Jota is about to commit suicide. As he fighting against himself, trying to jump off a bridge, a girl riding a motorcycle falls off the bridge. He runs to help her, and goes with her to the ... See full summary »
Madrid in the 40s: in an old neighborhood tavern, every first Friday of the month at nightfall Moor Hauma organizes a unique and secret card game. The Caudillo, Francisco Franco, meets with several friends of Africa's campaign for a game.
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
Lorenzo is a young man who has just returned to Salamanca (Spain) from England, where he fell in love with Berta, a girl daughter of exiled parents who have never seen Spain. Lorenzo tries ... See full summary »
Basilio Martín Patino
Emilio Gutiérrez Caba,
Finished their careers of Law and Medicine, respectively, Antonio Redondo and Josefina Castro, a pair of young Spanish newlyweds, are looking for work to buy an apartment and start a life ... See full summary »
Fernando Fernán Gómez
Fernando Fernán Gómez,
Octavio Saldaña is a poor young dreamer who lives with his elderly mother and is employed in the offices of the company Manufacturas Sánchez-Bey. As a reward for his work, Mr. Bey invites ... See full summary »
Isabel de Pomés,
Wonderful, simple story of a young lad growing up in his rural surroundings, more or less in the line of `El Sur', Erice's little masterpiece produced just two years earlier. Armendáriz achieves an intense and intimate portrait of Tasio and the people around him without any over-dramatization, using simple but effective dialogue, careful characterization, and of course the brilliant photography. Tasio learns to eke out a living making coal, really charcoal-making for domestic use. Wood is piled up into a great heap, maybe three or four metres high and up to eight metres diameter, and set alight in the inside so that it burns very slowly. The `carbonero' - Tasio - must attend this smouldering heap by climbing up on it and poking and prodding holes deep into it so that there is a minimum of ventilation. You can still find some examples of this old craft in rural parts of Spain even today.
At times the dialogue may be a little difficult because of marked regionalistic accents; although Spanish-speaking, the profound Basque influence is highly evident. The film in fact was made just outside the Basque Country (Euskadi), in the extreme west of Navarra (Navarre) around the villages of Aranarache, Eulate, Urra, Baquedano and Zudaire, villages forming the area known as Améscoa; indeed you can often see parts of the beautiful Sierra de Urbasa, its heavily wooded slopes with clear little rivers. An absolute must for those who love good walks... just 40 minutes by car from where I am now. This is not an action film: it is a beautiful portrait of rural people living rural lives with just that touch of tragedy present in these Spanish films looking back at the 50s and 60s, similar to films like `Las Ratas', `El Abuelo' and `La Lengua de las Mariposas'.
7 of 7 people found this review helpful.
Was this review helpful to you?