm up with assault rifles during the police station massacre, an officer with a shoulder rig is seen behind them grabbing his own M16. Later, when the station is on fire, the Terminator steps over the same officer dead on the floor, armed with only his revolver. See more »
[the garbage truck's engine stops]
What the hell? Goddamn son of a bitch...
See more »
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
I just saw a horrifying, touching, very good movie again; it's The Terminator. Now to talk of it as great film, to compare it with American Beauty might seem idiotic--it's an almost unrelentingly dark, violent, frightening action movie, after all--but strip away the relentless action, strip away the technophobia, strip away the blatant dislike of cops and modern youth, strip away the poignant love story and, at its core, it's about an immature, essentially mindless girl becoming a strong, determined woman. That's a theme more movies should have if we want girls to have strong role models.
In the course of a few hours during which Sarah Connor realises that she is running for her life from a soul-less machine in human flesh that is implacably and violently determined to kill her, she transforms from a girl who can't balance her cheque book to a woman who can order a wounded, beaten man to "get on your feet, soldier." She is clear-headed, not panicky, focused in crisis and incredibly courageous. And it's not that she has lost her essential femaleness but that she's grown up.
It's relentless, heartless violence appals and fascinates me. It's gritty depiction of our society as a prelude to an even more horrific one in 2023 darkens my heart. It's quickly developing love story touches me. Its humor makes the dark places in me smile. But most of all I am touched and fascinated by Sarah's precipitous transformation. As a good life exercise, ask yourself this: Would you have the courage to do what she does?
9.5 out of 10.
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