| Goldie Hawn | ... | Kay Walsh | |
| Kurt Russell | ... | Mike 'Lucky' Lockhart | |
| Christine Lahti | ... | Hazel | |
| Fred Ward | ... | Archibald 'Biscuits' Touie | |
| Ed Harris | ... | Jack Walsh | |
| Sudie Bond | ... | Annie | |
| Holly Hunter | ... | Jeannie | |
| Patty Maloney | ... | Laverne | |
| Lisa Pelikan | ... | Violet | |
| Susan Peretz | ... | Edith | |
| Joey Aresco | ... | Johnny Bonnaro | |
| Morris 'Tex' Biggs | ... | Clarence | |
| Reid Cruickshanks | ... | Spike | |
| Danny Darst | ... | Deacon (as Daniel Dean Darst) | |
| Dennis Fimple | ... | Rupert George | |
| Chris Lemmon | ... | Lt. O'Connor (as Christopher Lemmon) | |
| Charles Napier | ... | Moon Willis | |
| Stephen Tobolowsky | ... | French de Mille / Documentary Narrator | |
| Laura Hawn | ... | Ethel, Spike's Wife | |
| Marvin Miller | ... | Rollo | |
| Susan Barnes | ... | Skinny | |
| Beth Henley | ... | Bible Pusher | |
| Gene Borkan | ... | MP at embarcation | |
| Alana Stewart | ... | Frankie Parker | |
| Phillip Christon | ... | Recruit at Egyptian | |
| Penny Johnson | ... | Genevieve | |
| Isabell O'Connor | ... | Rita (as Isabell Monk) | |
| Maggie Renzi | ... | First Interviewer | |
| Sandy McLeod | ... | Second Interviewer (as Sandi McLeod) | |
| George 'Red' Schwartz | ... | Cribman (as George Schwartz) | |
| Alan Toy | ... | Assistant Cribman | |
| Oceana Marr | ... | Ladies' Room Inspector | |
| Richard K. Way | ... | Factory Soldier | |
| Harold Jackson | ... | Piano Player at Sorrentino's | |
| Don Carrara | ... | Drunk Soldier | |
| Todd Allen | ... | Col. Bobby Danzig | |
| Gary Goetzman | ... | Swing Shift bandleader | |
| Belinda Carlisle | ... | Jamboree Singer | |
| Lissette LeCorn | ... | Peggy age 3 | |
| Jessica Gaynes | ... | Peggy age 7 | |
| Deena Marie | ... | Piper Girl | |
| Roger Rook | ... | Bellhop | |
| Joseph Hutton | ... | Seaman Amtzie | |
| Harry Northup | ... | New Year's Eve Marine #1 | |
| David B. Carlton | ... | New Year's Eve Marine #2 | |
| Lisa Chadwick | ... | Vocalist at Kelly's | |
| Eddie Smith | ... | Waiter at Kelly's | |
| Eugene Jackson | ... | Bartender at Kelly's (as Eugene W. Jackson) | |
| Chino 'Fats' Williams | ... | Bouncer at Kelly's | |
| Belita Moreno | ... | Mabel Stoddard | |
| Roger Corman | ... | Mr. MacBride | |
| rest of cast listed alphabetically: | |||
| Cynthia Lea Clark | ... | Dancer (uncredited) | |
| Patrice Cole | ... | Soldier's Wife (uncredited) | |
| Luci-Lynn Norris | ... | Neighbor (uncredited) | |
| Doug Savant | ... | (uncredited) | |
Directed by | |||
| Jonathan Demme | |||
Writing credits | ||
| Nancy Dowd | (written by) (as Rob Morton) | |
| Bo Goldman | uncredited | |
| Ron Nyswaner | uncredited | |
Produced by | |||
| Jerry Bick | .... | producer | |
| Charles Mulvehill | .... | associate producer | |
| Arlene Sellers | .... | executive producer | |
| Alex Winitsky | .... | executive producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| Tak Fujimoto | (director of photography) | ||
Film Editing by | |||
| Gib Jaffe | |||
| Craig McKay | |||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Bo Welch | |||
Set Decoration by | |||
| Jeff Haley | |||
| R. Chris Westlund | |||
Costume Design by | |||
| Joe I. Tompkins | |||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist (as Kathryn L. Blondell) | |
| E. Thomas Case | .... | makeup artist (as Tom Case) | |
| Jerry O'Dell | .... | makeup artist (as Gerald O'Dell) | |
| Kim Samson | .... | hair stylist | |
Production Management | |||
| Charles Mulvehill | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carla Brand Breitner | .... | second second assistant director | |
| Michael Looney | .... | second assistant director | |
| Sharon Mann | .... | second second assistant director (as Sharon S. Mann) | |
| Charles Myers | .... | first assistant director (as C.A. Myers) | |
| Evelyn Purcell | .... | second unit director | |
| Cynthia Riddle | .... | trainee assistant director | |
Art Department | |||
| Dennis DeWaay | .... | construction coordinator | |
| Jack Johnson | .... | illustrator | |
| Scott W. Leslie | .... | set dresser | |
| Margie Stone McShirley | .... | set designer | |
| William Kemper Wright | .... | leadman (as William Wright) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| James Beshears | .... | sound editor | |
| Charles L. Campbell | .... | supervising sound editor | |
| Larry Carow | .... | sound editor | |
| Chris Jenkins | .... | sound re-recording mixer | |
| Dennis Jones | .... | boom operator | |
| Tom Overton | .... | sound mixer (as Tommy Overton) | |
| David Pettijohn | .... | sound editor | |
| Norman B. Schwartz | .... | adr dialogue editor | |
| Larry Stensvold | .... | sound re-recording mixer | |
| Roger Sword | .... | sound editor | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Rodney M. Byrd | .... | special effects | |
| Richard Lea | .... | special effects | |
Camera and Electrical Department | |||
| Jamie Anderson | .... | camera operator | |
| Edward Brown Jr. | .... | assistant camera | |
| Paul Caven | .... | best boy electric | |
| Adam Glick | .... | set lighting technician | |
| Melton Maxwell | .... | gaffer | |
| John T. Ramsey | .... | key grip | |
| Dwayne Redlin | .... | best boy grip | |
| Peter Santoro | .... | assistant camera | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Stephen St. John | .... | steadicam operator | |
| Albert Hood | .... | electrician (uncredited) | |
| Paul Jacobsen | .... | electrician: practical fixtures (uncredited) | |
| Michael T. Travers | .... | grip (uncredited) | |
Casting Department | |||
| Marion Dougherty | .... | casting | |
Costume and Wardrobe Department | |||
| Michele Dittrick | .... | costumer | |
| Silvio Scarano | .... | costume supervisor: men | |
| Pamela Wise | .... | costume supervisor: women | |
Editorial Department | |||
| Gib Jaffe | .... | additional film editor | |
Music Department | |||
| Beth Bergeron | .... | music editor | |
| George Doering | .... | musician | |
| Jack Hayes | .... | orchestrator: Patrick Williams | |
| Billy May | .... | orchestrator: Patrick Williams | |
| Michael Moores | .... | orchestrator: Patrick Williams | |
| L. Loren Newkirk | .... | musician | |
| Morgan Cavett | .... | music contractor (uncredited) | |
Other crew | |||
| Nancy E. Barr | .... | production coordinator: re-takes | |
| Pablo Ferro | .... | title designer | |
| Jim Gerwig | .... | caterer | |
| Marie Kenney | .... | script supervisor | |
| Sam Mercer | .... | location manager | |
| Eileen Omaye | .... | assistant: Jerry Bick | |
| June Petersen | .... | assistant: Mr. Demme | |
| W. Thomas Snyder | .... | production assistant | |
| Phillip Christon | .... | intern (uncredited) | |
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| New York, New York | The Best Years of Our Lives | Malèna | The Last of the Blonde Bombshells | Pearl Harbor |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I really did like this movie. There's a lot to like. It's the beginning of World War II, and all the men are being called to the Army. Goldie Hawn and Ed Harris are a typical American couple thus pulled apart. Goldie gets a Rosie the Riveter job, where she meets Kurt Russel, a 4F plant foreman, and the rest is history.
Swing Shift was directed by Jonathan Demme, of Silence of the Lambs and Philadelphia fame, and if this one is a little lighter, it was also a lot earlier in his career. Holly Hunter appears in a very small supporting role, but gives it her star-quality best. Christine Lahti is magnificent as the single neighbor who befriends Goldie at the factory even though she and her husband were cruel to her before the war changed everyone's lives. Fred Ward was already becoming old hat, but he, like the rest of the film, ends up being likeable and thoroughly enjoyable.
Hawn and Russell met on the set and have been together ever since. Maybe the excitement of their real-life romance drained the spark from their on-screen version. This could have been a really moving story of a woman who falls in love while her husband is off to war, but ends up showing us a couple of bump-buddies killing time till their real lives resume. Perhaps that was the point.
Ed Harris is perfectly cast as the common man trying to keep his marriage together in the face of all that life throws in its way. There is a famous scene, in which Ed, wearing nothing but a bath towel, plops into a floppy chair with a cold beer. The resulting bounce proves that Harris is one of the biggest stars in Hollywood, and explains why this charming little tale will never be on DVD.
Swing Shift is a nice period piece, and provides an amusing, if not entirely accurate, view of the tumultous years in the middle of the last century when the entire world went to war.