The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
Tony Stark has declared himself Iron Man and installed world peace... or so he thinks. He soon realizes that not only is there a mad man out to kill him with his own technology, but there's something more: he is dying.
Robert Downey Jr.,
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
After a power source for the community of Krypton survivors is accidentally whisked to earth, Kara-El, cousin to Superman and niece to Jor-El, chooses to go to earth to find it, and bring it back. Upon her arrival, she becomes just a powerful and Super as her cousin, but encounters dangerous battles and unexpected obstacles when a mean spirited woman who practices rituals of the occult takes the power source for herself, and uses it to cause destruction and attempt zenith human status. Written by
In the castle, when Bianca says "I think I'll be going", the glass on the mirror has wrinkles, revealing that it's not glass. See more »
[as Kara goes through the Binary Chute]
She'll be killed.
Oh, no, she won't. She will be safe. Through the binary. Through the warp. Into another register.
Gravitational radiation. A pathway from inner space to outer space.
Then she'll never be the same, ever.
At least she'll be alive.
And my fate is sealed. I've lost the Omegahedron. I must be sent to the Phantom Zone. Your suffering will be short. Mine... forever.
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In the end credits Argo City is kept in view until the last minute. See more »
This was the first time I ever saw Helen Slater, and rightaway I knew she was the most beautiful lady in the world! (Sorry ladies!)
I think there are some classic lines that have been overlooked: I remember when the Tractor went wild in Midvale, and Linda/Supergirl was searching for a place to change into her costume, she spied the Ladies' Room, and dashed toward it at super-speed, plowing into a woman who was just coming out. Linda apologized, "Sorry, I'm in a rush!" and shot inside. The woman looked wry. "I know what you mean!"
Perhaps Zaltar (Peter O'Toole) wasn't as important as he could have been. Although I thought Faye Dunaway was perfect as Selena (a little type-casting courtesy of Mommie Dearest), I prefer to wonder what would have happened if Zaltar had been just a little more complex (he's an artist, after all!) and a little more selfish, and actually followed through with his plans to see Outer Space with the assistance of the Omegahedron.
Then he might have been the villain of the piece, and the most dangerous kind of villain: the villain an audience can sympathize with. Then the audience would have been torn between wanting Zaltar to succeed, and wanting Kara/Supergirl to stop him before the loss of the Omegahedron destroys Argo City.
Oh! And I would've liked to see how Argo City was torn away more or less whole from Krypton as the planet detonated, and wound up in Inner Space, trapped in a warp that only Kal-El's little spaceship was equipped to navigate and exit.
I don't think it's over for Supergirl, her story could be REtold (a la Batman), but I'd only be interested in a remake if the filmmakers would remain true to the style of THIS movie (Supergirl (1984), rather than opting for a trendy, dark, angst-ridden "hero" (I use the term loosely) in a demented action "adventure". I miss the bright, cheerful style of the old Superman comics, from the 50's, 60's and 70's, and I'd love to see that back on the big screen, like Superman The Movie and Superman II, and . . . naturally, Supergirl - The First Adventure.
This is a beautiful, dream-like jewel of a movie, a real Pink Panther (I refer, of course, to the diamond).
That breath-taking, emotional moment as Supergirl arrives on Earth, and discovers her powers and her new environment, in my humble opinion, is unmatched in all the Super-movies.
Jerry Goldsmith's score, especially the Supergirl March and the Love Theme are stirring and moving respectively, and easily equal to John Williams' contributions to the Superman movies. I have Jerry's score on CD (thanks to Silva Screen Records) and the Supergirl Main Theme is my Favorite Movie Theme of all time.
(Superman was and is my hero, Superman II (1980) was THE defining movie of my youth, and I can probably sing you the entire score to Superman III, but I love the Supergirl themes more.)
And if a widescreen, remastered version of this movie ever becomes available "Down Under" , I want to see it!
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