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Set in 1969, a twelve-year-old grows up in Key West with his mother, who is paying the bills by stripping at the local topless bar. The boy finds out about her activities and tries to ... See full summary »
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A young widower moves with his daughter into a North Carolina mountain town in 1934. He quickly takes up with a young woman with an illegitimate baby. First he must prove himself to her ... See full summary »
Jack and Kay Walsh are typical of many couples of the 1940s, where he is the breadwinner and she the housewife dependent upon him to do the man's duties around the house. Jack believes one of their neighbors in the housing complex in which they live in Los Angeles is white trash - he letting her know so at every opportunity, while Kay is quietly curious about her. That neighbor is streetwise Hazel Zanussi, an aspiring singer who does get a chance to sing on occasion at the club managed by her casual boyfriend, Biscuits Toohey, although he relegates her to being one of the taxi dancers more often against her wants, while he cheats on her behind her back despite truly having feelings for her. Hazel just wants to make an honest living. Their worlds are turned upside down on December 7, 1941 when the US enters WWII with the Japanese bombing of Pearl Harbor. Jack immediately enlists in the Navy, and while he will send money home, his decision leaves Kay largely to fend for herself. Against... Written by
When marine Bobby Danzig first speaks to Jeannie, he is wearing the insignia of a private first class (one chevron), but is wearing a red "blood stripe" on his dress blue trousers; this stripe is designated for non-commissioned officers, which a PFC is not (the Private First Class should be wearing plain blue trousers). However, the end credits identify Danzig as a corporal - two ranks higher than a PFC, and authorized to wear the stripe. See more »
Nice period feeling and an interesting premise that doesn't get a lot of attention, women's role in the workplace during WWII. They should have focused on that and left the weak love story out and would had a better film. The problem is that Goldie's and Russell's characters are not really people you can feel much empathy for, she's spoiled and selfish and he's really rather a jerk whereas the more interesting and relatable characters played by Ed Harris and Christine Lahti are kept too much in the background. Christine Lahti however steals every second she's on screen apparently pre-release tinkering cut some of her best work to throw the spotlight more Goldie's way, perhaps costing her a best supporting actress Oscar although she was nominated. You'll spot Holly Hunter early in her career as one of the factory girls. Not without its merits and attractions but less than it could have been.
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